August 28 2009
Men, women, and Dollhouse.
Taking into account the opening disclaimers about use of generalizations, this is a pretty methodical tour through the different lenses through which different groups might view Dollhouse.
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However, none of this is to say I disagree with a single word of it. I was just approaching it as an essay.
Liam Mars | August 28, 10:56 CET
Sunfire | August 28, 11:25 CET
What I was trying to say (and obviously failed at) was that discussions about this issue are making people more aware of feminism, which I think is awesome, because people who haven't been thinking about feminist issues of all stripes are starting to think about them. Not that they will come 'round to my brand of feminism and approve with my position on Dollhouse. Perhaps I should edit to make that clearer if it's not coming across. I realize I did say "...and start rethinking their read of the show," but what I meant by that was that they would start evaluating alternate reads of the show seriously, rather than rejecting them out of hand, as has been the case in some (not all) discussions about this issue.
This post was actually an outgrowth of discussions with people here who do not share my views on the show; I went from having a very narrowminded "there is only one right way to read Dollhouse and that is my way" opinion to, you know "there are multiple perspectives on the issue and they are all of value," and that was what I was trying to drive at here. If that doesn't come across, that's an epic communication fail on my part.
meloukhia | August 28, 11:32 CET
[ edited by Dana5140 on 2009-08-28 20:43 ]
[ edited by Dana5140 on 2009-08-28 20:45 ]
Dana5140 | August 28, 11:43 CET
We don't actually know this. We've been shown a conversation that appears to communicate this, but there are other things that could have led to that conversation.
@theonetruebix | August 28, 11:50 CET
And yeah Dana5140, I agree about the "dualist distinction" between the show and our reality. As the essay says (though I don't agree with the slant or that it only applies to women/feminists) I think it's very true that what bothers people about the show (and some of the discussion of it) is that
I can completely understand the position that if you cede any ground on what constitutes rape then you're opening the door to those that would downplay it or exclude certain situations on the basis that e.g. "she was asking for it", it's a reasonable fear. It's only the fact that, as the essay says, "... we live in a world where body and personhood cannot be separated ..." that allows us to talk about it. Because in reality, none of the situations we see in the show are actually as ambiguous as they can be in our discussions - metaphorically the show's reality is a heightened version of our own but in fact, there's an important disconnect from the real world, which is to say the idea that you can "bottle a person" just doesn't seem to be true in our reality. Speaking for myself, it's only that disconnect, that essential abstraction from the really-real world that let's me post so blythely about something as horrific as rape.
By asking "Do you agree that your body will be used for any and all purposes the dollhouse requires for the five year period of the agreement except in so far as the dollhouse deems permanent harm may be caused to your body and after paying due dilligence to your body's safety ?". It's really not that hard to cover every possibility, you just say "everything possible".
We're lucky on here that no-one (that I can remember) has ever claimed "nothing is wrong here.” of the show. Sites where a simplistic, extreme viewpoint like that represents a significant fraction of the consensus are the kinds of places I tend to avoid.
In general, the essay makes a laudable attempt to walk the middle ground but (as is probably unavoidable for any of us) the author's own position shines through. For instance, it presents the least understanding view of rape as if it's the norm (because some people think a thing doesn't mean most do, no-matter how much assuming it does would help your case) and shows a clear bias in its position that if you don't think it's rape (or you're even in my position, which is to say "not sure") then you haven't thought about it (or, I guess, are a man ;). Also, the initial "generalisations" disclaimer, if taken at its word, effectively undercuts the entire conclusion of the essay (since "men" and "women" and even "feminist" and "non-feminist" are such broad or fuzzy categories as to be basically meaningless in this sort of discussion - sometimes "men do this" or "women do this" is nuanced enough because it's at least true on average, here it isn't IMO. Or at least, it's very difficult to prove one way or another, hard to separate fact from anecdote and confirmation bias).
Those criticisms aside though, it's not a bad summary of many of the ideas the show discusses.
Saje | August 28, 11:52 CET
We don't know what Caroline felt. We only know what she told DeWitt she felt. For all we know, Caroline specifically set up the situation which led to her recruitment, in order to get inside.
@theonetruebix | August 28, 11:53 CET
You seem to be making the mistake many authors of such essays do, which is drift between a safe port of relativism ("there's no right answer") and an argument about why your point of view is actually the right one. I've thought about these issues a lot and I'm not in agreement with many of your points here. I'm very interested in reading such points though. But it's offputting to read an essay that makes assumptions about where my disagreement must be coming from.
I believe you that your intent is good but I think you're going about it backwards. You're trying to understand how people who disagree with you are thinking (or rather not thinking) about the issues. Maybe instead you should explain how Dollhouse resonates with you as a feminist, how the experiences of Dolls relate to social reality for women as a group, why lack of consent and rape are your readings of this. Own your opinion, and explain your reasoning. And then put it out there for people who disagree with you to hopefully read and respond to. Leave it to people who disagree to explain to you where that's coming from. Talk to us, not about us. You have some good points about your take on things. It's the real heart of the piece. Expand on that, explain your point of view, and then people will talk to you about theirs.
Sunfire | August 28, 11:58 CET
@theonetruebix | August 28, 12:00 CET
I do think it's important to point out, though, that this essay was not meant as an attack on Whedonesque readers. I think that most people here are thinking about these issues, in a very in-depth way, whatever their gender/position on feminism. Reading posts here discussing this topic, I think that most people fall into the middle ground of "I don't know."
What I was really trying to explore here was the roots of the very simplistic view I'm encountered on other sites discussing this issue, and the fact that many of people arguing that nothing is wrong have been male/nonfeminist.
I think that there are lots of reasons for valid and compelling disagreement from people in the "I don't know" camp, but those people aren't the ones I'm talking about here. In fact, I specifically state that "The truth, as it often does, may lie somewhere in the middle."
I really want to stress here that I am not trying to say that my point of view is the right answer, but rather than I wish people on the opposite end of the spectrum would consider the intersection between the show and feminist issues a lot more. I don't think anyone here is at the opposite end of the spectrum, which means that a lot of this doesn't apply to them. I am really sorry that this essay is coming across as "my way is the only way!" That's pretty much the opposite of my intention.
Also, Sunfire, I have talked about my relation to Dollhouse as a feminist in the past; those posts just haven't been linked on Whedonesque!
Edited to add: Bix, good point. I would argue, in fact, that trying to explore the reasoning behind the opinions of others is pretty much a key to grasping those opinions, as is, of course, listening to the reasons from people who actually hold those opinions.
[ edited by meloukhia on 2009-08-28 21:07 ]
meloukhia | August 28, 12:06 CET
In fairness, meloukhia did that last time and I for one called her article unfair and biased ;).
We don't know what Caroline felt. We only know what she told DeWitt she felt. For all we know, Caroline specifically set up the situation which led to her recruitment, in order to get inside.
Well yeah, that's true but to me we can't pick and choose what we see but don't believe and what we take at face value. Caroline, as depicted on screen by Eliza, clearly doesn't want to sign IMO, she appears to feel cornered, angry at her situation and desperate. She could be faking of course, it could all be part of some master plan but I think once you start down the second/third/fourth order second guessing path you might as well be saying "Maybe the video/memory was a fake" or "Maybe it's all a dream". If we're going to discuss the show then at some point we have to accept what we see or we descend into "Ooooh, nothing is as it seems" territory. True maybe but ultimately a bit of a non-discussion.
Saje | August 28, 12:08 CET
And also agreed that sex with a doll would have to be interpreted as rape under US legal structures. The parallel ethical judgement is not necessarily a given, as it depends greatly on your starting principle and system of ethics; I make this merely as an academic point, not a personal argument that it doesn't count as rape :)
Morally, there is even more gray area, which is what I think Joss is going for here. Many people would agree that it is rape, but I think the interviews in "Man on the Street" indicate that there is room for people to disagree with that, and thus the social judgement in the universe of Dollhouse may not come down on the side of rape.
Saying that Joss hasn't thought it through really begs the question of what he is trying to achieve. If you assume that he is trying to say that the dolls aren't being raped, then yes, I would agree he hasn't thought it through.
However, I do not believe that is his intent. His intent may well be to say; "human behavior is complicated, and people do a lot of things that are both good and bad, and most people try to justify their bad actions by pointing out results that seem good."
If that is the case, then the legal/moral/ethical status of certain sex-with-a-doll / rape is simply one more piece of this complex puzzle, albeit a severely disturbing one.
One additional thought: given the strict standards of consent outlined so nicely above, there are likely plenty of situations where sex, not with dolls, but with "regular" people, is similarly non-consensual. For example, the recent law passed in Afghanistan, or the existing legal standards in too many other countries. Sex with dolls can act as a stand-in for a lot of other human actions, and by questioning the one, we may then be led to question the others. I think that Joss would definitely do that; it is "subversive" in its approach, and he loves that.
And we also have to allow for the fact that, although Joss is considered an auteur, and has a lot of say in what happens in his shows, there is a whole writing staff there, which is changing now from season to season. It is unlikely that the "vision" of the show will remain exactly the same with a change in staff. There will undoubtedly be new influences and thoughts from those new people that will begin to show up in the scripts and the resulting episodes.
PaulfromSunnydale | August 28, 12:09 CET
An essayist is free to do whatever she wants. I'm just saying for certain purposes a different approach would probably be better.
Also, Sunfire, I have talked about my relation to Dollhouse as a feminist in the past; those posts just haven't been linked on Whedonesque!
Ah ok. I'll go read those then for context.
Sunfire | August 28, 12:19 CET
The nub of the Caroline thing is how people see coercion IMO. I think it's fair to say her decision was pressured (from what we see onscreen) BUT I also think it's fair to say we don't know exactly where that pressure came from (seemingly partly Caroline's own choices, partly Adelle, maybe partly some larger conspiracy, likely partly circumstances we haven't seen yet etc.) so that it's unjustified, even from the little we know now, to just say "she never had a choice".
With Sierra though, from what we've seen up to now, she was apparently forced against her will into the dollhouse (or maybe tricked). Not put in a situation where she had to make a tough but (possibly) informed choice between the lesser of two evils but somehow actually forced (how that could happen without inside collusion - probably from at least Adelle and/or Topher - isn't easy to see).
Reading the essay BTW I started thinking about organ donation and how there might be a parallel. People make a choice as to what happens to their body and then later, when they're no longer in a position to actively give or withdraw consent, those choices are respected even though that person is no longer there.
Maybe it's fundamentally different because they're never coming back into their body ? Or maybe because no-one else will be "in" to be affected by those choices ? If the imprints aren't people then it seems to be pretty similar, if they are then maybe not so much.
Saje | August 28, 12:42 CET
I think that the Caroline thing is, like the rest of the show, really complicated. I view her situation as coercion because it seems to me like she's been manipulated and forced into joining the Dollhouse; manufactured consent is definitely not consent. I do think that she may have been making a choice between two evils, but being forced into making a false choice is still coercion.
You also brought up a really interesting point in re:organ donation which I totally had not considered before. You're absolutely right, and it's a great parallel: people do sign away their bodies, saying that once they're gone, it's ok to use their organs. I'm going to have ponder this and ramble on for another couple thousand words about it in the future.
And, PaulfromSunnydale, I am pleased to inform you that I am actually working, at this very moment, on a discussion of how much responsibility Joss, personally, bears for the creative content on his shows. I think that I and many others often fail to remember that television is a team effort and that other people can/do have a role in what happens on screen, and that's something very interesting to think about when exploring a thorny issue like this.
meloukhia | August 28, 13:04 CET
While acknowledging the author's intent not to offend anyone by making generalizations, there was one important aspect of the topic at hand that was not mentioned. Even though the show does focus a great deal on objectification of women, we can't forget that men are also objectified in many ways as well. Victor is used by Adelle no differently than a customer would, which is ironic considering she often is displayed as wanting to protect the dolls under her employ. Even Alpha could be used as an example, as it is unlikely he had any consent in his placement at the dollhouse. And while he did commit a particularly heinous crime in his previous life, I don't think that immediately strips him of his right to consent.
I agree with the author on many points, I just feel that when we look at objectification in this show (and frankly in real life), we have to consider that everyone is objectified in some way shape or form, even if it does happen more to one gender than the other.
deepgirl187 | August 28, 13:27 CET
I think that I and many others often fail to remember that television is a team effort and that other people can/do have a role in what happens on screen ...
I know i'm always forgetting the rest of the team so that everything I see is "Joss did this, Joss did that" etc. even though a lot of the time it's no-doubt someone else. That said, on most of his shows he seems to be (by most accounts) the guiding hand for the directions of character and plot development and he presumably has a sort of veto as far as story/script goes so it seems fair to say "Joss allowed this, Joss allowed that", even if it's not actually him that came up with it.
I view her situation as coercion because it seems to me like she's been manipulated and forced into joining the Dollhouse; manufactured consent is definitely not consent.
I think that's still up in the air. The hints about Rossum may mean they were actively manipulating events so that Caroline would find herself with Hobson's choice (e.g. if she was on the run they may have kept giving her location to the authorities to keep her moving, wear her down, push her in certain directions). Or it could be that the animal lib thing (which was her choice entirely, inasmuch as any choice is entirely ours) was all it took, the turning point which eventually lead to the dollhouse.
And Adelle was definitely persuasive, even manipulative but I still maintain we don't actually see anything to indicate that Caroline didn't have the choice to either face the music (which may even have been a death sentence, not saying it was a great set of options) OR join the dollhouse. We don't, for instance, see Adelle give any subtle nods to guards as if to say "Even if she chooses not to sign, we're taking her". Maybe we will in future flashbacks but right now, to me it still looks like Caroline finds herself in a situation where her other options are so much worse (maybe even through her own fault) that she feels she has no other choice.
It's definitely complicated though, no argument from me there ;).
Saje | August 28, 13:35 CET
One of these days someone is going to write about how our divided fandom views Dollhouse. For instance how does a Spike fan view the show compared to a diehard Firefly fan. Or a Buffy feminist as opposed to a Dr Horrible slasher.
Simon | August 28, 13:39 CET
Saje | August 28, 13:41 CET
Simon | August 28, 13:43 CET
meloukhia | August 28, 13:45 CET
Having said that, I feel that getting entrenched in endless battles to meticulously define the term "rape" and then seeing if the events shown meet our criteria is not really very helpful. What we are actually talking about here, regardless of consent, is the violation of a human being. Doesn't matter if the "person" is stored, if it has been wiped, if it is restrained, suppressed, repressed, if it is willing, if it is compromised, informed consent, uninformed consent, lacking capacity... Whatever. It doesn't matter. That's an additional area to argue about. At it's core, it is still violation of a human being. A dehumaning. If people out there are rationalising that that's even partially ok in some circumstances, any circumstances, then that is kind of more terrifying than the show itself, however we define the actions within it.
curlymynci | August 28, 13:51 CET
No, that's begging the question. The discussion is partly about whether it's a violation of a human being (and by extension, about what is a human being).
What I personally find offensive is the idea that we can't discuss a TV show (which is apparently deliberately designed to engender just such a discussion) without somehow being bad people if we don't immediately see it the "right" way, the idea that if you're even able to consider whether it's a violation you must somehow be condoning violating people. That to me, is vile.
If people out there are rationalising that that's even partially ok in some circumstances, any circumstances,
So no to military training then ? Under any circumstances ? Genuine question BTW, some people are against it full-stop.
With good reason too.
Oh yeah, it's all coming out now. Typical anti-cluffist bias. But our love will not be silenced ! Just because it's made up doesn't mean it's not real !
Saje | August 28, 14:02 CET
baxter | August 28, 14:34 CET
I think Joss -- and Eliza, because let's not forget that she gets to sign off on all this too -- knows exactly where he's going with this. I think I'm getting a feel for the show's direction, and if Joss & Co. follow through, something they have done so frequently before, then Dollhouse will be his most subversive work yet.
ManEnoughToAdmitIt | August 28, 14:39 CET
I don't see how this jibes with an interpretation that DH serves as a subtle insightful commentary on what it means to be a 'person' (as for example, Blade Runner does) ...
Well, are the imprints people ? If not, why not ? If so, why so ? And from there into an examination of what constitutes a person (in that sense it's actually quite similar to 'Bladerunner' IMO). The idea that the show is partly about the meaning of personhood doesn't seem particularly far-fetched to me. Or to Joss IIRC.
The responsible party for all of the above is the programmer ...
Hmm, if the "program" was a simple rule-based algorithm for accomplishing a mission then yes but as we're told a couple of times, the imprints are able to go beyond what Topher can think of, they have memories and experiences which they can use to perform new actions. So who's responsible becomes murkier IMO.
Saje | August 28, 14:50 CET
Now in response to interpretations of whether Echo gave consent, while I am- wait for it, saje, 'cause here come your points- an ardent reader response guy, all I can say is there is no visual evidence of anything but what we are allowed to see in her exchange with Adelle. The consent issue is the deal killer for me; it is simply huge and I see no way around it. The discussion about organ donation above is truly simplified; organ donation is so complex an issue entire texts have been written about it, and then you throw a living will on top of it, or an advance directive, and you have a mix of problems there. But we need to keep mindful that the point of these legal devices is to honor someone's wishes when they are no longer able to express them. That is the reocrd we have, and we have no way of knowing otherwise, even when a relative argues that this person has changed their mind. In order to overrule the directive, a court hearing would have to be held and the weight of evidence judged. All by way of saying, a legal device has been used here that is more than a contract; it is an attempt to protect and preserve autonomy- and that is the one point we will all agree on- Echo has none; she is programmed. The conceit, again, is that she is beginning to be self-aware again, and thus we have the implications of that- which I argue lead to rape. This is why I do think that Joss, who may not really understand the ethical nuances because he is, you know, a writer, may not know exactly where this is leading beside what he feels is a compelling storyline. I myself am uncomfortable with much of DH, from its reliance on skin, to its acceptance of what to me seems rape, to other issues as well.
Dana5140 | August 28, 16:53 CET
I'm not sure if Karl William Kraft had no consent in being placed at the Dollhouse. Adelle says "We offered the opportunity to trade lengthy prison sentences for five-year terms of service with us".
Now, she could mean they made this offer to the Department of Corrections which was referenced by her in the sentence before as the institution that "furnished" the recruits. This would go along the lines of the DoC saying "We have a rooming problem in our prisons, let's talk to these corporate neuro science types." and not giving the prisoners any choice.
But she could also have meant they were allowed by the DoC to offer these trades to specific prisoners, to Kraft himself, and he then said "I'll take 5 year of ignorant zombie over 25 years of bad food." (Now, how would that scenario connect to the Caroline-situation?)
In scenario 2 Kraft would have a certain degree of consent, the "choosing the lesser of two evils" type of consent. However, I think the show - even as it leaves this question kinda open - explicitely marks him as a "lab rat" and Person That's Been Experimented On. Plus, Alpha in his Post-Composite Crazyness is imo portrayed as a victim of the tech and of Topher. (To clarify: His Post-Composite Crazyness is a result of tech and Topher being reckless. His Kraft-y "Let's slice up Whiskey!" thing is untouched by that. [Ah, great. Now I gotta listen to New Order immediately. :)])
Also, I have to admit, I just now realized the parallels between Kraft (and by some extension, all Actuals) and Alex in "A Clockwork Orange". I cannot remember, did Alex choose to do Ludovico voluntarily in a "Shorter term!" kind of move, or was he picked and forced into it?
wiesengrund | August 28, 17:02 CET
Dana5140 | August 28, 17:11 CET
wiesengrund | August 28, 17:24 CET
meloukhia | August 28, 17:32 CET
He even discussed that question on here.
wiesengrund | August 28, 17:36 CET
*whips out his southern drawl*
Yep... that Dollhouse is crazy... MMhmm.
azzers | August 28, 19:47 CET
Saje - I don't think debate over personhood is vile, but questioning whether or not what we are seeing is a violation sets my teeth on edge. People can question it, I'll just find it unpleasant.
Everyone seems to be locating the violation/rape/crime/whatever in the victim - it's all what she/he is, what capacity they have, whether they are there or not. I'm more of the view that the violation is defined within the person perpetrating it. The people using/running/watching(?) the Dollhouse are violating other people - the originals, the imprints, the not quite blank slates, all of them.
In my own mind, as long as that premise is held and kept to one side, I am quite happy to start to ponder the "how am I me?" part of the show.
And nope, hate the army.
curlymynci | August 28, 22:58 CET
I'm just totally down with the "gray areas" love, and the fact that the issues Dollhouse is addressing are meant to make you uncomfortable - and to make you think, on multiple levels (duuh, this is Joss).
I also agree with someone who said, upthread, that Dollhouse has the potential to become Joss's most subversive work. I would in fact argue that it's already more than half way there.
High praise from my particular point of view regarding great TV, which will hopefully not be taken to mean that I think the show is perfect.
Perfection is an illusion, anyhow, except for passing moments. But Joss's work has an exceptional number of those moments, IMO.
Shey | August 28, 23:25 CET
Fair enough curlymynci. FWIW, sometimes I read my own posts back and wonder about my own ability to abstract everything away from the human consequences in the real world, not just where 'Dollhouse' is concerned but with everything (OK, almost everything - we all have something that's too deep in us to be treated as outside us).
That said, as I explain above, to me it's not the real world and never can be, it's a TV show that just looks quite a bit like it so while I get that it's a very emotive subject, i'd rather we didn't draw a nice neat line from "is able to treat it as an abstract discussion" to "is someone that thinks rape is just dandy". If we did that with everything then ethical debates would be impossible without descending into ad hominem attacks.
(and good luck going up, wherever it is, hope you get the weather ;)
Saje | August 28, 23:28 CET
I also think, Shey, that this work is really subversive, and in some senses, really feminist (even though Joss himself wouldn't agree with me calling it feminist, evidently). Yes, it's got problems. But if I abandoned everything I didn't like because it had problems, I'd be sitting in a little grey box somewhere, staring at the walls.
One of the reasons it is so subversive and feminist is that people can question their interpretation of events: it's the questioning and talking about it that make people think about ethical issues (not just feminist ones, but egalitarian ones, bioethics, etc). If there were no grey areas and everything was black and white, it wouldn't be nearly as much fun.
meloukhia | August 29, 00:12 CET
In A Clockwork Orange, Alex did choose to take part in the experiment, but the "informed" part of informed consent was severely lacking. He really had no idea what he was getting into. And now that you mention it, I never really thought about the parallels between Dollhouse and this. It really is interesting how much Alpha and Alex are similar to one another. I have to wonder if that was something Joss and co. thought about when creating the character.
As far as the consent situation goes though, I kind of feel that as a prisoner, Kraft would have been in a damned if you do, damned if you don't situation. If a person's willing to agree to anything to get out of a desperate situation (as I'm sure someone in prison would be), it makes it that much easier to talk them into something potentially harmful. Even if Adelle and the others did explain the situation to him, they had to know that he probably would've agreed to anything in order to avoid being locked up. So even saying he did agree to the contract (and thus giving consent on some level), there's no way the dollhouse wasn't taking advantage of his situation. Which in turn makes the idea of consent more than a little murky in my book. I imagine that the dollhouse likes to go after people like this, because (unlike say, Sierra) they can always fall back on the idea of "he/she agreed to it."
deepgirl187 | August 29, 02:03 CET
----We have sort of come full circle and debw's post touches on some of the issues. My first wife was ardently a marxist feminist and saw patriarchy everywhere she looked. She would have supported Katherine McKinnon and Andrea Dworkin, who argued very firmly against porn because they felt it demeaned women by its very nature. Today, porn is mainstream, porn stars are getting roles on TV, sell bestseller books and someone like Paris Hilton becomes famous for doing nothing more than filming herself doing what we all do- apparently, being in the moment was not good enough for her. So today we see arguments that it is actually feminist to let women choose porn as a career, it is empowering as they embrace their sexuality. Sort of like black is white, and good is bad and I no longer know what to think. My view on DH is that is is far from being feminist in any way, no matter how much memory returns to Echo and no matter how much she ultimately embraces her power and identity. It is the trappings around that story that troubles; the depictions of flesh, the selling of bodies and desire, the giving up of identity (which is how Caroline ended up there to begin with, giving up identity like Chirhiro/Sen in Spirited Away). I am certain there will be feminist interpretations of DH, just as there will be anti, but I find this program much harder to invest in and no character to drive my interest. Which is another story.-----
I'm not sure I have changed my thinking. But yes, joss does not himself see this as a feminist show, so it is us who are arguing the question.
Dana5140 | August 29, 04:01 CET
Others may disagree with me on this point, but I like feminist texts which approach things subversively, forcing me to form my own ideas and responses instead of spoonfeeding things to me. And I like texts which are accessible to the world at large (why preach to the choir?) and texts which become the subject of thoughtful debate.
Dollhouse is not without its problems (as I've pointed out elsewhere), but I am reluctant to throw the baby out with the bathwater, as it were. After all, I find a lot of things in Buffy profoundly antifeminist, but I still view it (as does Joss) as a feminist show.
The fact that the Dollhouse/feminism issue has come up again and again here is, I think, a powerful argument for viewing it as a feminist work.
meloukhia | August 29, 06:15 CET
One of the things I find so refreshing about the show is that it doesn’t give you the answers. One of the criticisms I’ve seen pop up in a few articles now is that the show doesn’t know how to answer it’s own questions. But who says it needs to? Who even says there is an answer to these questions? I actually find it to be a rather bizarre criticism because the subject matter is so broad that I challenge anyone to find an answer to all these ethical and moral questions. I don’t think you can.
Thinking back to the video clips in Man on the Street, there’s just so many different perspectives on the Dollhouse that no one answer is going to be universally accepted by everyone watching the show. As long as it makes me think I don’t need for them to tell me what I should feel, I can come up with my own conclusions as I follow the story. I don’t see that as a flaw of DH but rather one of its biggest strengths.
vampmogs | August 29, 06:26 CET
Unfortunately, with these criterias very few people can consent or make any kind of informed desition. If the criterias were grounded i reality Im afraid they actually are: Having a somewhat vague idea about, voluntariness in regard to if the end result will be better or worse then the present situation and decition-making capacity that is heavely influenced by peer-preasure, social conventions, hormones, alcohol and what not.
Sorry if I sound bitter, but if any kind of desitions actually was taken with the first kind of criterisa in mind the whole world would be a better place. Unfortunately that almost never happens when people are involved : /
Satai (with Punsch) | August 29, 07:33 CET
I think we are asking the wrong question. I cannot say whether or not DH is a feminist show because I frankly don't know what a feminist show looks like. Is there some agreed upon definition? If so, then we could sit here and come to consensus on the question. But there is not. Therefore, I think the better question is: does DH demonstrate a feminist ethos?
ETA: satai published as I was writing. Satai, these are the legal components of informed consent. I won't waste space here defining each one, but they are necessary in any process involving the use of human subjects in research or in health care decision making, and there are means to determine whether each can be met. Someone with Alzheimer's, for example, cannot understand information, and does not have decision-making capacity.
[ edited by Dana5140 on 2009-08-29 16:41 ]
Dana5140 | August 29, 07:39 CET
dispatch | August 29, 10:41 CET
dispatch | August 29, 19:41 CET
You consider feminisim as something you need to "forgive"?
Just asking.
Shey | August 29, 20:27 CET
I read this article in the morning and it brought the above to better focau with the discussion of possible feminist/non-feminist viewpoint differences. In the afternoon, a friend without realizing what she was saying, started telling me about the people in her life, mostly men, though some women, who had one after another tried to destroy her identity and substitute their own version of who she was. Since she was raised in an abusive home, she was a perfect target, and she bought into it many times. It came today because she is fighting another version of the battle again, and desperately wants this to be the last time she has to do this.
That discussion with my friend made me decide to come back and write this even though I try to stay away from Dollhouse discussions...mostly because I agree with curlymynci.
As a side note, I actually don't see how one can discuss ethical issues without looking at how they ultimately will affect people since that is what makes something ethical in practical terms. IMO any good fiction is saying something about humanity; whether society, individual behavior, interaction, desires, etc.. To divorce the fiction totally from what it translates to in human reality lessens the possible worth and scope of the piece.
newcj | August 29, 23:30 CET
Just asking.
Well, yeah, in the sense that it's someone's personal politics that I don't necessarily share. That point is that I'm interested in the art, not the artist.
dispatch | September 02, 02:01 CET
I think you mean "forgive" in the casual sense of overlooking something because it's inconsequential, but it's a touchy subject for some. I hope you don't mean that someone not agreeing with your politics must be forgiven because they're wrong, but I'm reading that implication as well.
Emmie | June 16, 01:09 CET
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