The aesthetics of Buffy.
A very special edition of Slayage focussing on Buffy's opening credits, fashion and the quality of Spike's campness.
And some of our fellow posters quoted in the last essay. Good stuff.
November 15 2006
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My one thought as the writer talked about Spike straddling the different lines such as masculine/feminine or antagonist/protagonist was how in Angel he literally ended up straddling the chasm of Hell. I think he'd finally reached a point where straddling the fence had much more dire consequences - His being corporeal or saving Fred. Less 'camp' there, but a decision that a Buffy season 4-5 Spike would have never made so selflessly. Interesting article.
[ edited by Grace on 2006-11-15 15:26 ]
Grace | November 15, 17:25 CET
Maeve | November 15, 17:37 CET
The Arcane | November 15, 17:47 CET
We need new Joss news!
[ edited by Nebula1400 on 2006-11-15 19:07 ]
Nebula1400 | November 15, 21:07 CET
dzr | November 15, 22:02 CET
As an aside I was thinking Monday that "Heroes" (another show without credits) has one of the longest running lists of names in the opening minutes I've seen. Another good argument for having at least a brief opening credit sequence.
yourlibrarian | November 15, 22:37 CET
But you know how if you keep repeating a word it starts to sound really weird?
I don't know if I can ever use the word camp again. In any capacity.
Xane | November 15, 23:00 CET
The article subverts the normal preconceptions of the term "camp". Not so much Mr Humphreys anymore.
Simon | November 15, 23:30 CET
luvspike | November 15, 23:30 CET
I don't think we'll ever run out of things to talk about with regard to these shows. Just when you think you've dissected it all someone comes along with another angle. Personally I very pleased that articles are still being written, and that they are so well thought out too.
lynnie | November 15, 23:33 CET
fortunateizzi | November 15, 23:57 CET
k8cre8 | November 16, 00:17 CET