October 24 2006
"Joss Whedon was particularly good at finding the perfect theme-song writers"
says a reader to Matt Roush, hypothesizing that studios today "are just not willing to search out or hire someone to write the perfect song." Under the second question on the page.
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[ edited by Tonya J on 2006-10-23 23:02 ]
Tonya J | October 24, 00:13 CET
MySerenity | October 24, 00:59 CET
To be fair, it can't have been that hard for Joss to find himself.
(That said, he did find a great performer for that piece, and also found some fine composers for Buffy and Angel.)
Gordon Comstock | October 24, 01:11 CET
Harmalicious | October 24, 03:39 CET
And in a way, it really was the music of Buffy that got me involved in the (online) fandom. I'm such a music freak and I never (but once) went online to read about Buffy or other Whedon-shows until there was a song in Season Six that I wanted & couldn't identify. I visited a Buffy/Angel music site to track it down., which led to more music searches and more Buffy-websites until finally I joined a Serenity site. And so on.
The Buffy music in particular -- the popular songs -- were so well chosen, and so effective that they opened me up to musicians and genres that I probably never would have enjoyed or sought out before. I used to be a pretty much one-trick-folk-pony, except for jazz/blues/classical.
Just one more thing that watching the Joss-world has done for me...
QuoterGal | October 24, 03:45 CET
Invisible Green | October 24, 03:47 CET
resa | October 24, 04:03 CET
eddy | October 24, 04:04 CET
Angel wise, hmmm let me see. You know the epic fight scene between Angel and Lindsay in "You're Welcome"? Well it's the score that kicks in when Angel says "I'm Angel and I beat the bad guys". Truly wonderful. I think it's a reworking of a theme that was previously used on Angel.
Simon | October 24, 04:53 CET
Lioness | October 24, 05:09 CET
You know how that is?
There were many others I loved from earlier episodes, but this was the first that took me a good while to figure out, and it led me to The Magical Online Land of Buffy-dom (and Napster in its death-throes, if I'm recalling correctly,) which sealed my eventual downfall/enthralldom in the Fandom of Whedonia.
[ edited by QuoterGal on 2006-10-24 08:56 ]
QuoterGal | October 24, 05:30 CET
I think Grey's Anatomy does a particularly good job of using music in the show. Or at least they use a lot of music I love.
Odysseus | October 24, 05:48 CET
TychoCelchuuu | October 24, 05:56 CET
St. Francis is one of the saints I'm quite fond of...
QuoterGal | October 24, 05:58 CET
I wonder how long it took him, and if he truly ever did find himself.
Nebula1400 | October 24, 06:18 CET
MySerenity | October 24, 07:16 CET
I was already a Sarah McLachlan fan, but certainly "Full of Grace" is one of my favourites. My only disappointment in having the UK version of "Radio Sunnydale" (strongly suggested as the better of the two and I agree) is that it does not have the "Prayer of St. Francis" on it and I have been unable to find it anywhere else. QuoterGal, where did you find it?
samatwitch | October 24, 07:32 CET
Anyway. Buffy, Angel and Firefly are wonderfully scored series. And the theme songs! Darling Violetta and Nerf Herder are so perfect for their respective shows, not even getting into Joss' own compositional beauty in Firefly. Buffy obviously has the most pop music, and some of them are so wonderful. I'm a Rolling Stones fan, but after seeing Buffy and Angel dancing their last dance, I can't hear the original "Wild Horses" without wishing I were hearing The Sundays. And there are so many moments tied directly to music so that separating them would be unconscionable. "Goodbye to You" in "Tabula Rasa"? The Sarah MacLaughlin at the end of season two and six? "Virgin State of Mind" in "Doppelgangland"? And, probably most of all, "Blue" in "Conversations with Dead People"?
Score-wise, I cherish my Angel and Firefly soundtrack albums, as well as the Buffy scores I've managed to cull together. Just a few notes of "Sacrifice" ("The Gift") or "Remembering Jenny" ("Passion") or the score from "Out of Gas" or the theme that plays over Angel/Cordy's kiss in "You're Welcome" is enough to do me in.
WilliamTheB | October 24, 08:40 CET
SangChaud | October 24, 09:06 CET
Oh, yeah. Made that episode. Plus, Aimee Mann songs & appearance. Oh, god, and this absolutely: Alison Krauss singing "That Kind Of Love" in "Entropy."
(samatwitch, check your email...)
QuoterGal | October 24, 09:55 CET
dreamlogic | October 24, 10:04 CET
I did go searching and bought a ton of it, I bought the American and English versions of Radio Sunnydale. Never understood why there were two though. Other than having the Prayer of St. Francis the American one kind of sucks.
I have gone to see many of the bands featured on the show as well after hearing them on the show.
Loved many of the moments/songs listed above but have to add Key by the Devics which is playing in the Bronze in Crush when Spike and Drusilla go hunting. Perfect.
Xane | October 24, 10:28 CET
billz | October 24, 11:54 CET
ETA, "Key" is one of my favourites, as is "Blue", Aimee Mann's "Pavlov's Bell", Alison Krause's "That Kind of Love" and, of course, Michelle Branch's "Goodbye to You". Sometimes I watch "Tabula Rasa" just so I can hear the song!
[ edited by samatwitch on 2006-10-24 10:07 ]
samatwitch | October 24, 12:01 CET
Thomas | October 24, 12:18 CET
One of my favorite "heard it on TV" discoveries is Massive Attack, whose song Teardrop is the theme to House. Fantastic stuff! How I missed them till now, I don't know...
redfern | October 24, 17:01 CET