October 25 2008
Is There Intelligent Life on Television?
An interesting discussion from the Claremont Review of Books on the maturation of television as a medium, one that has now "developed the aesthetic virtues traditionally associated with books -- complex and large-scale narratives, depth of characterization, seriousness of themes, and richness of language." Mentions of Joss, Buffy, BSG, and the like naturally follow.
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I just love it when Whedonesque gives me teaching material!
MysticSlug | October 25, 18:41 CET
Simon | October 25, 19:00 CET
I could disagree on some points, and on the whole it's a slightly dry analysis, but overall - yes, to anyone who watches the good stuff on tv today, it is not news that it is every bit as capable of reaching the heights as the Victorian Novel that everyone so idolises. (And don't get me wrong, I love a good Victorian novel, but I see the same themes and complexity in Angel and Buffy and Firefly as I do in Our Mutual Friend and Les Miserables. And I love it, and I don't understand those who write either medium off on the basis of being too shallow or too outdated, respectively.)
skittledog | October 25, 19:05 CET
Madhatter | October 25, 19:10 CET
Yeah that leaped out at me too Simon. I've no problem with an American author for an American publication writing an article that only talks about American television BUT how about using that qualifier (i.e. 'American') every now and again ? It's a bit irritating to read 'television' repeatedly used to describe one part of the world's output in that medium as if it basically covers everything that's worth covering (and to not even mention non-commercial television - like e.g. the BBC - seems like a bit of an oversight).
That aside, not a bad essay, well written and thoughtful (and it suggests a couple of books I might seek out too).
I'm not sure I agree with the largely technological emphasis he places on TV development though, it surely played a big part but it seems like there's an element of competitively seeking novelty that's missing from the analysis i.e. when a medium gets to a certain minimum age people have already seen so much of it that there's a pressure on creators to produce stuff the audience hasn't seen already and that seems to lead to more complexity by itself (e.g. blending genres, subverting tropes, breaking the fourth wall etc.).
And hand in hand with that is that creators can rely on viewers to be familiar enough with the medium's conventions so that they know when those conventions are being broken to good effect (and further, the creators themselves have grown up with the medium and know both what it has done and what it can do - today's showrunners aren't old vaudevillians or radio writers or novelists/playwrights slumming it, these are guys and gals that love TV in and of itself and I reckon that shows).
Saje | October 25, 19:24 CET
Madhatter | October 25, 19:38 CET
As to the American bias... I was more amused than anything else. There's the criticism of a foreigner who wasn't willing to familiarise himself with the culture enough to enjoy it... and that's fair, but I did definitely get a between-the-lines patriotism coming through. Particularly enjoyed the defence of capitalism through tv evolution. On the other hand, it's true that the comparison he's mostly drawing (complex arcs and classic novels) is truest of American shows, on the whole - Doctor Who may have mythology and Life on Mars had energy and concept - but nothing to compare with the character arcs in a Joss show.
there's a pressure on creators to produce stuff the audience hasn't seen already
You'd think so, wouldn't you? And then there's Big Brother...
skittledog | October 25, 19:42 CET
electricspacegirl | October 25, 19:53 CET
DaddyCatALSO | October 25, 21:15 CET
Oops, already does . . .
Pointy | October 25, 23:20 CET
cookiepartier | October 25, 23:22 CET
MysticSlug | October 26, 00:30 CET
"Then there's the unpleasant reality that he's talking mainly about shows no longer running..."
He simply seemed to be going for critically acclaimed + familiarity. Stuff most people who go after quality TV have had a chance to see or at least sample. A whole lotta folks haven't had the chance to see Mad Men (me), Dexter, and whatever other hits you can think of, any relatively still young series.
I don't think it was an indicator that there's nothing good on TV lately, 'cause that sure ain't true.
Kris | October 26, 04:05 CET
There's television outside the US? My egocentric world is askew!
But in all seriousness, we Americans tend to miss those important limiting adjectives that get in the way of our mental global domination. It reminds me of the World Series for baseball when all the participating teams are American. What about some of the Japanese teams? Can't they ever be World Champions?
Emmie | October 26, 04:15 CET
jcs | October 26, 06:13 CET
British reporter: "uh... yes it does."
American reporter: "...oh."
skittledog | October 26, 10:38 CET
Saje | October 26, 15:34 CET
The U.S. men's soccer team has been in the World Cup finals every tournament since 1990. I watched the '94 Cup that was held here, and was heartbroken when the U.S. played a much more talented Brazil team even for 80 minutes before finally surrendering the game-winner. Because I am a glutton for punishment, I have continued being a fan. We're gonna win the Confederations Cup next year! (Okay, no, we probably won't. But hope springs eternal...)
BAFfler | October 26, 16:05 CET
Oh....grr. But on the plus side... um. I can't actually think of a sporting plus side for Scotland right now. Oh, curling! We won something in that once.
[disclaimer: skittledog is only Scottish when patriotic moods are upon her. By all technical definitions, she is English.]
skittledog | October 26, 20:32 CET
(Scotland's World Cup song from France '98 made me smile in a wryly proud sort of way. It was the Del Amitri one called "Don't Come Home Too Soon" - sappy video aside, I defy any other country to send their team to a World Cup with a song - a frikkin' ballad no less - basically just asking them not to go out in the first round ;)
Saje | October 26, 21:15 CET
skittledog | October 26, 21:55 CET
I would say that's because the article is built on the arguments and issues raised in several books. As such, there's a timelag built in. Nothing in the article suggests he thinks that the essential point about the medium has changed - quite the contrary: If he did think that, the article would pretty much have to be about what happened to ruin the medium's newfound depth. In that case, I think it's fair to say the piece would've been discussing Big Brother,rather than Buffy.
Vague That Up | October 27, 15:30 CET
Marduk | October 30, 16:31 CET