November 13 2006
SMG's "The Return" opens in 8th place.
Earning 4.8 million dollars this weekend.
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eddy | November 13, 04:27 CET
That being said, I never saw a single bit of promotion for The Return. Nada.
TamaraC | November 13, 04:36 CET
Matt_Fabb | November 13, 05:10 CET
Mack | November 13, 05:12 CET
cheryl | November 13, 05:26 CET
I'm still planning to see it as soon as it comes out here. Sarah Michelle is enough for me. I even saw Simply Irresistible - twice!
And I enjoyed it.buffy_kitten | November 13, 06:00 CET
"Opening close behind in eighth place was the horror pic The Return with an estimated $4.8M from 1,986 theaters for a weak $2,405 average. For Sarah Michelle Gellar, the PG-13 film's debut represented her second worst opening ever in a lead role after 1999's Simply Irresistible with $2.2M. Focus Features was the distributor." boxofficeguru.com
jA | November 13, 06:09 CET
And it's ok, I kind of enjoyed Simply Irresistible too. Well, I don't really remember anything about it, except SMG looking about as adorable as she ever has.
jam2 | November 13, 06:19 CET
As shown by Rogue messing around with the release date they knew that unless they caught some lucky breaks in regards to other movies that it wasn't going to be a huge moneyspiner
And sadly they didn't catch a lucky break as explained here in the HollywoodReporter
" 'Borat' attracted everyone's attention, and 'Fiction' captured the core group we were looking for, young females," said Jack Foley, Focus president of distribution. "It was a tougher battle to fight then we had expected as recently as two to three weeks ago before we knew Borat was expanding this frame. It shows you how quickly the marketplace can change, and become deadly."
[ edited by garda39 on 2006-11-13 05:07 ]
garda39 | November 13, 07:07 CET
Also, I have never seen so many people walk out of a movie. 8 by my count. We might have joined them, if not for our morbid curiosity to see if the movie turned itself around at the end(which it sadly did not). I'd really hate to see the scripts SMG gets sent if this was deemed worthy.
Rogue Slayer | November 13, 08:05 CET
She most likely had to audition for it, unless she's higher up the hollywood ladder than I know.
Ultimately, like I said elsewhere, I didn't even know this was opening. If I didn't read Whedonesque, I'd know nothing about the film. That's a marketing failure in every sense of the word. I'll admit, though, that Borat has been dominating all recently (and rightly so, as it's funny and more intelligent than it likes to admit).
gossi | November 13, 11:09 CET
[ edited by cityof on 2006-11-13 11:23 ]
cityof | November 13, 13:16 CET
Joss' bitch | November 13, 13:43 CET
dreamlogic | November 13, 14:19 CET
gossi | November 13, 14:34 CET
cheryl | November 13, 16:13 CET
garda39 | November 13, 18:36 CET
WhoIsOmega? | November 13, 21:33 CET
killinj | November 13, 22:29 CET
Perhaps not quite as worrying as something like 'Alexander', which had a reported $155million production budget and took $34million at the domestic box office, although the $133million it took oversees might have eased tempers somewhat. I doubt many (if any) people really expected 'The Return' to take a lot of money, or get much support from the critics. Clearly, some marketing mistakes were made, although I don't think Rogue Pictures can be blamed for not putting a hugely expensive marketing campaign behind the film. Maybe the film isn't any good (I'll judge that whan I get to see it), but quite frankly a $15million budget in Hollywood is next to nothing these days and it will all be forgotten about pretty quickly.
alien lanes | November 13, 23:08 CET
Donna Troy | November 13, 23:48 CET
Simon | November 13, 23:57 CET
RavenU | November 14, 00:17 CET
Discussing the distribution of the film she's currently shooting, Addicted, the following was said (ETA: by Variety; thanks Anne):
"Last week's American Film Market in Santa Monica, Calif., boasted more sellers than ever, but too few offered what buyers wanted most: the go-to, not-quite movie star. Yari Film Group sold the thriller "Addicted" in most major territories thanks to the appeal of Sarah Michelle Gellar.
Buyers know her from the 'Grudge' films and 'Buffy,'" says YFG chief creative officer David Glasser. "She has a great name, so we don't have to go through a song-and-dance about who she is." However, sellers say there aren't enough Gellars."
She's doing just fine. Even in the case of The Return, Focus are getting quite a bit of the blame with regards to their marketing of the film etc.
[ edited by Impossible on 2006-11-13 23:18 ]
Impossible | November 14, 00:32 CET
Great news for Sarah regardless of whatever results The Return had for boxoffice. She's still in demand.
I read one review where the critic suggested that Sarah should fire whoever choose The Return as a movie. I had to laugh. That was done months ago. This is the one and only project the William Morris Agency got her signed to. Not only was David Wirtschaffter's agency insulting they were incompetent. She seems much happier with her new agency and has been signing projects non-stop.
The Air I Breathe has a stellar cast and frontrunning Oscar nominee, Forest Whitaker, has been praising the film while doing press for The Last King of Scotland.
For what it was worth, I went into The Return expecting a mess. The film has its flaws. I rather enjoyed it and was pleasantly surprised by how compelling it was. Sarah was solid as Joanna and sucked me right into her point of view. My eleven year old understood the reincarnation concept.
I've been trying for years to get the links to work lol
[ edited by Anne 5_by_5 on 2006-11-13 23:05 ]
[ edited by Anne 5_by_5 on 2006-11-13 23:08 ]
Anne 5_by_5 | November 14, 01:01 CET
Haven't seen the movie yet and I'm still not sure if I'll see it in the theater. Maybe I'll wait for a second-run showing.
electricspacegirl | November 14, 02:14 CET
I'm reminded of what the commodities broker told Homer Simpson: "Homer, you knuckle-beak, I told you a hundred times: you've got to sell your pumpkin futures before Hallowe'en! Before!"
Septimus | November 14, 02:37 CET
And then The Simpsons Halloween special aired on November 6th. Just saying...
I think a sequel could be entitled "The Return, Returns". Or how about "The Return: This Time Its Personal--But in that Hindu, Reincarnation Sort of Way".
I was hoping that this movie would do better than it did, but you know, I liked the movie and I think its much better than alot of Sarah's other movies. I like the kinds of movies she has coming up, The Air I Breathe and Alice are movies I cant wait for (im such a nerd but I love the video game), and thus I really think Sarah will be ok. Who knows...
jerryst3161 | November 14, 02:56 CET
A coworker of mine actually said that was a major reason he wasn't going to see it: the release timing indicated to him that it wasn't a very good horror movie if they weren't even releasing it around Halloween.
Rogue Slayer | November 14, 03:25 CET
What? It's not like it's ever been done before!
Really?
catalyst2 | November 14, 03:59 CET
helcat | November 14, 05:03 CET
But more importantly to the 'verse and The Black, the word on jaynelovesvera, straight from the much admired Vera's mouth, is: "NO recurrence of that pesky cancer stuff."
Light a candle/incense stick/flashbomb of thanksgiving!!!
Pointy | November 14, 05:05 CET
dreamlogic | November 14, 05:09 CET
There have to be more than 100 close-ups in this movie, many of them repeating camera set-ups, but in each shot she manages, usually wordlessly, to convey the particular emotions, moods and even the thought processes that the character is experiencing at the specific moment in the story. IOW, even though there are 100+ closeups, they're all different. That woman's face is an entire orchestra.
And what complex emotions and thought processes she has to convey, given what the character is going through, the contradictory desire to know and not to know, the battle between determination and fear, the combination of resignation and will.
Some standout scenes: Even alone with her oldest friend, she conveys a sense of total isolation. The scene with her dad conveys an intensity of both tenderness and estrangement. (And although Sam Shepherd is a great actor, Sarah Michelle shines even brighter.) Joanna's waking up by the side of the road conveys step by step a slow realization of where she is and what happened, and you sense that despite her perplexity this is not the first time this has happened. And no actress has ever made a kiss on the cheek so electric with meaning.
I suspect that one of the reasons she doesn't get all the respect she deserves boils down to that dreaded four-letter word, cute. There is something very disarming about her appearance. It's possible to overlook the beauty and just see the pretty. And she makes her art perfectly invisible -- you won't catch her acting, since she's always in the moment. She's so great that it's easy not to notice.
Pointy | November 14, 11:14 CET