March 06 2008
(SPOILER)
Media coverage of Buffy #12 continues.
ABCNews.com speaks to Joss and comic book experts about that aspect of the story. And MTV.com has a word with the writer himself Mr. Drew Goddard.

And there it is, really.
In 254 episodes and 16 issues of canon Buffyverse, I've never heard this question even seriously *raised*, not even about Willow. Willow was hailed as ground-breaking, Joss challenging the mainstream to accept her character. The first kiss with Tara, the least ostentatious "first" in TV history.
Buffy/Satsu hit wide enough of the mark that, for the first time, people are looking at Joss' work and asking if he just did something for the kitsch value, as if he was producing Temptation Island 3 and not Season 8 of Buffy.
I've said on the other threads, the major problems of this tryst for me are Buffy's clear abuse of her position and of Satsu's feelings, with the sexuality being an incidental thing. But that's from a fan who looks at the story in the context of the story. Clearly, while I wasn't looking, this story shook off a chunk of its credibility with the audience like a dog shakes off water, and that makes me sad -- I've been pushing hard everywhere I post to basically force Buffy fans to cope with the canon reality of the story.
KingofCretins | March 06, 17:32 CET
But I'm just gonna say this: aren't stunts supposed to get people to read, watch, buy more of something when it's failing to make a profit? The comics clearly haven't had that problem.
Seems to me this is something that could hurt sales, not increase them. And Joss had to know that he was taking that risk. So why would he? For the *story*. Like it or not.
ETA: In response to the other thread about if Buffy was going to experiment, why didn't she do so in college--she did. With socially acceptable, safe..."normal." And Riley didn't work out so well either.
It makes sense to me that after her failed relationships with her men, Buffy would open to other possibilities. I think, if you want to label her, she's bisexual. Not Willow's "Gay Now."
And on a personal level, I haven't read the issue yet, but she's been nothing but open and honest with Satsu. I don't know from abuse of feelings or power, honesty and communication is a healthy thing.
[ edited by pat32082 on 2008-03-06 14:54 ]
pat32082 | March 06, 17:41 CET
I've seen more fanart with Buffy ski-jumping over a shark in the past day... oy. There should have been no pomp, no interviews with the Times. Had this been done with all the lack of pretense that Willow and Tara kissing had been, it would probably be a "win", or at least a tie. Which is, as they say, just like... kissing your sister (Slayer?).
[ edited by KingofCretins on 2008-03-06 14:47 ]
KingofCretins | March 06, 17:46 CET
Sure, it's getting attention, and I imagine that the writers here were thinking about the attention the story would get, but that doesn't make it a bad story.
Jim in Buffalo | March 06, 17:47 CET
I think I pretty much agree with you on this one, KingofCretins. Even if the point wasn't to titillate, I think that how it was done (and drawn) has given that impression. I noted in the other thread the preponderance of "I'll be in my bunk" reactions which tend to support that theory. When did anyone ever say that about Willow and Tara?
I wasn't a fan yet when S6 was airing. Was that the general reaction when Buffy got together with Spike? It certainly didn't seem very titillate-y in the context of what she was going through at that time.
swanjun | March 06, 17:47 CET
Usually during that bedroom scene in OMWF.
Simon | March 06, 17:50 CET
Pretty much just in "Restless", where it was A) already a dream, and B) shot so artistically, with this silent study of Xander's face studying them kissing and not them actually kissing.
I think this would have been a complete debacle without the range of reactions by the gang. Especially Xander copping to having had dreams about Renee, Buffy, Satsu, and Willow all at once, and his remark about the alarm. I also thought having the three panels of Xander, Renee, and Andrew was brilliant, especially Andrew cocking his head to stare at them like they were modern art.
KingofCretins | March 06, 17:50 CET
But our fandom has heard the constant cry "Buffy jumped the shark" pretty much since season 2. So really nothing new here. The show has always had fans criticising it. Whilst the fan wars of season 6 and 7 are still pretty much fresh in our minds, the fandom wasn't exactly a peaceful and tranquil during Buffy's Sunnydale High years.
Simon | March 06, 17:57 CET
I agree with you again, KingofCretins. Seeing the reaction of the gang definitely accustomed me more to what was going on, and I liked how that was handled. And I /still/ might like where this goes, if it gets touched on more in the rest of the arc and beyond.
swanjun | March 06, 17:59 CET
AthenaMuze | March 06, 18:01 CET
pat32082 | March 06, 18:02 CET
KingofCretins | March 06, 18:04 CET
patxshand | March 06, 18:07 CET
It's like this single story found a way to synthesize the worst (valid or invalid) arguments against Buffy/Spike (valid, she's using him, it makes her look selfish and low) and Willow/Tara (invalid, that it's just there to titillate and/or pander) and turn them into one spectacular disaster.
Really, wouldn't it have been better for Buffy to just slowly give into a feeling and kiss Satsu in the infirmary in 8.11? Wouldn't it have felt more emotionally legitimate for her character? Instead of us going cold, smash-cut from Buffy telling Satsu she's flattered but 'no', to Buffy and Satsu curled up in bed together without any explanation to even infer why she changed her mind about it?
[ edited by KingofCretins on 2008-03-06 15:15 ]
KingofCretins | March 06, 18:14 CET
Instead of us going cold, smash-cut from Buffy telling Satsu she's flattered but 'no', to Buffy and Satsu curled up in bed together ...
That works better as comedy though KingofCretins (even if it's a bit of a cliché - y'know the whole "No way will I ever get in that thing !", CUT TO: them in that thing).
May try and get off work a bit early to see if I can pick it up tonight.
Saje | March 06, 18:20 CET
Buffy's smile, her, "I'll heal. We'll heal," and her holding Satsu's hand...it had me totally dismissing Buffy's earlier, "flattered but no." And even during the graveyard scene...telling someone you're letting down easy that they smell good? There was interest there.
So to me, it's not a cold, smash-cut. I imagined that there was something there. That they may have even kissed right after the panel in the hospital stopped, I just never imagined Joss would go there.
And now I wanna see more, so that's why I hope interest doesn't waver. I need to read this story.
ETA: And I said "there" a lot back there. Must be my word of the day.
[ edited by pat32082 on 2008-03-06 15:31 ]
pat32082 | March 06, 18:25 CET
I think Joss and Drew made the right call. Buffy was lonely, and Satsu presented a welcome respite from that loneliness. Buffy has never been anti-homosexual (her best friend is a lesbian), so why not take comfort? At least she could say she's been there, even if there isn't where her preferred and usual sexual choice leads.
How many of us could say the same? How many of us are secure enough in our own sexuality to have a tryst with someone of the same sex and still feel like they were the same person?
[ edited by quantumac on 2008-03-06 15:30 ]
quantumac | March 06, 18:28 CET
zeitgeist | March 06, 18:37 CET
But regardless, for me personally, Buffy's sexuality or ambiguity about the same is irrelevant. That's pretty far down the list of problems I have about this (Buffy's position of authority over Satsu, who was afraid Buffy was going to *kick her out*, Buffy knowing she's not in love with her, and just 'experimenting' as Joss said). But it's the sexuality that's made this a spectacle and, apparently, made it comedy in the public square.
I said in many discussions about "A Beautiful Sunset" that Buffy gave Satsu mixed signals, but I still didn't come away from the infirmary scene thinking Buffy had reversed anything she'd said on patrol. "We'll heal" seemed to have a lot to do with the psychological damage both took during Twilight's uber-pwnage of them and with Buffy's pathos about relationships and with Satsu's awkward, unrequited feelings. It's a long walk from "we'll heal" and holding her hand to panting between the sheets, and it's a walk we deserved to see so that this didn't feel like a complete abuse of Satsu's feelings by Buffy.
KingofCretins | March 06, 18:39 CET
The emergence of the Satsu subplot is not analogous to the emergence of super-pets. (That was a fun sentence to write.) Joss doesn't need to boost comic book sales because (1) his comic books are selling and (2) he doesn't make much money when they sell. He clearly needs to write comic books because he has stories he needs to tell.
I don't have the time to write the 8th or 9th installment of my ongoing series of essays on the theme of Season 8 being "Love v. Domination," but the Satsu thing fits right in. Buffy's sexual fantasies involve domination and the denial of domination (chaining up Spike and Angel while wearing the nurturing garb of a nurse, silencing dream Xander with a kiss that beheads him, giving orders to multiple Christian Bales), so it makes sense for her to find herself in a sexual something-or-other (relationship? encounter? dalliance? Buffy doesn't know and doesn't want to think about it or deal) with someone who is someone who is happy just to serve her. It's perfect, from a story standpoint, that this someone is a slayer, because one of the important ways that the Love v. Domination theme is playing out is in Buffy's relationship with the Slayer Army. Is she their boss or their empower-er or some imperfect combination of the two?
The Season 8 moral universe (uh-oh, this does sound like an essay) is one in which actions that are intended to do good and in practice do some good (empowering every potential in the world, for example) can have bad consequences (empowering every bad potential in the world, loosening Buffy's morals about robbing banks). Buffy did set out to protect Satsu from Satsu's love for Buffy -- she's not threatening Satsu's place in the Slayer Army, she warned her of the perils of loving Buffy, she's not pretending that Satsu means more to her than she does -- but somehow found Satsu's love at least momentarily compelling. Buffy may be in the process of discovering more about her sexual preferences than whether they can include lesbian sex.
The reason this unexpected twist makes perfect sense is that Buffy has great power over Satsu. The groundwork has been laid for just this sort of thing all season long.
It's a development that raises an uncomfortable and important question about the relationship between sex and power in a way that is true to, and revealing of, character. That's the opposite of a stunt. That's serious art. Funny and sexy, but serious. Which is how I love my Buffy.
Pointy | March 06, 18:41 CET
Marketing ploy? As if writing about a girl/girl plot twist ISN'T, on some level, an attempt to lure more eyeballs to this ABC News web page? And what's wrong with a little publicity for a commercial product? I see nothing cheap or exploitative or sensationalistic here. I think it makes sense for Dark Horse/Joss to publicize this plot twist, but I don't for a minute think Joss would be so crass as to insert the plot twist just to publicize it. Joss has always shown respect for, as he says in this ABC piece, "artistic validity." The Buffy/Satsu scene is perfectly valid within the story -- and beautifully integrated.
1starbuckstown | March 06, 18:41 CET
pat32082 | March 06, 18:51 CET
For the record...I like. I am SO ready for casual queer experimentation to be mainstream fodder for lead character storylines. Maybe LOST writers will follow suit and finally acknowledge what the homosocial triangle between Jack, Kate and Sawyer is really about!
yamsham | March 06, 19:09 CET
As for me, the more interesting aspect of Buffy's decision is the way it dramatizes her deep need to connect to the slayers. We saw that again in the final few panels of 8.11. From Buffy's perspective, why should she always make all the sacrifices? Everyone who loves her ends up in a bad way, so she must sacrifice all loving relationships? She's the leader of the slayer army, but she doesn't get to connect with them the way they do with each other? Plus, as she said earlier, it's been a slooow year (or more). Lots of complications. All good drama.
1starbuckstown | March 06, 19:10 CET
I need to make a macro that just spews the text 'I agree with you again, KingofCretins.' :)
I was just thinking.. man, Willow is going to be mad. The genuinely in love Satsu is thrown a crumb by the dabbling straight girl.
swanjun | March 06, 19:11 CET
I think this is an interesting take on it, Pointy. I'm going to try to withhold my judgment until I see what happens with it ultimately.
I guess my main issue is that I don't have a problem with it /happening/, just /how/ it happened, if that makes sense. Perhaps throughout the rest of the arc we'll get some of that stuff we missed? Or enough development that we won't actually be surly to've missed it?
swanjun | March 06, 19:15 CET
-- Willow and Kennedy were both in Sunnydale, so Kennedy is probably the same sort of quasi-celebrity the others appear to be.
-- Kennedy is clearly not part of this Slayer cosa nostra, per Willow and Buffy's conversation in "Anywhere But Here"; I got the impression that, if she's even still in the business, she's running her own game.
That's not a problem in the way that Buffy/Satsu and Xander/Renee are.
And, yeah, I think Willow is going to be mad. I think she's going to be taking one half of the "Kissing Jessica Stein" dilemma in which she is equally pissed that Buffy is just 'dabbling', remembering what Tara was afraid of Willow was doing, and maybe mad at Satsu for playing along with it. I mean, Satsu looked more hurt than anyone by Willow's "nothing makes sense to me tonight" comment.
I mean, the immediate aftermath already goes a good way to showing that there is badness here. Not only does Satsu look and act like she feels like a martian, notice how she stands one step behind and below Buffy on the dais in their command center? Like she doesn't know where she belongs now, up there with "them", off to the side with Leah and Rowena, the other 'elite' Slayers in the place, or what? And the way she's staring, obviously at Buffy, in the panel where Leah and Rowena talk... she looks so much like Season 5 Riley or Season 6 Spike already :(
She was sitting there, naked and humiliated and embarrassed in Buffy's bed when she heard Buffy switch from wanting to keep it a secret "for now" to "it's not what it looks like".
KingofCretins | March 06, 19:18 CET
That, to me, just lends more credence to Pointy's ideas that this is all about love, dominance, and power. The fact that he chooses /this/ issue to ask her out cannot be thematically inconsequential. And, knowing that, actually helps me to take this a little bit better. :)
swanjun | March 06, 19:29 CET
I would love to see Xander (since this is really his sort of issue) become a little more conflicted over exactly what "their thing" is in that place -- are they army, are they family, are they just still the Scooby gang but with a lot more of them? I thought this would be part of his arc since 8.01, him insisting not to be called Mr. Harris (and Willow likewise in 8.06), and his insisting to Buffy that he's not a Watcher. That gave me the impression that Xander wishes there was a way to keep this dynamic where it used to be when it was just the bunch of them, but is forced to run it like a business (which he knows how), or like an army (which he also sort of knows how).
KingofCretins | March 06, 19:34 CET
I agree that Xander wants this to have a family kind of vibe. I'm sure he doesn't think he's wrong, but maybe Buffy's actions will convince him that he really /oughtn't/ pursue anything with Renee. If it'd be a threat to slayer discipline, bring up notions of favoritism, all those nasty complications.
[ edited by swanjun on 2008-03-06 16:42 ]
swanjun | March 06, 19:41 CET
Simon | March 06, 19:47 CET
Jim in Buffalo | March 06, 19:49 CET
swanjun | March 06, 19:52 CET
Huh. That is odd.
Ugh. That ABC News article is horrible.
Is Buffy using Satsu, the way she used Spike when she knew that he loved her and she just wanted to feel something, anything? Could this be another manipulation, or is it something more? How does this compare?
"Less biting?" --Goddard
Heh.
Sunfire | March 06, 19:57 CET
(Fupert ? Gilhane ?)
Saje | March 06, 20:01 CET
Only if Season 9 ends like an Austen novel.
Sunfire | March 06, 20:08 CET
Or so I predict, anyhow.
swanjun | March 06, 20:10 CET
I was thinking specifically of Maryanne and the Colonel in Sense and Sensibility, which was kind of always a "huh?" moment at the end. Giles and Faith would be like that.
Sunfire | March 06, 20:23 CET
I see what you mean about S&S. There was a bit in the text about Maryanne eventually being more fond of him than she'd ever been of Willoughby, but she clearly only esteemed him as a friend to start out with.
swanjun | March 06, 20:26 CET
[ edited by KingofCretins on 2008-03-06 17:29 ]
KingofCretins | March 06, 20:29 CET
Saje | March 06, 20:31 CET
(I also wonder if sleeping with Satsu is also metaphorical for trying to hold on to youth and idealism, which does not mean at all that Satsu is just a metaphor--she's Satsu. I also wonder how much Satsu has been set apart from the beginning as special, as like the successor (also, this brings up Buffy's referencing of the "Restless" dream with Satsu, saying that Satsu reminds her of her in a dream she once had--interesting.) This does also have a fascinating dynastic feel to it. Plus, lots and lots of power issues as many have said.)
I don't remember what thread it was in, but I am also intrigued by the Faith/Buffy blurring that this creates, that one reader said that Faith was always assumed to be bi, but Buffy now is. So, there's a lot of complexity going on here, I think.
I also agree that the ABC News article was astonishingly sleazy..."dripping with sweat"? I mean, they looked like they had just had sex, but it really did not have that kind of "Dear Penthouse, I'm a barely legal Slayer in a Scottish castle and I can't believe this happened to me!" quality...instead it was sweet and unfamiliar and raised lots of questions.
Yes, I want to see what happens next. I think this is going to make things very, very interesting.
[ edited by JessicaMelusine on 2008-03-06 17:35 ]
JessicaMelusine | March 06, 20:34 CET
KingofCretins | March 06, 20:36 CET
Pointy, essay away. Always interesting to read what you have to say, and I like your take on this one, too.
jcs | March 06, 20:37 CET
Sunfire | March 06, 20:38 CET
This is best for him as well as her. Only if she knows his weaknesses as well as his strengths -- his capacity for idolizing as well as his newfound power to embody eyepatched, Fury-ous, well- drawn idolizability -- can she love him and his monkey.
Quit making me think. Gotta work.
Pointy | March 06, 20:38 CET
However many copies they sell there's always the desire to sell more and last I saw the recent issues haven't sold quite as well as the first few did so maybe they're trying to drum up some more media buzz to boost numbers again. I have to say this sounds exactly like a publicity stunt to me and it feels more so because of all the hype that surrounded it before it was released. I mean did the New York Times go and seek out Joss for comment off their own bat or were they sent a nice press release telling them about the 'huge controversy' that was going to break?
helcat | March 06, 20:38 CET
I really don't think Joss is capable of pulling "a stunt" to increase sales. Its not his style.
Think about the many, many opportunities he's had over his career to create a publicity stunt aimed at increasing viewers or public awareness. So now that he's proudly flying his fan-boy flag, writing comic books, embracing the fans at comic shows, "the industry expert" thinks THIS is the moment Joss sells out and goes for the quick money with this news catching stunt. What a putz.
alexreager | March 06, 20:41 CET
And there it is, really.
I suppose what bugs me the most about this argument is that it suggests we still live in a world where two women can't sleep together in media without it being called a marketing ploy.
I think that's an indictment of our culture rather than an indictment of the comic.
theonetruebix | March 06, 20:43 CET
zeitgeist | March 06, 20:44 CET
This also operates for Xander/Renee -- he ordered Slayers back into battle against at-the-time unkillable zombies. There were injuries. There may have even been losses. How can he, now, on what had previously been his own authority, send Satsu into that situation, without now having to worry about what Buffy would say? How can he send or not send Renee without sending the message to the others that they are either less competent or more expendable?
Bix, we've seen two women sleep together in the Jossverse without it feeling like a stunt, more than once. People are allowed to make the distinction about when it does and when it doesn't. Willow/Tara didn't. Inara/Counselor felt a *little* gratuitous, since the Counselor's storyline was cut. This feels like "HEY, BUY OUR COMIC! BUFFY HAS SEX WITH A GIRL!" It doesn't really matter if that's Joss shouting it or Dark Horse. That's the message a lot of people are taking from it.
Oddly enough, I predicted that something 'shippy would be the "big deal" and that a lot of people would be disappointed that it wasn't some huge story-arc thing, like Twilight's identity or the betrayal. 'Shippy should be about the least important thing to drive sales in a season that's been so flawlessly built so far.
[ edited by KingofCretins on 2008-03-06 17:48 ]
KingofCretins | March 06, 20:47 CET
Yeah.
They don't have to have a very formalized power structure for this to be an issue. Buffy is in a position where she might have to send Satsu *or* Leah to their near-certain death.
Zoe was in the same position-- she's second in command. When Mal's off-ship, she's acting captain. Mal doesn't like that she's married to the pilot for that very reason, and it causes some friction, especially when Wash doesn't like Mal and Zoe's decisions, but there it is.
Sunfire | March 06, 20:51 CET
I think that's an indictment of our culture rather than an indictment of the comic.
True. Nonetheless, the media attention makes the point moot, clearly we do still live in that world.
Saje | March 06, 20:54 CET
Why is Buffy/Satsu different?
Sunfire | March 06, 20:55 CET
(outside of the school, Buffy was his boss)
Saje | March 06, 20:57 CET
And, even in "War Stories", "Firefly" never explored Zoe having to put Wash on the line instead of someone else, which is the worst case scenario for these things.
Dating Wood was inappropriate, too. You're not going to find me inconsistent on this. Dating Riley when he was her TA was inappropriate. But all much *more* inappropriate when the command relationship is about life and death.
KingofCretins | March 06, 21:00 CET
Well, when it's two people against the world... I don't really see it, but Faith/Giles would have a lot less incest taboo connotations to it. Even though Buffy is ~24 now, Giles has worked with her since she was 15, a virgin, and fatherless--there's no such baggage with Faith, although other past history might make Giles' hypothetical attraction need some serious explanation besides "he was lonely and isolated."
As far as B/S vs. X/R, two things: 1) Xander doesn't have as much relative positional power as Buffy. He's *Buffy's* subordinate in pretty much every way. 2) Renee has a ton more physical power than Xander. He's a semi-trained, semi-buff, semi-blind adult male, and she's a *slayer*. In terms of sheer physical prowess, Renee can break Xander in half at will.
The sexual relationship with the subordinate has been an issue going back to the Hebrew scriptures--farther if you count pairings that involve mythological deities. Really, with Buffy and the Slayers all being female, is there any way to write Buffy into this story with an heterosexual relationship? Nothing comes to mind.
ETA: KingofCretins, Riley/Buffy and (potentially) Wood/Buffy had Buffy in the subordinate part of the relationship. For us to truly explore the moral issues with Our Heroine, she's got to be the one in charge. Otherwise, it's quite hard to differentiate any abuse of power from any other challenge she's faced and overcome. When she's in charge, the issue comes from within.
[ edited by jclemens on 2008-03-06 18:08 ]
jclemens | March 06, 21:05 CET
And I really agree about the point (by Saje?) that Joss is doing this because he needs to tell stories, not because he wants to sell a few more comics. I am always confident that he has a point, and it is always worth my time.
I do have to add that Jane Austen explains about Marianne (in the book, the movies never go into this depth), that she is not one to love by halves. Naturally she will give herself to Colonial Brandon heart and soul after his steadfast kindness to herself and her family. It is in her nature.
embers | March 06, 21:06 CET
However, it's also unfair to intimate we're unable to call two people sleeping together a marketing ploy simply because the two individuals involved happen to be women.
karosurly | March 06, 21:10 CET
Nope, I was busy contributing to all that wading ;-).
Saje | March 06, 21:16 CET
Even the prologue summary refers to Buffy and Xander establishing a headquarters, where *they* train Slayers and prepare *their* defenses.
Basically, I think that Xander has been established as the administrative head of the organization -- the communications, the personnel, etc -- where Buffy is the tactical head of the organization -- the policy maker, which battles are fought and when, and who fights besides her, and also in charge of the training.
Point being, they have identical crises of command and professional ethics in these relationships. That actually also answers the question of whether there is a heterosexual dating option for Buffy -- he's where he's always been, at her shoulder. I still can't help but think that that dream in 8.02 will at least reveal *something* plot-related later on (either them getting together, or a reveal that the "gentle this time" line does mean that they already gave it a shot, although I'd prefer the former -- I won't pretend I don't 'ship them).
I don't think this is something to "explore" morally -- it's a per se improper way of relating if you still plan to show authority over that person and others.
KingofCretins | March 06, 21:16 CET
jclemens | March 06, 21:28 CET
Had Willow or Faith or someone else with capital P Power been an everyday presence in the BHC, that might be the case, I'll admit. But Xander's got experience, and he's a natural leader. It makes sense that, having been part of it from the beginning with Buffy, both the beginning beginning, and at the BHC, he would have grown to that stature with her.
KingofCretins | March 06, 21:31 CET
To paraphrase Stephen King, even the most well-developed, nuanced fictional character is just a bag of bones compared to a real person. Something that surprises you about a character and falls outside your still pretty one-dimensional idea of them shouldn't be considered out of character, it should just add one more layer to them.
dingoes8 | March 06, 21:41 CET
pat32082 | March 06, 21:43 CET
btw--I love the idea of Giles and Faith, as Faith would say, getting sweaty...that mental picture creates so many innuendo opportunities my brain is reeling...but in an effort to maintain decorum, I'll keep the jokes to myself!
alexreager | March 06, 21:44 CET
That said, since I consider it nearly impossible that my thinking on this will prevail, let alone upon Joss, I'll just have to hope that whatever they get into works out for the best for them, but I don't have to pretend to be happy that they are doing it.
KingofCretins | March 06, 21:48 CET
Don't get me wrong, KingofCretins, in general I love the points you're making on the evolution of this situation. I just disagree on this one point. Cheers!
jclemens | March 06, 21:50 CET
Oooooh. I'm happy to've inspired such a thoughtful thought! :)
swanjun | March 06, 21:54 CET
>:D
ETA: Re-reading my post I have this reference in the back of my head: "Of course it's company policy never to imply ownership... always use the indefinite article "a...", never "your..."."
zeitgeist | March 06, 21:58 CET
I also think that a het lead character having a bi experiment is a very brave and worthy topic. While it's becoming more "okay" to address gay issues (and that's excellent news and I think Willow has been a very genuine contributor to that), it's still senselessly taboo to explore the question of just how "100% straight" most straight people are, even though it's probably a question that resonates with a huge portion of this or any audience.
So: I have nothing but applause.
Ghalev | March 06, 22:22 CET
I love that the artists maintain Xander's use of dual-handed finger guns while he talks. :) He used them with Renee, and it was such a perfect echo of a Nicky Brendon mannerism, it made me smile.
[ edited by swanjun on 2008-03-06 19:23 ]
swanjun | March 06, 22:23 CET
About the storyline in general? Joss was right on the "Chosen" commentary, you know? Parker is Buffy's perfect man.
Contemplate this series of quotes, all two person conversations, all with the speakers' names removed.
"You had fun? Was that all it was?"
"What else was it supposed to be?
"It seemed like you liked me.
"I do. But I'm starting to feel like you felt what? Some kind of commitment? Are you sure that's what you want right now?"
"People shouldn't have to preface casual sex with “just so you
know I'll never grow any older with you.” It takes the fire out of it."
"...I don't regret what happened. Or what we did."
"Trust me. You didn’t do anything wrong."
"But I didn’t do enough things! You did more things than me!"
"And you let me. You were amazing."
"I can live with amazing. What was your question again?"
"What do we do about tomorrow?"
"You mean the whole “we slept together” thing?"
"For starters."
"I don’t know. It’s like… I had a wonderful night. And… it’s been a while since I said that. So… tomorrow, I’m gonna think about what we did. And I’m gonna blush. And then I’m gonna smile. But I’m not sure it goes any further than that."
"I get it."
"You sure?"
"Yeah. We’ll leave it at “we had a wonderful night."
Isn't it alarming, isn't it a big time warning sign, that this makes an almost seamless conversation between two people? And, that's just by taking excerpts and putting them in order. I actually realized this can be edited down into a completely seamless single conversation.
KingofCretins | March 06, 23:02 CET
But in all significant human relationships, romantic and otherwise, the imbalance, and potential for abuse of power, exists. And it will always be interesting to see how it plays out, especially where no one intends to do wrong.
I'm looking forward to seeing how this situation develops, I feel sure that Joss is raising these questions on purpose, and will be dealing with them.
[ edited by toast on 2008-03-06 21:13 ]
toast | March 06, 23:04 CET
I'm pleased to say, the furor has helped me to decide, I'm pro one night stand. I'm not SUPER pro, but pro, nonetheless. I think it's a fair turn. And someone mentioned in one of the 3 threads (no idea who), that Buffy and Satsu had more going on with facial expressions, etc. than one would have otherwise thought. And now that they mentioned it (and I subsequently referenced it) I remember thinking in Buffy #11 "So... what? Is she a lesbian, now? What's up?", so I also think that this is less sudden than everyone seems to think.
SPOILER:
[ edited by zeitgeist on 2008-03-06 20:18 ]
leafblown | March 06, 23:06 CET
leafblown | March 06, 23:22 CET
Sunfire | March 06, 23:29 CET
leafblown | March 06, 23:36 CET
Simon | March 06, 23:38 CET
zeitgeist | March 06, 23:38 CET
And, that's just by taking excerpts and putting them in order.
And taking them entirely out of their separate contexts, which removes the meaning. Satsu understood that Buffy wasn't looking for a deeper relationship. Buffy did not understand that about Parker. The two are not the same.
What Simon said. That was more sensitive than what we usually see.
Sunfire | March 06, 23:42 CET
1starbuckstown | March 06, 23:42 CET
Second, this new development would be familiar to anyone who has seen "Sex and the City". Remember Samantha Jones' bicurious stage with Sonia Braga? Anyone call that a "marketing ploy"? It was shown as a stage in one of the character's lives, nothing more. What's happening now with Buffy is a new stage in her life, and we'll see how it affects the future, and how people will see her. Period.
After all, her real problem is dealing with forces who think she'll declare war Poor Defenseless Mankind.
impalergeneral | March 06, 23:58 CET
For me, it's as simple as if you're doing wrong by somebody, than that's what you're doing. I'm sure Parker was probably pretty conciliatory and unsure about his own feelings with the first girl that fell for him that he slept with... until he realized it was more efficient and less icky for him to just deceive them from the start. Whether she goes off it or not, Buffy is at the edge of that legendary slippery slope folks are always talking about.
If Satsu understood Buffy wasn't looking for a deeper relationship... why did she feel obliged to try to go back to her own room? Sure seems like it was news to her.
KingofCretins | March 07, 00:02 CET
As far as the Satsu thinking Buffy wanted a deeper relationship argument... I don't think so. I think that was more a hope. It would appear that Satsu went in knowing that she wasn't going to make Buffy a lesbian. But then her heart kept on saying, "But what if...?"
In any case, this is a knee-jerk reaction. Give the writers time to flesh this out, I say. Think about it, this is simply the third in a string of upheavals we've had this season. The Faith/Giles scandal, Buffy the bankrobber, and now the one night stand. I've enough faith in Joss to believe that he knows where he's going with this. I'll give him the chance to spell it all out.
[ edited by leafblown on 2008-03-06 21:30 ]
leafblown | March 07, 00:27 CET
swanjun | March 07, 00:30 CET
Rowan Hawthorn | March 07, 00:31 CET
And *after* Buffy talks her into staying (which I think has at least half to do with Buffy wanting another go, since her insistence on secrecy means Satsu still has to get up early and go back to her place), she throws out the "for now"...
... and then turns around and denies the whole thing despite them both still being *naked in bed* together. From the time they get interrupted to the end of the issue, poor Satsu goes from hopeful and confident and flush with romance to basically being publicly humiliated, publicly *denied*, and then privately insulted by how she takes Willow's comment. She goes from elated to completely shredded in the background of just a few pages.
KingofCretins | March 07, 00:42 CET
I read this exchange as Satsu hoping for something different, not expecting. Seen from this angle, Satsu leaves because she's disappointed, and not because she's upset that her expectations were dashed. Satsu clearly wants to be Buffy's lover -- to paraphrase Woody Allen, the heart wants what it wants -- but she's got enough of a grip on the situation to understand the challenges, such as the big one: Buffy did not turn gay all of a sudden.
1starbuckstown | March 07, 01:12 CET
1) Under the circumstances that you yourself presented, it's a question that has to be asked, unless both parties really are pretty dumb. No matter how this might work out between the two of them, even if they were, against all odds, to decide they're "soulmates", it doesn't matter: there are going to be problems with the others. It's absolutely essential to co-ordinate stories if there's going to be any chance of keeping their liaison just between them. Of course, with the entire cast of "A Chorus Line" showing up, that's a lost cause now.
2. I'll go back and read again, but I didn't think she was leaving because she was upset; on the contrary, I thought she was leaving because that's pretty much what she was expecting to do.
3. I'm pretty sure that being invited to stay had lots to do with Buffy not being ready to stop yet. I'm also pretty sure, given Buffy's reaction to their previous efforts, that I don't much blame her for that. As for the other, I don't have the comic with me right now and I'm drawing a blank on that, so I'll have to wait.
4. Being caught in a compromising position like that would be bad enough if it was just one or two people walking in on them; an entire circus troupe of friends, family, and co-workers just escalates that exponentially, and I'm not too surprised that Buffy handled things badly. It was funny as hell, but I really do feel bad for both of them - Satsu because she's crushed and humiliated, and Buffy because... well, the same, actually. It wasn't bad enough that she's unsure of herself with a totally new experience and needing time to think about it privately, she gets busted her first time out - and by the whole frikkin' crew. You'd think it was her birthday or something...
Rowan Hawthorn | March 07, 01:15 CET
I'm kinda surprised nobody has blamed Xander for something yet -- the way he enters suggests more that he enters Buffy's room uninvited as a matter of course, that it's just how they roll, and not that he's a jackass. I was kind of expecting a lot of "well, if they're upset, it's just because Xander didn't knock" and so on.
KingofCretins | March 07, 01:23 CET
Until Buffy Season 8 has a 60's style "In this issue: *INSERT SHOCKING PLOT POINT IN SHOCKED CAPS!*" cover that isn't meant as a parody, I'm not really going to consider any elements of the story a publicity stunt, whatever the mass media thinks.
Lady Brick | March 07, 01:26 CET
Really? It seemed to me that Buffy was trying to indicate to Satsu that Satsu was not just some sexual plaything that she's content to be rid of the moment Buffy's needs are met. If the invite basically amounted to ... I'm not done yet ... that would be callous and very un-Buffy-like, given how sympathetic and caring she was just a second before.
1starbuckstown | March 07, 01:28 CET
1starbuckstown, well, that too, but let's face it - Buffy was clearly impressed, and it's been a while.
[ edited by Rowan Hawthorn on 2008-03-06 22:34 ]
[ edited by Rowan Hawthorn on 2008-03-06 22:37 ]
Rowan Hawthorn | March 07, 01:34 CET
Well, certainly there's no doubt in YOUR mind. Other people's opinions vary :)
I'm with 1starbusckstown on this. It would be pretty callous if it wasn't about more about "you're not just a sex toy to me". Not saying that she wouldn't conceivably like another go, but, I think the morning-after-ness had settled in a little and she wanted to reassure Satsu that she wasn't just being used for her mad skillz.
zeitgeist | March 07, 01:37 CET
I do think Buffy, the woman, made a mistake because she's putting Satsu in a bad spot. Satsu is in love with her. Buffy isn't in love with Satsu. We have Joss and Scott both pretty much confirming that. Isn't this the woman who got loved and dissed by Parker? The one who felt like she lost her ability to love when she realized her relationships weren't working? I mean... how dare she?
KingofCretins | March 07, 01:46 CET
zeitgeist | March 07, 01:49 CET
Rowan Hawthorn | March 07, 01:49 CET
zeitgeist | March 07, 01:50 CET
Sunfire | March 07, 01:52 CET
zeitgeist | March 07, 01:54 CET
I had meant to cover all such eventualities by 'upset', really. And the timing makes it clear that's what's at work. And when Buffy gets her to stay, it may or may not be the case that Buffy is hoping for another round. But it's still a bit disingenuous since, again, Buffy still has to kick her out at some point if she wants to keep it secret.
KingofCretins | March 07, 01:54 CET
zeitgeist | March 07, 01:58 CET
KingofCretins | March 07, 02:02 CET
zeitgeist | March 07, 02:07 CET
Buffy feels so very low right now, and it's making me more upset as a fan than I can remember. And that's sad and disappointed. There were so many other ways they could have come to this hook-up that wouldn't have felt so very off. But the bottom line is that those issues were never not going to be there, the trust, the power, the difference in their emotional investment. Buffy shouldn't be doing this. And, I feel obliged to again mention, neither should Xander. If they wanted Buffy to "experiment", then Faith or Willow are at least people on equal footing with her.
KingofCretins | March 07, 02:17 CET
Maybe that's going to be the point?
gossi | March 07, 02:21 CET
zeitgeist | March 07, 02:23 CET
I found the scenes between Buffy and Satsu to be very well-written and quite romantic. I think they show that Buffy has grown and that she showed more maturity with Satsu than she has with any of her past lovers.
I also saw her reactions after their privacy was invaded as very spontanious and unfortunate, for both her and Satsu.
And there's way more that I'd like to respond to on this post than I have time for...
KingofCretins-You make such a point of subordinate relationships in your posts and I was wondering why you've excluded Willow/Kennedy from them? Kennedy was a potential and although she was not subservient in any way, Willow was still a leadership role for Kennedy. That puts her in the same position as Xander and Buffy.
[ edited by menomegirl on 2008-03-06 23:35 ]
menomegirl | March 07, 02:27 CET
I just have to say, kudos to all here at whedonesque. I don't find myself thinking, "Man, I have to go home and re-read Green Lantern, tonight." But, I'm going to be reading Buffy again. So, well done, all. Stimulating discussion.
leafblown | March 07, 02:30 CET
During Season 7 -- when Kennedy moved in on Willow, Buffy still hadn't given the speech about being an army, the dynamics still hadn't settled down. But, I didn't like Willow/Kennedy at that time, either. It was inappropriate. I also didn't care much for Kennedy after "Get It Done", until "Anywhere But Here". Wouldn't it have seemed inappropriate if Xander had brought Colleen and Caridad into bed with him for real?
In Season 8 -- Kennedy isn't in the same situation as the other Slayers. First, she's clearly not part of the organization anyway, Willow barely is. Second, she's one of the Sunnydale gang; I have little doubt that she's as much of a rock star to the new Slayers as the Scoobies are.
KingofCretins | March 07, 02:39 CET
jclemens | March 07, 02:58 CET
[ edited by menomegirl on 2008-03-07 00:05 ]
menomegirl | March 07, 03:03 CET
Buffy and Xander need to have a mutual intervention and ask themselves whether Xander needing to ask out Renee really was a "true thing" and whether Buffy can have a fling with someone that has to look to them as leaders. They can still, possibly, extricate themselves from this with their credibility with the Slayers intact. Willow, I think she's going to go after Buffy for being a 'tourist' and 'experimenting' with a girl who is *in love* with her. And Willow's relationship with Kennedy is no obstacle to that.
KingofCretins | March 07, 03:09 CET
Oh, that has "S6 here we go again" and "never going to happen" written all over it. :-)
jclemens | March 07, 03:14 CET
KingofCretins | March 07, 03:16 CET
jclemens | March 07, 03:20 CET
Part 3 - True love's kiss - cinnamon buns
Part 4 - Satsu's Lip Gloss - cinnamon
Someone's been planning ahead
redfern | March 07, 03:21 CET
I seriously doubt it would have made the NYT if it had have been a guy. I think it's totally realistic to intimate that.
zillah | March 07, 03:50 CET
menomegirl | March 07, 04:09 CET
So, I've been thinking. I can't come up with a male equivalent of Buffy because all the male pop culture superhero-type icons that I know well are older and were first written within a context of different cultural norms. Sex was more implied than depicted, and all the ones I can think of have made the opposite journey, from comics to tv. But I'll use Batman anyway. Spiderman's probably more like Buffy in terms of icon status with younger people, but Batman and Buffy share the lonely-dark-angst.
If Batman was lonely and was clearly shown to have slept with some young male superhero he was mentoring, who had admitted to being in love with him, I think it would have gotten serious press. Yes, I know there was campy subtext back in the day, but I'm talking about something like what happened with Buffy. Something clearly sexual.
I do think the tone of the press would probably have been different if it was two men. I expect it would be less "Buffy's lesbian romp: was it for the story, or for the sexy sales?" and more "Batman has gay affair: was it for the story, or for the publicity?" I think the expectation that it was all to exploit the characters' sex appeal and also cause a stir to boost sales wouldn't be there. Instead the story would only be about the expectation that it was all to cause a stir to boost sales.
I think there may not be a precedent for this, since I find myself reaching for The Bat as my closest example. So it's hard to know what would happen. I think at best we have educated guesses to work with. I agree with the people who've said it shouldn't be such a big deal, but clearly it is.
[ edited by Sunfire on 2008-03-07 01:41 ]
Sunfire | March 07, 04:37 CET
yes, i see it now! obviously season 8 is clearly not selling so Joss Whedon (ya know, that man with no regards for his characters, no genuine love of the stories he's telling or respect for his very loyal fanbase) decided that Buffy should have sex with Satsu (and that was totaly out of the blue, i mean did anyone else see that coming? i was completely blindsided) just to sell more copies and make some more money.......im glad mainstream madia we're able to crack that one, coz ya know the rest of us we're too busy seeing what was actualy going on.
shpedoinkel | March 07, 05:05 CET
For those less familiar with comic history, back in the 50's when red communist menace had the American public by the throat and Senator McCarthy was on television asking, "Are you or have you ever been a member of the communist party?" (btw, I think he was staying at the Hyperion), another man named Dr. Fredric Wertham had a book out called, Seduction of the Innocent. It was all about how bad comic books are for children. It actually helped rally support to create the Comics Code Authority, a self governed industry CENSOR. Most comics had their CCA stamp on the cover until about 2001. The industry placed restrictions on excessive violence (sadly this meant no more depictions of vampires) and it basically put a popular comic company out of business; EC comics thrived on things like Tales from the Crypt and Vault of Horror.
In Seduction of the Innocent, Wertham talks about Batman and Robin's relationship being portrayed with highly sexual undertones. It seems crazy to me that just 50 years ago, issue 12 would have LITERALLY started riots.
[ edited by alexreager on 2008-03-07 02:23 ]
alexreager | March 07, 05:21 CET
KingofCretins | March 07, 05:26 CET
The 1953 code is pretty interesting.
KingofCretins: Link.
Sunfire | March 07, 05:32 CET
UnpluggedCrazy | March 07, 05:59 CET
SoddingNancyTribe | March 07, 09:34 CET
Does anyone ever consider themselves a bad person ? It's like average intelligence - by definition a bunch of us have it (or less) but if asked, who would say so ?
It's true though that you can commit any number of horrible acts and remain a good person, even murder. We still consider murder to be a bad thing.
And if effectively nothing can be "out of character" then why have the phrase at all ? It's referring to what we've experienced of a person to date - if they do something inconsistent with that it seems perfectly sensible to say they've acted out of character. Obviously we can never really know another person, maybe what they did was actually completely in character (in fact, practically by definition, anything a person does uncoerced must strictly be in character, the act didn't spring out of nowhere after all - unless Twinkies made them do it ;) but what of it ? That's not what the phrase means in common usage.
And for me the very worst aspect of Wertham's whole anti-Batman/comics crusade was the way that, once again, male homosexuality was equated to paedophilia (even if Batman was gay, he's hardly gonna go for Robin, the boy wonder).
Saje | March 07, 17:30 CET