Towards the bottom in the Toy Story section.
They told us that they cooked up the idea for TOY STORY 3 at a writer’s retreat with all the original TOY STORY people. Everybody to the person that was there for the first two were there hammering out the story for the third film, with the big exception of the late Joe Ranft.
Is this before or after Dollhouse?


pongluver | April 10, 18:23 CET
jclemens | April 10, 18:31 CET
I took this to mean Joss Whedon isn't. Bummer.
whedongeeky | April 10, 18:37 CET
of course i could be wrong.
[ edited by bivith on 2008-04-10 18:55 ]
bivith | April 10, 18:43 CET
alexreager | April 10, 19:14 CET
micjwelch | April 10, 19:23 CET
Hazz | April 10, 19:27 CET
daylight | April 10, 19:36 CET
And I thought I was bad holding down 5 jobs.
Nebula1400 | April 10, 20:05 CET
BlindHawkeyes | April 10, 20:38 CET
As I remember, the script is actually written, so it's past the 'thinking of' phase, and stuck in the 'getting someone to pick it up' phase along with Goners.
Winther | April 10, 21:16 CET
Am I the only one who thinks that the people who're still trying to get a Serenity 2 would be better spending their time trying to get a studio to pick up one of these films? (Don't get me wrong, I'd love a Serenity 2, but it seems like a bit of a lost cause.. these still have hope, and are lower budget too.)
As for Pixar, since they've been bought by Disney, I'm beginning to think that their work is suffering. Wall-e sure, sounds great, but Cars 2? (just announced for 2012) It's not as if the first Cars got that much acclaim. Sequel territory is dangerous.
As for Joss' contribution to the original Toy Story, I'm not quite sure what that was. I remember reading an interview with Steve Jobs (he bought Pixar around the time Toy Story was about to be made), and he said that they ran into an issue because they basically had an awful story, and he halted production for several months until the plot could be ironed out. At what stage did Joss get involved? I'm aware Joss has done rewrites in the past for other scripts, like Speed, but I'm not sure where he was with Toy Story.
MattK | April 10, 22:52 CET
Fixed that for you.
jclemens | April 10, 23:15 CET
I can't give great specifics, but I did read an interview a while back in which Joss said he felt his contribution to Toy Story--that is, the main thing that stuck from his draft--was the characters. That is, I assume, fleshing them out and giving them distinct voices and all that. I could be misremembering, and when I have more time I'll see if I can dig up the specific interview, but yes. This is what I recall. That doesn't answer your question a ton, except that it sounds as if he came in after the main plot thing had been sorted out.
Jobo | April 10, 23:39 CET
The fact that Pixar have just unveiled their plans for the next 4 years is sign enough that things are changing, because that's the first time they've done something like that to my knowledge.
Jobo, thanks for the info! I'll have a look on Google for that interview later on.
MattK | April 10, 23:44 CET
--------------------------------------------------------------------
The easy answer here is NO. Those who care will never give up until Whedon says there is no chance and I suspect that even then there will be some who will continue to hold.
These other projects don't interest me much. Some sound like they COULD be interesting, but I already know that The SereniFly verse IS interesting, deep and wonderful. No doubt that there are some here who agree with you (yea!! more vampire stories) and some who will agree with me.
I fall in the category of "Never Give Up on Serenity"
Obsidian Mon | April 11, 00:02 CET
On the matter of a Serenity 2, I think the real test will be Dollhouse. If Dollhouse can have the mainstream and long-term success that something like Buffy had, it'll reassure the studios that Joss can attract a larger audience and perhaps make them more willing to make a sequel. I honestly don't think that we, as fans, can really make much of a difference anymore -- they know how much we care, and it's fine to remind them now and again, but ultimately they need more than that.
That all being said, I could have easily had this attitude before Serenity was greenlit. I mean, who would've imagined that a cancelled TV series would get a film that big? I still think our energies would be better spent on other things though (like the charity screenings, which were a brilliant idea).
MattK | April 11, 00:26 CET
DaddyCatALSO | April 11, 00:54 CET
TamaraC | April 11, 01:15 CET
I believe he mentioned that the creepy toys and the line "You are a sad, strange little man" were his. Surprisingly, the "Claw aliens" weren't from his pen. I'd always assumed they were a Joss creation. You can almost picture Gunn and Wesley in there instead of Woody and Buzz.
JesterInACast | April 11, 03:03 CET
jclemens | April 11, 03:52 CET
Point being, Joss would not have been at the meeting for Toy Story 3, as he had nothing to do with developing the story for 1 or 2. But I wouldn't argue with him working on it. Man knows what he's doing with a script.
bobw1o | April 11, 04:03 CET
ETA: Here's the classic In Focus interview - maybe the one Jobo had in mind, - wherein Joss talks a large amount about his participation in Toy Story.
SoddingNancyTribe | April 11, 06:10 CET
More than six months. It was not a polish; it was a rewrite and with animation you’re writing with every visual. Every shot is up on a board somewhere, so you’re writing in great detail. It’s a very fluid and complicated process.
bivith | April 11, 17:41 CET
UnpluggedCrazy | April 11, 20:35 CET