David Fury on a possible WGA strike.
The Watcher talks to various writers about the negotiations and chances for a strike come midnight on Halloween. Things are looking pretty gloomy out there for our mid season series like 24 (Fury's current series) and Lost.
David says: I’d like to believe that it can be resolved, but with the changing marketplace, a strike may be the only way to get studios to budge. He also notes later that if the parties aren't too far apart the writers may work through the negotiations, but it sounds to me like 'really far apart' is the true description.
October 26 2007
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RavenU | October 26, 15:05 CET
MySerenity | October 26, 15:13 CET
gossi | October 26, 15:19 CET
Madhatter | October 26, 15:32 CET
(Yeah, I'm way out of date on some of my news, I know.)
kishi | October 26, 15:39 CET
cabri | October 26, 15:45 CET
Just bag 'em all. Who needs writers?
But seriously, all I can imagine hearing right now is the agonized click-click-clatter of keyboards as thousands of writers all around me struggle to finish & deliver...
*sigh*
Sometimes a strike is the only way...
"I was thinking what an interesting concept it is... to eliminate the writer from the artistic process. If we can get rid of the actors and directors, maybe we've got something." - "Griffin Mill", The Player, Michael Tolkin
(Maddy, I truly think that "rule" was just in your head...)
QuoterGal | October 26, 16:11 CET
MySerenity | October 26, 16:13 CET
Madhatter | October 26, 16:33 CET
Simon | October 26, 16:48 CET
cabri | October 26, 16:59 CET
Simon | October 26, 17:02 CET
Apparently 90.3% of the writers who belong to the union wga(writers guild of America) voted to strike. I will not do the WGA's side justice but one of their main points is to receive $0.08 cents on each DVD sale. This would be an increase from 0.04 cents. FYI, JMS has never received *anything* for a DVD sale, itunes, aol, bitrottent etc. for B5.
adapa | October 26, 17:24 CET
impalergeneral | October 26, 18:26 CET
And Bionic Woman is slowly coming into its own and it looks like it going to get canceled.
I just wish the writer's strike was going to take place next year.
xerox | October 26, 19:28 CET
I kinda like the idea of the strike possibly giving new or untested shows a shot in prime time. Plus, the States will get more foreign shows and movies that the networks have, apparently been stockpiling for this time.
It's horrid news for WGA members, of course, and I competely understand and sympathize over the need for the strike. As well as net and DVD residuals, I also hope that the TV as theatre issue comes into play. Fingers crossed this all gets sorted and that all in the industry get a fair slice of the pie.
missb | October 26, 20:30 CET
I do, however, hope this gets resolved quickly and to everyone's satisfaction. If House has to go into repeats, I will be MOST displeased...
BrightShiner | October 26, 23:00 CET
I do, however, hope this gets resolved quickly and to everyone's satisfaction. If House has to go into repeats, I will be MOST displeased...
BrightShiner | October 26, 23:02 CET
IrrationaliTV | October 26, 23:37 CET
RavenU | October 27, 00:24 CET
I'm glad Joss has a creative outlet in comics, since all his other stuff will probably be stalled soon. Maybe David Fury should check it out, too. His story in Tales of the Slayers was cool.
dreamlogic | October 27, 01:28 CET
Pretty please with Mud on top?
Oh, wait, here it'd be 'Pretty please with Turtle on top'!
cabri | October 27, 02:16 CET
The last big writers strike went on for months. And rightly so, at the time.
One thing it does do, potentially at least, is put producers like Tim Minear and Joss with development deals in a sticky situation. In theory, they get paid via contracts with the studios directly to produce a certain amount of content, and if they're on strike you could well argue they would be in violation of those contracts.
gossi | October 27, 03:20 CET
dreamlogic | October 27, 03:22 CET
the Groosalugg | October 27, 07:03 CET
Jackal | October 27, 07:07 CET
Oh and Jackal, they could create a new guild - problem solved.
Pumps | October 27, 08:15 CET
I'm thinking too much again. Really should stop that, it hurts my head.
Madhatter | October 27, 08:22 CET
Medialife Magazine
Here's an interesting blog as well with a take on it ...
SoCal Mom
An article about the 2001 WGA negosiations.
From The Nation
RavenU | October 27, 10:29 CET
Silly me, and I thought I had my tongue firmly in cheek...
cabri | October 27, 12:57 CET
Madhatter | October 27, 13:19 CET
XEROX: A strike should have no bearing on whether or not Pushing Daisies (or anything else) gets renewed for a second season or not - unless the strike goes on indefinitely in perpetuity, which isn't really feasible. The only thing that should prevent P.D. from getting renewed is poor ratings, strike or no strike.
CABRI, GOSSI: No. The moment there's a strike, it's pencils down for everyone. Not one more word can be written. So unless the script is _done_ (and by done I mean "completed the studio development process - revised, approved and greenlit"), the movie can't really go into production. Fingers crossed that it will be, but I'm not aware that it is yet.
PUMPS: No. (Though I'm assuming/hoping you were kidding.)
In general, I would recommend that interested Whedonites follow the coverage in the industry trades Variety and The Hollywood Reporter, as well as the Los Angeles Times - all available online at www.variety.com and www.hollywoodreporter.com and www.latimes.com respectively.
And FYI...
2007 WGA Strike Rules
http://www.wga.org/subpage_member.aspx?id=2493
Robogeek | October 27, 13:19 CET
My other idea was that the actors just adlib an episode.
Simon | October 27, 13:21 CET
deepgirl187 | October 27, 13:25 CET
deepgirl187: Now there's a thought.
Robogeek | October 27, 13:34 CET
Well, as the Kama Sutra says, on a very different subject, what goes on behind closed doors is secret, and up to the individual. If I wanted to work on something during a strike, no power in the 'verse would stop me, and I wouldn't consider it scabbing in the least. I give no one that sort of power over my life, and I'm sure that's true of many other writers and artists. If I get an idea and need to create, I need to create, and that's it.
Guild rules also require members to inform the Guild of "strike breaking activity" - but if I knew someone was writing on some project, I'd be damned if I'd report them. I think it's absolutely necessary that unions negotiate pay structures and so on, and gods love 'em & support 'em if the strike happens, but seriously - if someone wants to write, they will be writing, and I think they should, if they so desire...
Is all I'm saying...
QuoterGal | October 27, 13:48 CET
How about supporting them and their demands OR at least learning about what they want in their new contract before thinking of ways to undermine their cause.
biffsbabe | October 27, 14:04 CET
Most people in here support the writers and their demands, so just wondering to whom you were referring or to what you were reacting...
QuoterGal | October 27, 14:16 CET
deepgirl187 | October 27, 14:51 CET
IrrationaliTV | October 27, 15:29 CET
But the WGA is indeed fully authorized to dictate that writers withhold all writing services from guild signatory companies in the event of the strike. Remember, the WGA = writers, 5,507 of whom voted overwhelmingly (90.3%) for strike authorization.
It is in this context that you assert "If I wanted to work on something during a strike, no power in the 'verse would stop me, and I wouldn't consider it scabbing in the least. I give no one that sort of power over my life." Okay, fine - on the condition that you are only writing for yourself, on a non-struck entity (and if you withhold it, and any pitches or negotiations for it, from all struck companies for the duration of the strike.)
Otherwise, it's very simple - if you don't want to play by the rules, you don't get to play on the team.
Robogeek | October 27, 16:09 CET
There is a time when one adheres to the "team" rules, and a time to decide for oneself what one personally needs to do. It's going to happen regardless of what any of us - and the Guild - think about it, and it will not mean that said writer doesn't get to "play on the team" - because it is unenforceable. It will affect their union standing not one whit, because the union will not be privy to it.
It may be simple on paper, but it's not simple in reality, and writing is simply not like laying bricks - the mind keeps on working on problems and scenarios, and many writers will keep on writing on whatever they want to. I'm saying I won't blame them or call them "scabs" if they do.
ETA: This is such a good piece of expository writing I want to share it with you'all interested in the WGA's position: WGA Lead Negotiator David Young’s Opening Statement from Today’s Negotiations - October 26, 2007.
"We could argue at length about the economics and prospects of the business. And we have. But I want you to know that our view in this regard is essentially unchanged: despite inevitable challenges, your companies are highly successful. Box office, ad revenue, foreign and ancillary markets all continue to grow and prosper. All of the projections that we've analyzed, including those from industry veterans Adams, Price Waterhouse, Veronis Suhler and E Marketer, as well as your own SEC filings, predict that digital distribution will spur additional solid growth in the coming years.
...
We have to find a way in this negotiation to deal with all of these issues in a manner that is fair to writers and fair to the industry. We want to do that. That is why we are here.
Whether or not that will be possible remains to be seen. We are well aware that negotiations are about power and the ability to exercise it. We're prepared to do that."
BUFFY: It's about power. Who's got it. Who knows how to use it.
[ edited by QuoterGal on 2007-10-27 23:03 ]
QuoterGal | October 27, 16:29 CET
So, say, if you were David Fury and you decided that you wanted to kick out the remaining 24 scripts during the strike, but the scripts stay in your desk until the strike is over, is this against the rules?
cabri | October 27, 19:44 CET
"As soon as a strike is called, you must immediately stop writing for any and all struck companies. You may not continue to write or complete writing started before the strike for a struck company. You may not start writing on a new project during a strike. You may not perform writing services even if you work at home or at your own office rather than at the company's premises. "
What I'm saying is that this isn't - logically - enforceable, given the current absence of Thought or Writing Police - and that I'm right glad of that. While I'm all for the Companies having scripts withheld until an agreement is negotiated, I'm not for any rule that attempts to govern how individuals handle their own private creative lives. I get the "stop selling" part - but I think the "stop making" part is ludicrous.
So if during a strike, Joss sits at home working out Goners issues in his head, or Bryan Fuller works on ideas for Pushing Daisies - because they want to - more power to them, and therefore, crucial work may quietly continue on some projects we care about just because of the nature of the beast - the beast that is "writing."
QuoterGal | October 27, 20:23 CET
I don't know, doesn't that sound like a violation of free speech? Writing on your own free time isn't something they really have control over. And it seems to me like the real issue of concern would be scabbing activity. So why the ban on writing for struck companies? I mean, the writers are supporting the WGA. I don't think many of them would intentionally sell a script during a strike.
deepgirl187 | October 27, 21:25 CET
On the one hand, I kinda hope the strike doesn't last long. That things get resolved quickly and the writers (and then later the directors and actors when their guilds' contracts come up for renewal next year) get their due in a big way. I'd love for the studio fat cats to have to share more, for the ladies and gents at the top to have to spread the wealth a little.
The dismal scenario with things not being worked out...I'm also curious to see that happen. I know personally I'd watch less TV. I already don't watch a whole lot of on-air stuff at the moment--just Dexter, Brotherhood, Heroes, Tell Me You Love Me (almost over), The Office, and Survivor (my one reality-TV enjoyment). I'll probably pick up 24 and Lost again in 2008 if I don't decide to go DVD-only with those. Also watch Entourage, Flight of the Concords, and Big Love (far better Season 2 after the nicely set up Season 1), but those have been on hiatus since August. For me that's less TV than in previous years, but not as little as a couple years ago when I thought Lost Season 2 was sucking mid-season, a bunch of other shows ended (Six Feet Under), and I was thinking of going DVD-only completely.
After getting home at night, without new on-air TV, I'd probably read more (I haven't read an actual book in over a year now--I used to love to read--and I have a stack of comics and trades half my height). Maybe get back into the gym after a year away from it. Or who knows, if I missed TV enough, I might just catch up on the intimidating amount of good stuff that's out there on DVD that I still wanna see, nevermind all the movies. God, the movies...
Entertainment-wise, for the average joe, it really wouldn't be that big a deal. There're so many other ways to be entertained on a regular basis. I love TV, but I can live without it for a while. I used to do it all the time during summers, until premium cable like HBO and Showtime started airing some of their dramas and comedies from June to September.
A perverse, perhaps anarchic(?) side of me would just love to see Hollywood shit itself (uh, more than it already is, I suppose). But chaos is unlikely. If guilds don't budge, the higher ups will probably just find a way to reinvent it all and keep the wheel turning.
Kris | October 27, 21:30 CET
May I eat that crow with a bit of salt?
Madhatter | October 27, 22:28 CET
dreamlogic | October 28, 05:45 CET
Yeah, those rules scream "Avoid the slippery slope!" to me. They are meant to keep the studios from being able to get/pressure the writers to move their operations home and to keep writers from scabbing by working at home. Are writers going to write whatever they are inspired to write? Of course. However, by the rules, they need to be writing it for themselves rather than any struck company. That leaves a lot of room for freedom of expression.
newcj | October 28, 08:39 CET
gossi | October 28, 13:03 CET
And as a person with more than her fair share of anarchistic or possibly libertarian tendencies, I occasionally find democratically-derived decisions individually oppressive. Majority rule may be the best system, but it obviously contains no guarantee of some individual freedoms. I reserve the right to exercise them according to the dictates of my conscience - while, naturally, remaining subject to the attendant consequences.
Not all that mystifying, really...
QuoterGal | October 28, 14:02 CET
gossi | October 28, 14:48 CET
Wish I was drunk. I have o' pile of work to do, and a little toot might be just the thing...
Oh, wait, my friends just voted for me not to have a drink.
*wistfully puts bottle back on shelf.*
;>
QuoterGal | October 28, 15:45 CET
dreamlogic | October 28, 16:49 CET
QuoterGal | October 28, 17:11 CET
dreamlogic | October 28, 17:21 CET
The point of self-chosen participation in collective bargaining, ultimately, is to guarantee each individual writer's right to get properly paid for the work they produce. Action as a group designed to protect each individual member of that group.
The democratic approach isn't merely "majority rules", but the recognition that some things are best accomplished collectively. That's not a lack of a guarantee of some individual freedoms, it's the recognition that "individual freedom trumps all", in a vacuum, isn't a solution to much of anything.
@theonetruebix | October 28, 17:36 CET
Again: the WGA is fighting on behalf of writers, for the rights of writers. And yet deepgirl187 is accusing them of violating free speech? 1.) Them's fighting words. 2.) See the above paragraph. 3.) The WGA isn't banning anyone from writing, per se, but prohibiting work-for-hire writing for struck companies... which is the only real leverage they have in the current negotiations with the big bad studios.
And asking "why the ban on writing for struck companies?" Again, that'd be the whole point of the strike, dear.
Writers are regularly and pervasively screwed in this industry, as we Whedonites should be acutely aware. The WGA is taking a (very Browncoat-esque) stand, and I for one applaud them for it.
Robogeek | October 28, 18:15 CET
I do believe specifically that an individual privately writing or planning writing during a strike that management can be in no way privy to does not weaken the bargaining position even slightly, because management or anyone else cannot possibly know about it. That's all.
I understand that these rules are in place to protect the writer from management pressure - I get that - if management tries to get a writer to work on their project, the writer can point to it and say, "no can do." That's great. That's when it functions as a protection.
I also know that if a "protection" set up on my behalf becomes confining or irksome, I will ignore it, if I decide that it hurts no one.
A timely example - pedophile laws involving sexual behavior between a consenting 15 y.o. and a 17-y-o. I understand and support the protection of children from predatory adults, but as - many years ago - a consenting and fully sexually active 15-y.o. who had sex with 17-y.o. boys, I find the notion that these boys could have suffered severe legal penalties for this ludicrous in the extreme. There are simply ways in which something enacted for the protection of the vulnerable can be applied to an absurd degree, and in those cases, I opt to go with my own judgment. The law would have said it was "protecting" me - but I did not want that protection in that way.
Could they have gotten into trouble for this? Yes - one may suffer the group or public penalities - so we hid the behavior. Do I think either they or my behavior was "wrong"? Nope, not even slightly.
In the end, much as I understand and support collective bargaining, group efforts, societal rules and protections, I ultimately answer to myself, and cannot abdicate that power to a group any more than is absolutely necessary - and I simply cannot call "putting down my pencil" in private requisite for the greater long-term good.
ETA: 1) The use of the word "dear" is rather condescending, Robogeek, but I gather you found it necessary. 2) If my position does make me Ayn Randish, then so be it. But I think her writing stinks.
[ edited by QuoterGal on 2007-10-28 23:24 ]
QuoterGal | October 28, 18:16 CET
The rules are designed to protect the strike from within and without. Not all the members are in the union because of enlightened self-interest, for many it's simple self-interest, and they might well try to get over privately while also reaping the benefits of union membership. The rules may seem draconian, but I assume they're based on all the WGA's past experience with creative scabbing. Hypothetical example: a writer's new notes on an ongoing project stopped by the strike are found to have ended up with the studio. The writer says "Oh those? They're just doodles that I threw out because they were no good. Someone (can't imagine who) must have taken them out of the trash." Under your proposed rule, the scab gets away with it. Under the union's rules, he's caught.
I'm sorry I called you Ayn Rand, since it upset you. I was just trying to be funny. Also, arguably, I only called your ass Ayn Rand. Since apparently we agree that that's the body part that her work naturally corresponds to, can we be OK?
[ edited by dreamlogic on 2007-10-29 00:00 ]
[ edited by dreamlogic on 2007-10-29 00:04 ]
dreamlogic | October 28, 18:56 CET
I believe we will, as they say, agree to disagree on this one... but I love your persistence, as always.
QuoterGal | October 28, 19:02 CET
No. Throughout this thread you've been asserting that WGA members have a right (apparently a "natural right") to work in contravention of union rules. We can have a whole discussion about different kinds of rights. But the WGA member and supporters here are citing the actual rules agreed to by all members and saying that, as a matter of fact, members don't have a right to break union rules. I agree with that.
To me, this isn't the kind of philosophical discussion that includes a lot of unknowns and unknowables, and thus a space to agree to disagree.
dreamlogic | October 28, 20:07 CET
Ah, well. And I don't - in the specific type of rule-breaking I mentioned. So there we go.
QuoterGal | October 28, 20:21 CET
Say 24 has 8 scripts written by midnight Tuesday. A strike is called that drags on for weeks and weeks. Finally, the parties come to an agreement. When the 24 people show up on set the very next day, there are 12 scripts written. Will the writers get disciplined and/or banned by the union?
Edited: Warms, worms, same difference...
[ edited by cabri on 2007-10-29 01:25 ]
cabri | October 28, 20:24 CET
I am not of the opinion that in order to find good writing work you should have to be part of the WGA. Hopefully this strike will give some up and coming writer some power.
For example, imagine if there was a WGA strike and so a writer came up, pitched this amazing idea and suddenly it was the next big thing. Seriously, something that has a fanbase on par with Heroes. Then he pitches another show or movie or whatever and it's huge as well. Then the strike ends. The demand for the non WGA show or the scripts would not end with the strike, but would the studios be forced to fire the guy in order to get along with the WGA?
I'm curious about that situation.
Superrodan | October 28, 21:22 CET
One would hope something would happen, although I have no idea if the union has any power to discipline a writer who works in contravention of strike action. Because, clearly in this case, someone is working for a struck company, whether it be on their own time or not; whether they hand over their work during the strike or after, they are still working during the strike.
In the case of Joss Whedon working on Goners during the strike, that's a more difficult equation - because you can't prove when Joss last worked on the script or when he will next work on the script. It's his baby. Whereas 24 is an ongoing narrative work and it's easier to calculate how much writing has been done and when.
And never apologise for opening up a can of worms - especially one full of worms that are this interesting.
crossoverman | October 28, 21:23 CET
In theory that studio/network would be thrown out of the WGA agreement and never ever again be able to hire a WGA writer and have to hope that Wonderboy has a lot of very talented friends who can suddenly work on everything else they do. And that writer would never be able to join the WGA and work for any other studio.
This, now non-WGA studio would then pay all these new writers far less than the WGA rate and not pay them residuals, repeat fees etc. In a couple of years they would realise they were working for peanuts while the studio got rich and then start saying "You know, what we need is a union...."
zz9 | October 28, 23:46 CET
I am also of the belief that if a whole studio were blacklisted by the WGA, there would be some trouble with SAG and the DGA as well. So it's in this fictional studio's interest to keep on the WGA's side - so long scab writer!
crossoverman | October 29, 00:04 CET
On that program, something interesting (but not all that unusual) happened. The series had several producers and one of them was in charge of recruiting the scab writers. He did, promising three aspiring writers three things. One was that they would be paid the same fee that the "real writers" received. The second was that he would fiercely protect their identities so that they wouldn't get in trouble with the Guild that they hoped some day to join. And the third thing was that after the strike was over and the regular writers returned, he'd find openings to add the scabs to the staff.
He kept zero of these promises. The fee he paid them was Writers Guild scale on a "per writer" basis but it was well below what the regular staff had been receiving. (On some kinds of shows, there's an agreed-upon number called the Aggregate Minimum. Every writer must receive at least the scale payment and the total salaries for writing must equal this larger number. On an hour-long prime time show, it means that the Producer must either hire a lot of writers — so that their combined paychecks equal the A.M. — or must pay some of them well above scale. In this case, he paid each of the three scabs scale but their total compensation was about a fourth of the Aggregate Minimum.)
As for keeping the scabs' identities secret: The Producer thought he might want to join the WGA some day and he didn't want to be accused of authoring the scab scripts so he turned over their names to the Guild and even offered to provide evidence. And of course, after the strike was over, very little effort was made to get the scabs onto the regular staff. In fact, everyone blamed them for the fact that those episodes had turned out so bad, which was probably not fair."
Mark Evanier Oct 7,2007
adapa | October 29, 23:00 CET
buffyfanatic18 | November 01, 12:11 CET