The Ten Best Tracking Shots Ever.
Serenity comes in at number 6.
In a tracking shot that introduces us to the ship, the characters, the world and the tone of his woefully underseen adaptation of his woefully underseen sci-fi series Firefly, Joss Whedon pulls off a stunner. It's technically two shots joined at the middle with some trickery, so we'll say that each of them tied for number six.
November 27 2007
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Still, sounds like he liked the film...
zz9 | November 27, 01:38 CET
But, I'd replace Snake Eyes with the tracking shot at the end of The Royal Tenenbaums. In 2 minutes and 33 seconds (yes, I just timed it :) most of the film's conflict is wrapped up as the camera travels a little more than the length of the fire truck that sits in the middle of the shot.
herb | November 27, 01:47 CET
As for Serenity, I agree that its tracking shot is also fantastic. A gorgeous and impressive way to introduce the world, characters and feel of Serenity. When I first saw it in the theater I gasped. Yay Joss!
phlebotinin | November 27, 02:10 CET
Yay for more exposure for this wondrous film that gets so little attention though.
FollowMal | November 27, 02:14 CET
It's not that artful re: composition etc. but I always liked the one in "Superman" where Supes drops Lois off after their night of (as it turns out) passion, flies away and the camera, without cutting, follows Lois through her flat to answer the door to ... Clark Kent ;). Perfect example of an unobtrusive oner that's there purely to add to the story/illusion IMO.
(done with movie magic BTW - the Superman that flies away is actually on a screen, only Clark was really there at the time)
The shot(s) in 'Serenity' is the same I think. Not done to be flashy, it really is just the most elegant, efficient way to introduce us to all the characters (including the ship herself) while sliding gracefully past quite a lot of exposition. The sound design's actually my favourite part of it, nice as the camera stuff is - the way the camera passes into and through conversations goes a long way towards creating a fully realised, believable world where real people live and work.
(and if they're allowing CG, there's a great zoom on "Battlestar Galactica" that goes from the galaxy scale straight down onto a lone viper - can't remember the episode but I remember being impressed by the ambition, even if it definitely looked CG in parts)
Saje | November 27, 02:26 CET
JCapra | November 27, 02:44 CET
embers | November 27, 02:47 CET
eth3er | November 27, 03:14 CET
crossoverman | November 27, 03:15 CET
deird | November 27, 03:50 CET
MrNarse | November 27, 04:33 CET
Dana5140 | November 27, 04:40 CET
Saturn Girl | November 27, 05:10 CET
On the other hand, damn, Saje, now it's going to drive me crazy, trying to remember which ep of BSG that shot was in, because I was impressed enough to remember it also.
And if we're including TV, how about Joss's opening oner on Convictions (AtS)?
Shey | November 27, 07:28 CET
Lord Zarquon | November 27, 08:31 CET
Oh.My.God.
AmazonGirl | November 27, 08:48 CET
IMForeman | November 27, 09:04 CET
It's an homage to the opening sequence of the movie "Contact". An incredible, incredible opening.
crossoverman | November 27, 09:49 CET
(and clearly it's been way too long since BSG was on our screens if I can't even remember the S3 finale)
That 'Contact' intro is nice too. Guess Douglas Adams was right, space is big ;).
Saje | November 27, 10:17 CET
crossoverman | November 27, 15:57 CET
May have to ask the Torrent faeries for a favour ;).
Saje | November 27, 16:19 CET
ZodKneelsFirst | November 27, 17:30 CET
It's ok, Saje, we all have our moments of memory dyslexia ;)
Shey | November 27, 17:59 CET
Speaking of Joss tracking shots...I've always loved that one in "Graduation Day, Part 2" at the hospital, where the Mayor tries to suffocate Buffy.
UnpluggedCrazy | November 27, 19:10 CET
In terms of Joss tracking shots, I absolutely love 'Anne,' when we follow everyone meeting back at school, the chaos of life and energy, and then the harsh cut to Buffy sitting alone in her apartment in L.A.
The Dark Shape | November 27, 23:44 CET
deird | November 28, 01:02 CET
But I think what really makes it work is it's simplicity. Not in the sense that it was easy to film or edit (I'm sure it was probably a lot more complex to set up and film than I could imagine), but to the viewer it seems so fluid and natural, not a self consciously impressive trick but inconspicuous because it's there for a reason.
Razor | November 28, 02:16 CET
gossi | November 28, 04:51 CET
Oh.My.God.
Yep. And I agree. An incredible movie in every single way that matters. And that attack scene near the end? Blows every other scene I've seen straight out of the water, visually. Had it as my 'movie of the year' and 'scene of the year' last year, on the review site I write for. Very happy to see it get some attention in this list. Together with Serenity, Contact (which is an incredible movie as well, although I'm almost contractually bound to love it as a student of astrophysics ;-)) and the tracking shot in Goodfellas, I'd say this list might just very well be spot-on. Great stuff.
GVH | November 28, 05:11 CET