Dollhouse - "it's an adult series, requiring an adult perspective".
Now that the shock of the new has worn off, we're starting to get some good essays about Joss' latest show. Shadowkat's LJ entry about 'Stage Fright' and the show as a whole is well worth reading.
Cheers to moscow watcher for the heads up.
March 03 2009
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Dana5140 | March 03, 23:56 CET
ETA - Ok, a quick skim later and it has a lot of interesting bits, but its not "Rianna" either.
[ edited by zeitgeist on 2009-03-04 00:09 ]
zeitgeist | March 04, 00:06 CET
"Plus it gives me nightmares, which makes me wonder why I'm bothering with it."
I'm the opposite. Yeah, the idea of the Dollhouse is kind of nightmarish (for me, anyway) since even before the show started and yet that is why I am tuning in. Maybe Echo isn't really a person so it makes it difficult for some to be invested in her as a character, but if that technology was even close to real, then Echo could be anyone and I for one am all about rooting for even a blank slate because of that. She is the ultimate underdog.
[ edited by NYPinTA on 2009-03-04 00:12 ]
NYPinTA | March 04, 00:12 CET
BANNED!
zeitgeist | March 04, 00:13 CET
NYPinTA | March 04, 00:16 CET
Now you need to tell us your top 3 most hated imaginary words Zeitgeist!
(My pet peeve word/phrase is "Whatnot." It means exactly nothing.)
alexreager | March 04, 00:24 CET
[1]actually, this logic is wrong
GVH | March 04, 00:27 CET
moley75 | March 04, 00:30 CET
zeitgeist | March 04, 00:38 CET
In the Latin | March 04, 00:55 CET
Leaf | March 04, 01:23 CET
Pointy's blog does an analysis of each episode and I find those to be very deep, insightful, and inspirational to find my own truth. The reviews even go as far as to get names right and look up episode titles (wow!). Does anyone remember the site? GVH had it, but I don't remember (it was linked before).
korkster | March 04, 01:34 CET
redeem147 | March 04, 02:09 CET
One of the beautiful things about out language is it's evolution. Always open to new words.
On topic, the writer makes some very good points.
[ edited by Xane on 2009-03-04 02:41 ]
Xane | March 04, 02:39 CET
embers | March 04, 03:26 CET
We really don't have a meaningful idea what Dollhouse as a whole is about, who these people are, or where these stories are leading. We have some hints, but so far, not much else. I trust that Joss & Co. are messing with our minds, in a good way, and that our notions as yet are inadequate, but then again, I'm already a fan.
My primary hope is that we get the chance to find out what's going on over the course of many seasons yet to come.
Scraggles | March 04, 03:33 CET
I'm trying to decide if I should be amused or disgusted...
BetNoir | March 04, 04:28 CET
I'm really wishing this show was on Showtime or HBO.
There are so many interesting (aka "grown-up") places and situations this show could take it there was more leeway in the storytelling.
I also wish our TV wasn't funded by advertiser dollars and subject to attack from fundie loonies, but a girl can dream, can't she?
I wish the best for Dollhouse...but I've been Firefly'd too many times.
AmazonGirl | March 04, 04:35 CET
One of the beautiful things about out language is it's evolution. Always open to new words.
You are mistaken, but you are entitled to be :) I prefer kerfuffle to kerfluffle. I am, indeed, a classicist.
zeitgeist | March 04, 04:36 CET
The posted lj piece is an interesting if kind of rambling and mistakes-threaded review. (I get that her lj entries are not edited or checked, and that's okay with me. The points come through, and they are interesting ones.) I agree with much of what she has to say, although my take on Dollhouse as a whole is more positive, I suppose.
phlebotinin | March 04, 05:02 CET
I think the main problem with Dollhouse is that it started in a morally complex place a lot of shows would've worked up to. You usually start with some people we're led to root for, and some people we're not led to root for. Even with a pirate ship full of criminal types, Mal's clearly a hero. He's got that shiny honor among thieves badge and we love him because people keep trying to knock if off and he just smacks back harder. Jayne walks an interesting and very different thuggish moral line, but still in contrast our bad guys who are all pretty damn bad.
Who are we rooting for in the Dollhouse pilot? Echo, because she's vulnerable. Boyd and Eleanor, because they can save the kid. Boyd because he emotes to break hearts, and he has the heroic urgency no one else in the show seems to be feeling. But Boyd is working for people whom he helps do deeply troubling things. Paul could be our guy outside the Dollhouse, except he's like Agent Mulder minus the humor and endearing quirks. He's like the scarily superfocused Mulder we meet later on. Dark Mulder only 3 episodes in! Topher's quirky and a bit fun but also the guy at the heart of creepy and very twisted application of science. Adelle and Laurence are clearly weighing the values of human lives every day as business transactions and security risks. Dr. Saunders seems, like Boyd, to be one of the more empathic people in the Dollhouse. But she also works there, and we don't know much about her yet. Even a witty and sympathetic client-- and we've seen 2 out of 3-- is clearly shown to be willing to pay for a sex partner whose consent is programmed.
Every single person is morally compromised. Except maybe the Actives, whose true characters are a mystery and who can be seen as victims. Personally, I like it, but it's a very strange place for a tv show to start from. It's definitely not Buffy = fights evil, Scoobies = help Buffy, Master = very bad, Giles = stuffy wisdom territory. It's like we've joined the action in the middle of Season 6, where everything's pretty messed up, and who we think of as good and bad is going to depend entirely on what they decide to in reaction to things that haven't happened yet.
[ edited by Sunfire on 2009-03-04 05:34 ]
Sunfire | March 04, 05:31 CET
Anonymous1 | March 04, 05:49 CET
curlymynci | March 04, 07:07 CET
LeafOnTheWind | March 04, 07:40 CET
OMG, same here. I can't even think about the real meaning of the word without gagging.
If anyone is interested in more meta on Joss' shows, check out Mutant Allies on Livejournal. I used to read it all the time during and right after the last season of Angel. You can search by subject in the memories.
electricspacegirl | March 04, 08:07 CET
Yeah, but I read it at work, so I didn't bookmark. I guess if anyone has the link ready to repost, it's Pointy. That was some insightfull stuff. Maybe we should, y'know, also link to it off the main page?
As for 'squicky'... what's the real meaning then? I thought it was a combination of 'squeamish' and 'icky'. No?
GVH | March 04, 08:11 CET
Well, I think moley might have actually meant "squick". I'm surprised how difficult it is to find the original meaning of the word when you try to look it up, but if you google "to squick" it will pop up. It's a verb, and a very nasty one. When I first looked it up, the site I went to explained it in graphic detail, which wasn't helpful.
However, I do warn people not to look it up. You really don't want to know.
electricspacegirl | March 04, 08:26 CET
Let Down | March 04, 08:41 CET
Pointy's insightful blog is "Do Lurkers Dream of Electric Peeps?" - which he shares with jaynelovesvera. (I dunno if all you'all remember him, but I have no doubt that jlv named their blog, as well.)
If you poke around, you can find other good bits from both of them. It's subtitled "Home of Pointy’s Whedony insights & jlv’s window washing emporium."
QuoterGal | March 04, 09:21 CET
One thinks I should have gotten used to statements like this by now, but alas no. Ok, if "small children" is about 5-6 Im with you, but mostly 'cos its hard to talk to them about concepts they havent fully grasped yet. But on the whole I find it strange that many Americans, and now I might be a tad prejudiced, seem to think that its a good thing to try to fool kids that there is no such thing as sex. Unfortunately people have sex all the time, so they gonna find out.
On the whole I think Buffy is one of the better shows to watch with kids, both because it will hopefully get some good ideas in their heads as well as provide good material for discussions between children and parents.
Good article by the way.
Satai (with Punsch) | March 04, 10:31 CET
Signed, Squee.
ETA - please ignore this post and refer to my later posts when I actually find out the word squick really means.
[ edited by RollingInKittens on 2009-03-04 15:17 ]
RollingInKittens | March 04, 11:06 CET
I'll just say this: it's onomatopoeic.
ilion | March 04, 12:00 CET
:|. You weren't lying, electricspacegirl. A world of yuck.
GVH | March 04, 12:08 CET
nyrk | March 04, 13:15 CET
moley75 | March 04, 13:28 CET
So, what's wrong with squee, besides it being a 'girly' kind of word?
redeem147 | March 04, 13:50 CET
ETA - as said before, please ignore this post and refer to last post. (Damn you zeitgeist for making me edit!)
[ edited by RollingInKittens on 2009-03-04 15:08 ]
RollingInKittens | March 04, 14:11 CET
I find myself needing this show, and it's just three eps old. It cuts very deep, this fantasy about the pleasures and perils of fantasies.
In order:
1. On the Uses and Abuses of Enchantment, or Dollhouse Premieres!.
2. Dollhouse Heads Into the Woods with Episode 2: “The Target”.
3. Dollhouse Episode 3 “Stage Fright”.
[ edited by Pointy on 2009-03-04 14:47 ]
Pointy | March 04, 14:12 CET
But yeah, I don't get the 'squee' hate either. It's always sounded like such a fun word.
ETA: You're welcome, Pointy ;). Now get your big head out of here, it's blocking my view :p.
[ edited by GVH on 2009-03-04 14:20 ]
GVH | March 04, 14:16 CET
course they also list her as Ellie and Mellie for two different eps
spoiler-texted
[ edited by zeitgeist on 2009-03-04 14:35 ]
Ivalaine | March 04, 14:30 CET
The made-up word that drives me nuts is looser used as a noun in place of loser. I used to think it was just a misspelling, but I see it so often I am now convinced it is a conspiracy.
AlanD | March 04, 14:31 CET
ActualSize | March 04, 14:46 CET
[ edited by RollingInKittens on 2009-03-04 15:44 ]
RollingInKittens | March 04, 14:50 CET
Where is Saje when you need him?
[ edited by RollingInKittens on 2009-03-04 15:31 ]
RollingInKittens | March 04, 14:58 CET
Simon | March 04, 15:23 CET
zeitgeist | March 04, 15:27 CET
Well, the term "kiddies" tends to mean pre-pubescent; I would not deem Buffy appropriate for 11-and-under, even if just for the fact that there's a stack of hysterical (and highly quotable) but not school-appropriate language. I wouldn't suggest trying to keep kids in the dark about sex, either, but a child should probably have at least a solid academic knowledge of the way sex is *supposed* to work before having to mentally sort out the generally very dysfunctional sexual relationships of highly admirable Buffy characters.
Buffy does not have Sesame Street issues: Buffy has grown up problems of death, depression, self-loathing, etc.; she also has lousy relationships and swears a lot, and though her character makes her a great role model, that needs to be separated from her often self-destructive behavior. And I know a lot of kids who just aren't sophisticated enough to bridge that gap. The show is appropriate for teenagers (and woe betide the annoying censors who say otherwise) but kids addicted to the Disney Channel should be steered clear.
LeafOnTheWind | March 04, 15:34 CET
My daughter was eleven when Buffy started, and I know she was watching it from the beginning. I was watching JAG in the other room, which proves the kid had better taste than her mom.
redeem147 | March 04, 16:00 CET
It sounds like "squick" (verb) has a meaning that is surely not related to the common use of "squicky" (adjective) (which I also assumed is just putting together words like squeamish and icky, but also, the word just sounds gross, so it fits).
Still no sign of Saje???
catherine | March 04, 16:00 CET
Yeah. Stuff like that is always individual, I guess. I have a niece and nephew, eleven and nine, who I think will be ready for it in a few years. Right now, they'd probably enjoy it but they'd just be missing so much. I'm gonna wait. Christmas in four years, maybe.
catherine | March 04, 16:02 CET
Simon: Speak for yourself! ;-)
dzr | March 04, 16:18 CET
Nice analysis. Much better than the one linked to.
And looked up "squick." Struck me as self-consciously gross in a pathetically juvenile way. A wannabee shocker.
barboo | March 04, 16:31 CET
I do agree in most cases. But the question is "how do they get there". If you wait till they are teenagers they will have gotten there all on their own, and gotten the information from places that is defenitly not good for them
Satai (with Punsch) | March 04, 17:04 CET
zee | March 04, 17:34 CET
By "get there" I just mean develop into fully sexual beings without being overexposed on the way. That development happens naturally. As for information, I'm not sure watching messed up explicit sexual relationships on TV really provides a lot of necessary information or education. Parents can provide whatever info they see fit, and school sex ed. programs fill in (usually inadequately IMO) where parents might be failing, but mostly kids are curious and they get the information they want, whether it's from school or parents or friends or wherever. The sex on Buffy isn't educational (and there are videos out there that are meant to be educational) - it's part of a rich and complex story that I think is more accessible to teens / adults.
I definitely don't think it's "bad" for kids to watch the kind of see-nothing sex portrayed in Buffy. I just think that (depending on the kid) it could be confusing or stimulating in ways that aren't really comfortable or helpful if they are prepubescent. I'd want to wait until I was confident that they'd reached a point, physically and emotionally, where what they were seeing made the right kind of sense to them. For their enjoyment of the show and all its layers, as much as for any other reason!
But as redeem147 said above, I think it's an individual call, depending on the kid.
catherine | March 04, 18:18 CET
As for the sexy stuff, I probably should've emphasized that, beyond painfully realistic relationship dynamics, Buffy is just a heavy heavy show. Sure, it's funny, but good grief, I'm a grown adult and watching season six in concentrated doses left me bummed for days. I mean, have you seen "Normal Again"? Brilliant study of solipsism, yes, great television, yes--kids' stuff? Heeeeeell no. Again, I'm not saying Buffy should be behind the ratty curtain in the video store, but I'm not sure the average grade-schooler would appreciate it and I would not recommend it to them unless their parents vetted episodes first.
If I had kids, I'd probably introduce them to Buffy around age 12, watch it with them, and answer questions, but I wouldn't recommend it to strangers for the same purpose as inoffensive warm-fuzzy family entertainment. Joss did not make the show for the kiddie set; if he had, it wouldn't be the Buffy we know and love.
LeafOnTheWind | March 04, 18:46 CET
ruuger | March 04, 19:10 CET
I looked it up, and now have a sound clip in my head of what it would sound like with animated bunnies (threads merging!). Is it troublesome that this no longer bothers me and I kind of find it funny? We should make a poem about squicky squick the squid to warn children about the consequences of... being in that situation? Maybe it's the lack of caffeine...
(now to squicking a big head... poor Pointy. I couldn't resist!)
Echo decides to “Stage [a] Fright” to save the day, first when she threatens to hand Rayna over to the embodiment of her self-destruction-masked-as-self-creation, and more particularly when she shoves her off the catwalk, to which Rayna may not have realized she was tied. Like an artist, Echo uses an illusion to reveal a truth. (”It’s a Horrible Life . . . Clarence is back . . . and this time he’s not f—ing around.”) Rayna, while talented, is not an artist, since she uses her talent to create a captivating illusion rather than a liberating one.
------------------------------------------------
This introduction encapsulates Rayna’s dramatic arc. Rayna begins by seeing herself as imprisoned by her own superstardom, Echo confronts her with the fact that she built her own cage and can escape it, and in the end Rayna reconnects with her voice–singing the freedom song in a single spotlight while looking out at other lights. (This hints that she might become a different kind of superstar, one who uses the spotlight on her to see and reveal the light in others. The song has gone from being something she comes from to being a place she’s taking her audience. V. nice.)
These are some snippets from Pointy's review/analysis. I find it exciting to read. I am also intrigued by the parallel'd choice Echo/Jordan makes in this episode. It's an idea that hadn't come to mind before, but re-opens up a door in general: children who rebel against their parents and yet end up being like them. Echo "rebels" against her own programming, and yet makes decisions that the Dollhouse also makes. I highly encourage anyone to check out the site. (Thanks QuoterGal for finding it again!)
Oh, and no, the irony was not lost upon me about the crazy fans in this episode... being one myself. And it's y'all. ;)
korkster | March 04, 19:10 CET
Probably not ;). I wasn't suggesting I "wouldn't let" a kid watch Buffy because of the sex... it's just one of many reasons why I think it's a show that would be more appreciated by teens / adults. The violence would be one of those reasons too, although as with the sex, I don't think it's a variety that I'd consider damaging for kids. The usually bloodless ass-kickings ending with vampires that go poof isn't so much worse than a lot of Saturday morning cartoons, is it? I mean, I definitely would not want my hypothetical children watching The Sopranos before they were in their teens, but I wouldn't freak out if they were into Buffy. I'd just think they would get way more out of it in a few years.
And thanks all for pointing the way towards Pointy's site (and thanks Pointy :)). It looks like great stuff!
catherine | March 04, 19:40 CET
I think that the level of scrutiny the show is under is huge, far more than Buffy ever was. Have you ever gone back and actually re-watched the first half of Buffy Series 1? It was a right mess, they couldn't fight properly, the acting struggled, and the characters were more like caricatures than people. But it made it through, had enough in the ideas/writing/humor to keep it going. But even the writing struggled at times too.
I for one am sick of formula-driven TV, and trying to unravel Dollhouse is a fresh and invigorating watch for me. There is certainly enough intrigue to keep me watching, and enough places for it to resolve to that the story could have longevity for multiple seasons if given the chance to develop.
Some of the questions I currently wondering about are:
Who is Caroline? What did she do and when will it come back to haunt her? (who cares about Echo? She's a construct, Caroline is the important one)
Who sets the Dollhouse agenda, and what will Caroline think/do about it given the chance?
Will Alpha be her nemesis, or her ally? Is Alpha actually who is doing it, or is that a red herring?
Will Ballard end up as a handler?
Did Claire and Alpha have a relationship (and hence why he only scarred her and not killed her like the others)?
Enough questions to keep me watching, and I have enough faith in Joss as a writer that I'm pretty sure, if given the time, he will amaze and entertain us.
And ActualSize, I'd just like to say "me to".
zaphod | March 04, 19:57 CET
snot monster from outer space | March 04, 20:13 CET
ETA - I found a reference to the fouler meaning from a newsgroup in 1991.
zeitgeist | March 04, 20:44 CET
1. Some of the questions I currently wondering about are:
Who is Caroline? What did she do and when will it come back to haunt her? (who cares about Echo? She's a construct, Caroline is the important one)
I feel completely the other way about this. Caroline, for all purposes, is "dead". She's put away for 5 years. That is, IF Caroline is Echo's "real" self. Who's to say that wasn't an imprint as well?
Caroline's story, to me, is as episodic as the three engagements we've seen so far- they've played their part, now it's time to move on. Caroline's a human, with fears & emotions & habits that limit her to her Caroline self.
Echo, on the other hand, has no fears or emotions or natural habits. And yet she has all of these things. Her canvas doesn't seem to be completely blank, and traces of her previous imprints can be seen. Do these traces (or pieces) make up a whole person? Is Echo a person, in the sense that we are people? Is she (or will she be) anything like Caroline?
Those are the questions that fascinate me.
2. Will Alpha be her nemesis, or her ally? Is Alpha actually who is doing it, or is that a red herring?
Others have brought up Alpha's presence here and I love the whole new lack-of-fourth-wall aspect to it.
3. Will Ballard end up as a handler?
This is the one character where I don't know where to stand on this. Of all the characters on Dollhouse, Paul Ballard seems to be the one I know the least about. Is he a doll? A future handler? If he's "normal", will he succeed in finding Echo? What will he do if he finds out that she's "broken"?
4. Did Claire and Alpha have a relationship (and hence why he only scarred her and not killed her like the others)?
Yeah. I want to know this as well. Alpha took 8 seconds to kill everyone else off with surgical kills (painful, quick, planned). Echo was left alone, untouched (we're waiting to learn why). But Dr. Saunders... why not kill her with the others? If you're not going to kill her, why scratch her face in the first place? And it's the FACE, not the arm, or leg. The one place that Dr. Saunders can't cover up. The lack of precision on her scars makes me think it wasn't a "planned" attack, but one from an emotional response.
@zeitgeist: Good thing it's your hobby? ;)
korkster | March 04, 20:56 CET
zeitgeist | March 04, 21:06 CET
Watched Stage Fright again last night and liked it a lot more than the first time.
I love Dollhouse but I'm hyper aware of the obvious divide between what Joss wants to do and what he has to do to keep Fox happy, which sometimes makes me feel as if I'm watching two different shows. And causes me to fear mightily for loosing Joss forever from TV, if they cancel it in spite of all the obvious compromises.
But I'll save that for somewhere else.
Leaving now, in case someone takes up the challenge to discuss grossness, which I can't tolerate (not even tempted to look up the meaning of the word in question).
Oh .... so glad I'm not the only one who shudders at "squee". ;)
Shey | March 04, 21:14 CET
I can construct scenarios in which Caroline is an imprint, but they have to work pretty hard to get around that very first scene in the pilot. If Caroline was simply an Active persona, why is Adele bargaining with her? Why not simply "it's time for your treatment" and hey presto?
Caroline, for all purposes, is "dead". She's put away for 5 years.
I think that passes over Echo's encounters with 'Caroline' in "Target" a little too cavalierly. Clearly there are Caroline-memories somewhere in Echo's brain.
Of all the characters on Dollhouse, Paul Ballard seems to be the one I know the least about. Is he a doll? A future handler? If he's "normal", will he succeed in finding Echo? What will he do if he finds out that she's "broken"?
I don't think Ballard can be an Active; Adele and Dominick's discussion of him would make no sense if that were the case (again, one can construct baroque scenarios which would make it plausible, but I hope the storyline won't get that tangled--there's fun in pulling the rug out from under our feet once in a while, but if you do it all the time the audience begins to assume that none of the rugs will ever stay put, and lose interest in the world).
I think there's a good chance he'll be offered the role of handler at some point. Clearly he's the kind of guy they'd like to hire. Hiring him is a cleaner way to get him off their backs than killing him. I'm going to assume, though, that if he does it it will only be either as a way of bringing the Dollhouse down from the inside, or because some new major plot arc has got us to a point where the Dollhouse is actually fighting what Ballard believes to be the "good fight" against some larger menace (the Borodines? Terrorists? American Idol?).
snot monster from outer space | March 04, 21:24 CET
Yeah, Alpha and Claire had some kind of a connection... that would further explain why she keeps freaking out every time Alpha gets brought up.
ManEnoughToAdmitIt | March 04, 21:24 CET
ETF quotation mark.
[ edited by snot monster from outer space on 2009-03-04 21:29 ]
snot monster from outer space | March 04, 21:28 CET
Re: kids and BtVS. My kids have been watching most of the episodes on DVD since they were probably 5 or 6. Much of Season 6 - no. And certain individual episodes with particularly horrific monsters - no. (Yes, it is good to exercise some parental oversight.) But the show worked remarkably well for them - it's funny, it starts out in a school, it's a little scary, which some kids really dig, and it portrays a bunch of good values. As for the violence - it's very stylised, and the kids react to it much as they do to animated violence. To be honest, I think I was keen to show both my daughter and son a strong butt-kicking female hero - and I think that much has definitely paid off. But it's a truism that kids differ hugely, and that Buffy wouldn't be appropriate for many - my neighbor's an enormous fan, but she's never let her kids watch it.
SoddingNancyTribe | March 04, 21:36 CET
Life would be easier for the mod.
snot:If Caroline was simply an Active persona, why is Adele bargaining with her? Why not simply "it's time for your treatment" and hey presto?
Well, I don't know. When we see Caroline & Adelle, Adelle is waiting for Caroline to say "yes" when Caroline clearly thinks she "has no other choice". If that's the case, then why wait for the "yes"? If Caroline is an imprint, maybe the whole thing is set up to work around their "5 year" limit. The Dollhouse believes they serve a purpose, not trading slaves. Maybe this "negotiation of contract" is their way to think they've chosen this again and still keep their person.
Okay, that's flimsy, but I'm not a writer nor creator. Maybe Caroline is a human, but they simply don't "wipe" away their history as promised. If that's the case, then Caroline's life still has ended because she will never be able to progress beyond the agreement to join the Dollhouse (like Gunn & Lindsay in surburbia-hell).
I think that passes over Echo's encounters with 'Caroline' in "Target" a little too cavalierly. Clearly there are Caroline-memories somewhere in Echo's brain.
Don't we also see other memories and not just Caroline-memories? Whether or not that's the case, we do know that Echo carries more memories than just Caroline's; she carries Echo's (remembering Sierra's friendship), she carries hunted-girl (shoulder to wheel reference)... Just something to keep in mind. There's more than just Caroline in there. Which is why I think Echo is no longer Caroline (if she ever was).
korkster | March 04, 21:43 CET
I have real difficulties with any scenario in which there is no intention at all to honor the contract or in which the contract is a meaningless charade. I just can't see the point in bothering with the playacting. If Caroline is their property from now until her death, then why bother pretending to get her consent? Why not just drug her?
Don't we also see other memories and not just Caroline-memories? Whether or not that's the case, we do know that Echo carries more memories than just Caroline's; she carries Echo's (remembering Sierra's friendship), she carries hunted-girl (shoulder to wheel reference)... Just something to keep in mind.
I don't recall Echo in her drugged state in "Target" having any encounters with previous "imprints"--but I could be wrong. I thought every time she met 'herself' she was saying something strongly 'Carolinish.' (Boy, you just know someone's going to quote "Yesterday upon the stair, I met a man who wasn't there" in this thing one day, don't you?).
As to Echo having memories from her engagements. Yes, that's true. The question of whether those are 'Caroline's' memories seems to me to be still up for grabs. That is, if Echo at some point says "Hey, I remember, I'm Caroline DeWitt of 23 Memory Lane" AND she also says "and I remember being imprinted with all of these characters and I remember lots of wandering around in the Dollhouse doing Tai Chi" ("And you were there, and you were there, and you were there, and Toto was there too!") then hasn't she successfully reintegrated all of these events/memories into the continuing narrative of "Caroline's experiences"?
When you have a dream that you don't remember, did it happen to "you" or to someone else (the dream persona)? If you get so pissed that you can't remember what you did, were those things that happened to someone else? If you remember them later ("Oh my God, I drunk-dialed the President!") do they become "your" memories at that point, or are you "borrowing" someone else's memories? Etc.
snot monster from outer space | March 04, 22:05 CET
To me - Caroline has done something that has ended terribly. Whether accident, or crime, or whatever. Let's say, both her parents have ended up dead, and she's seen as being to blame (whether she is or not) by the powers that be. She faces prison/death/life of despair, but Dollhouse (for whatever reason) give her an out. Either Doll, or [insert bad thing here].
The main path *seems* to me to include, as at least one of it's arcs, Caroline's struggle to regain control of her life through Echo. And what we'll end up with at the end is kind of super-Caroline, with some of the skills/memories/wisdom of each of the imprints along the way.
Next week I'm sure I'll be thinking something completely different, but hey.
zaphod | March 04, 22:10 CET
No, I DIDN'T mean it that way. Filthy, filthy people.
:-)
zaphod | March 04, 22:12 CET
[ edited by zeitgeist on 2009-03-04 23:46 ]
zeitgeist | March 04, 23:34 CET
Yeah, that's my read too. The necrophiliac thing sounds too much like a joke to me: you can see the logic that gets you from "what's a good example of something that would squick you" to "Ha! and that's the sound it makes!"--but it's a lot harder to see a widespread usage deriving from someone saying "I wonder what would be a good word to capture the sound it makes when I..."
In any case, usage ultimately rules: from a usage standpoint, the "real" meaning is obviously the "pushes one beyond one's comfort zone" one.
snot monster from outer space | March 04, 23:50 CET
redeem147 | March 04, 23:51 CET
korkster | March 05, 01:27 CET
Yeah, she's obviously done something that ended badly. I suspect it's not a matter of facing prison, though. I mean, Adele tells her "we can make this all go away." Now, I assume they can't just make the police or a prosecution go away. They're obviously not offering her plastic surgery and a move to another country or something. So if she was facing prosecution, the risk that she'll be spotted from an "America's Most Wanted" show or something is too high.
(Sidebar: what will happen if Echo ever runs into a former acquaintance on an engagement? It must happen occasionally, right?)
Trouble with the mob or something like that seems like a better fit (something that could be solved by large amounts of cash, say)--but it's a bit hard to see how that goes along with "I was just trying to take my place in the world." Something about that makes me think "political activism"--but for that to have gone seriously wrong seems to lead you back into criminal wrongdoing.
Bah--I can't come up with something that really fits. I hope when all is revealed it's something really convincing.
snot monster from outer space | March 05, 01:41 CET
Let Down | March 05, 02:08 CET
Just thought I'd chime in on this point, because I believe they do not honor the contracts at all, but they need the person's consent in order to perform the initial brain reboot. When we saw Sierra becoming an active, she was full of acupuncture needles and clearly conscious. So I would argue that the procedure requires a conscious brain, maybe even a willing one, to work. Drugging them would prevent that, so they get consent under false pretenses.
[ edited by EmmBee on 2009-03-05 04:24 ]
EmmBee | March 05, 04:23 CET
snot monster from outer space | March 05, 05:51 CET
doubtful guest | March 05, 06:24 CET
I also hope the attic turns out to be something other than a graveyard for killed (by the Dollhouse) actives. I loves me a good twist.
Jobo | March 05, 06:33 CET
Also mysterious: What did snot say when he drunk-dialed the President? :)
jcs | March 05, 06:48 CET
hacksaway | March 05, 07:06 CET
Satai (with Punsch) | March 05, 09:31 CET
I'm thinking her memories in "The Target" were both Carolinish and Echoish. The "I try to do my best"-line (in that comfy Active-outfit) felt very much like Echo.
wiesengrund | March 05, 12:37 CET