December 19
2009
Last night's Dollhouse ratings.
As expected.
Worse than last week, it averaged a 0.7 18-49 and 2.10 million viewers.
slayercommathe
| Dollhouse
| 18:53 CET
|
49 comments total
| tags: ratings, dollhouse
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palehorse | December 19, 19:07 CET
Simon | December 19, 19:09 CET
Anyone agree?
P.S., sorry if that's confusing. D:
[ edited by Frick on 2009-12-19 19:12 ]
slayercommathe | December 19, 19:11 CET
IrrationaliTV | December 19, 19:25 CET
Xantastic1316 | December 19, 19:28 CET
I'm not up-to-date on the D-House, so that might have something to do with the state I seem to have gotten myself into.
Also, I could have guessed 0.7. I'm still more than pleased with these. Some shows that are burnt off get 0.5's and we're not there yet!
Jaymii | December 19, 19:30 CET
Jayne Is A Girl's Name | December 19, 19:33 CET
slayercommathe | December 19, 19:36 CET
After sitting here for several minutes trying to think of some real similarities, I've come to the conclusion that you simply need to watch Veronica Mars if you haven't done so.
Jaymii | December 19, 19:44 CET
Invisible Green | December 19, 21:04 CET
But it's to be expected. Avatar was aimed at the same demo and had the biggest marketing spend for a motion picture in history.
gossi | December 19, 21:09 CET
C. A. Bridges | December 19, 21:09 CET
[ edited by gossi on 2009-12-19 21:11 ]
gossi | December 19, 21:11 CET
Xantastic1316 | December 19, 21:28 CET
Jaymii | December 19, 21:28 CET
I'm not saying Joss couldn't (or shouldn't) do cable, he just couldn't do something with Firefly budget on cable.
Personally, I think he'll do movies now. And possibly some internet stuff. Which, of course, I'll be there for to check out.
gossi | December 19, 21:34 CET
WheelsOfJoy | December 19, 21:44 CET
Dana5140 | December 19, 22:46 CET
On network television though I don't think he will ever be that successful, unless he decides to do a sitcom without anything sci-fi to it and while Joss shows have had their amount of humour, a sitcom by Joss would be something out of his comfort zone, as there are less heartbreaking painful twists to do (unless he doesn't do conventional sitcoms, but some quirky showtime dramedy-thing).
Donnie | December 19, 22:55 CET
I'm probably clinging onto false hope, but I don't want to see such an incredible show go. Is there definitely no hope?
[ edited by Coleberg on 2009-12-19 22:57 ]
Coleberg | December 19, 22:55 CET
;)
didifallasleep | December 19, 23:21 CET
People should also keep in mind that Tim Minear's Alien Nation (ordered to development for Syfy, a cable network) is being made at the same studio (for all intents and purposes) as Dollhouse. So are Sons of Anarchy (FX), Burn Notice (USA), White Collar (USA), and others soon to be seen on cable.
Joss could do sci-fi on cable without moving offices and I doubt you or I could tell the difference.
IrrationaliTV | December 19, 23:30 CET
Mycroft | December 20, 02:16 CET
Friday I see nothing but a lot of fail from them. But at least
they are willing to give new things a try and frankly there is not
a whole lot of that on the original 3 broadcast networks.
So here's a toast to glorious failures. Salute!
JDL | December 20, 03:11 CET
Matt7325 | December 20, 05:48 CET
IrrationaliTV | December 20, 07:14 CET
DeezyG | December 20, 07:18 CET
Donnie | December 20, 10:03 CET
Matt7325 | December 20, 10:03 CET
One of my favorite shows ever was the first season of Forever Night, late night on CBS; it was very low budget and the FX were laughable, but it had good actors, good writers and beautiful camera work.
Sons of Anarchy is one of my current favorites; simple sets and locations and not much in the way of special effects other than your standard explosions and gunfights. The value is all in the writing and acting.
Many genres of TV shows can be good with small budgets and creative intelligence, but a low budget science fiction series would have to be very carefully thought out, IMHO.
[ edited by janef on 2009-12-20 10:06 ]
janef | December 20, 10:05 CET
fivebyfivefaith | December 20, 10:10 CET
nuccbko | December 20, 10:46 CET
I would REALLY hate for Joss to give up on television - that is where he shines the most, in my humble opinion. (Yes, I just watched a My So Called Life marathon last week while I was sick). That said, I think Joss belongs on cable - he would have more creative freedom and wouldn't have to worry so much about ratings (I hope). I'm pretty sure I remember reading that Dollhouse can't move to another network because of some sort of contract with Eliza, which breaks my heart, as I would love to have seen Dollhouse last 7 seasons like Buffy.
latinandgreek | December 20, 11:53 CET
I disagree that the future of TV in on cable; instead, I believe the future of TV is on the internet.
[ edited by Dana5140 on 2009-12-20 17:46 ]
Dana5140 | December 20, 14:15 CET
broadcast networks. One reason cable shows tend to be shot in
places like Vancouver is that production costs are much less.
Also the union contracts for the actors and writers (maybe
directors as well) on cable shows provide that those people are
paid a good deal less than on broadcast.
And I agree with the Dexter/Dollhouse comparison. I have been
wanting to make that point myself for some time. It may well
be that the future for Joss like programming lies on places
like Showtime but to date the man has shown no desire to work
there.
Finally could we please clarify our terminology? At the very
least we need to distinguish between cable in the sense of
HBO, and cable in the sense of USA, SfFy, TBS, et al. These
entities for our non-USA readers are very, very, different.
The former lets call Pay Cable and the latter lets call Basic
Cable. Those terms are not 100% accurate but they seem to be
the ones I have seen in actual use the most.
JDL | December 20, 16:32 CET
Thanks for pointing that out, JDL. It is easy to forget that people outside the US (and maybe a few in the US) might not know that HBO, Showtime and Starz operate on very different business models than USA, FX, and Syfy, and that those are very different models from ABC, CBS and FOX.
I would see Joss do post apocalyptic scifi on FX or Syfy before HBO or Showtime. Maybe Starz depending on how Spartacus turns out. HBO has the big (and sure to be expensive) Game of Thrones coming next year. Does anyone know if Showtime is working on something ambitious or are they just going to run Dexter way past its expiration date?
IrrationaliTV | December 20, 17:18 CET
Dana5140 | December 20, 17:50 CET
pat32082 | December 20, 17:54 CET
I don't know about anything else they might be working on, but I imagine that Dexter will end after season 5.
almost cookies | December 20, 18:41 CET
Also agree with MattManic7325 that the American tv-system can seem pretty ridiculous to outsiders. On the face of it, Dollhouse seems like a ridicously expensive show, considering how tiny the audience is for something that is made available for free viewing and has to make it's money based on the sale of advertisements. Here in the Netherlands (which have about one twentieth of the US population) cheap daily talkshows and reality crap manage to pull in similar audiences and they are made for a fraction of a fraction of a fraction of the money that goes into Dollhouse.
I guess it must be the sale to foreign networks and expected DVD/merchandising sales that can make something like Dollhouse appear viable option. Whatever way it works, I'm gratefull :).
the Groosalugg | December 20, 19:01 CET
IrrationaliTV | December 20, 19:14 CET
But the fact that there are more foreign sales, DVD and merchandising sales to be considered from a English-language Joss Whedon show (or atleast that would have been suspected after Buffy, Angel & Firefly, I'm not sure how well Dollhouse is actually doing in those departements now) than from a typical Dutch show could still be a reason why the network would have to bare less of the burden of the much higher production costs - a typical Dutch drama is way cheaper than Dollhouse and still pulls in the same numbers. Reality shows, talkshows and the like are much cheaper still. One example is the Dutch drama 't Vrije Schaep which averaged similar numbers to Dollhouse (just bellow 2 million viewers) and reportedly cost €262.500 per episode.
BTW I'm not suggesting the show is profitable now, which is why it's cancelled, but there must at a time have been some way it seemed likely it could possibly become profitable, even after the terrible ratings for the first few episodes (why else would it have been renewed?), and that reasoning is the thing I'm searching for.
I love the fact that so much money is spent on American TV, but you'd expect larger audiences to go along with the larger budgets and increased availability.
[ edited by the Groosalugg on 2009-12-20 21:55 ]
the Groosalugg | December 20, 21:54 CET
20th will get revenue from many different streams including, iTunes, international sales, DVD&BD, L&M, and the licensing fee that Fox paid them.
IrrationaliTV | December 20, 22:44 CET
You're probably asking, "But John, why doesn't Fox just run repeats of their highest rated, scripted shows like Bones? They did it during the November hiatus!" It's a valid point, but I think Fox is making a point to keep a promise for a couple reasons.
1) It's good public relations. Last month, the cast of Glee were scheduled to appear in the Macy's Thanksgiving Day Parade. But, since it was to air on NBC, the idea was canceled because NBC didn't want to help promote a FOX show. This move makes NBC look bad. Just another in a history of bad ideas, which is why that network is doing so poorly. 2) Fox ordered 13 episodes of Dollhouse, so they're going to air those episodes. Doing this is also beneficial for syndication in the foreign markets. Those who are quick to shout "Epitaph One!" need not bother. I have my own separate theory on why that was not aired.
In unrelated news, I just found out that Brittany Murphy died this morning. I'm very sad and don't feel like talking about something so insignificant as TV ratings right now. :(
kungfubear | December 20, 23:35 CET
have to treat each other as separate entities because of anti-
trust laws and iirc a pertinent Supreme court decision back in
the 1920's concerning owning both the theater's and movie
production.
JDL | December 21, 01:49 CET
The One True b!X | December 21, 02:01 CET
the same even if there is a minor difference in the underlying
facts and it's that principle which controls here.
Mea Culpa on the date. :)
JDL | December 21, 03:20 CET
But 1M isn't HORRIBLE on HBO where the best ratings in the past 2 years came in at about 3.7M. It's not necessarily that HBO knows quality, but that they know quality and don't consider 1M a failure as a percentage of total potential audience. I have to say that I think Mr. Reilly & co's airing of the full season one and an order for a full season two which they will now air (quibbling with adverts aside) completely, is an indicator that they know quality as well. Just wanted to delve into that a sec - I don't disagree that Joss should be (and I have heard, IS...) talking to cable networks (c'mon, FX...) if not asking us how to help us work on his new interwebz superstatsion, MutantEnemy.TV.
zeitgeist | December 21, 03:30 CET
I would be sorely disappointed if Joss
goes the way of feature films. What i like best about
his projects is the character development that takes place
in episodic TV, even over 'just' 13 episodes.
espalier | December 21, 21:25 CET