(SPOILER)
Seven ways Dollhouse could have been great.
A SciFi Wire OpEd piece offering an assessment of the show. "Rooting for a Joss Whedon show is like rooting for the Chicago Cubs."
[ edited by Sunfire on 2009-12-23 21:17 ]
December 23 2009
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wiesengrund | December 23, 20:56 CET
I will agree Fox should have aired "Epitaph One" and still should on January 22nd, just before the grand finale.
But go back to the CW? Joss wouldn't recognize the place. HBO or Showtime should be the way to go, or FX if no one from that network ever visits him to ask questions.
And another thing...the Cubs are a good franchise, and one day they'll close the sale and actually get to the World Series. Look how long the other team in town took to win it all.
[ edited by impalergeneral on 2009-12-23 21:17 ]
impalergeneral | December 23, 21:16 CET
Sunfire | December 23, 21:19 CET
Laz | December 23, 22:45 CET
A post by one Sci Fi Wire blog author hardly represents anything about the people who run Syfy the network.
The One True b!X | December 23, 22:51 CET
JAYROCK | December 23, 23:08 CET
Also, it helps to have seen Echo's various personas as imprints, before we see her access them as Echo. When Echo says, "Blue skies!" and starts picking locks, we know where that comes from. We know her bad Spanish comes from Eleanor Penn. We know her fighting skills come from her "second date" with Paul Ballard. On the other hand, if Echo had possessed these personas from the beginning, and just accessed them at will, it would have been just another clunky super-hero show. Dollhouse isn't about that, and it never was.
MissKittysMom | December 23, 23:36 CET
The only interesting one is indeed The CW one, because I actually believe Joss could get solid ratings (relative) on there. I want to see what its schedule looks like in a couple of years (assuming its still around), since their upcoming pilots or shows seem quite promising and different to what they already have (about four different types of one show). Rob Thomas is developing something for them, Plymouth Rock, its like a space sci-fi/teen drama. In theory a noir/teen drama shouldn't work, but Rob done wonders with VM so I expect good things from it. They also have some teen/spy show in the works.
Dawn Ostroff might finally be embracing the fact that The CW gets pretty great ratings with sci-fi and fantasy.
Jaymii | December 24, 01:18 CET
I know there are series that people follow and hate the lead character (like Grey's Anatomy and there are Buffy fans who don't particularly like Buffy herself or care about her journey), but it takes an extraordinary show to succeed when the lead character doesn't really hook viewers.
Dollhouse lacked that "something" that makes you care about Echo - which is something that is at the heart of other Whedonverse shows.
While I respect Joss' vision, I think on Dollhouse he missed a David Greenwalt type of person telling him what was missing.
FaithFan | December 24, 01:46 CET
I should really stop reading these articles. I've loved Dollhouse from the beginning, so I'll never understand this point of view.
Ranrata | December 24, 01:55 CET
Green Queen | December 24, 03:23 CET
ManEnoughToAdmitIt | December 24, 05:25 CET
Also, I disagree with the Cubs comparison. While 3 of Joss's shows have been canceled, Angel was canceled after 5 seasons, Firefly got "Serenity", and Dollhouse got an unexpected 2nd season. Even without including Buffy's 7 seasons and Dr. Horrible I would say we Whedon fans are fairing far better than the lovable losers and their loyal fans.
E-Rawk | December 24, 05:31 CET
nuccbko | December 24, 09:33 CET
Parts 5 and 7 are , honestly, valid by a mile. But of course, neither was under creator control.
1, 4 and 6 are just straight-up dumb.
2 is dead on.
3 and 8 are the work of chained monkeys.
I am grateful for what we have, and I imagine I will only become more so.
unless | December 24, 11:32 CET
Besides, the whole thing doesn't really offer any new insights. Everything in this list has been said before, numerous times. Those kinds of articles to me always sound a bit like an "I told you so" towards Joss, as if their writers think themselves terribly clever for pointig out all those things that Joss supposedly could have done so much better, if only he thought of them in time. Yeah, right. That got old a long time ago.
That said, I do actually mostly agree with their opinion about Alpha. I was so looking forward to that character, considering how much he was made out to be this evil, scary genius that everyone was afraid of. Then we meet him and it turns out he's basically just your average garden-variety crazy nut, who just wants Echo to love him. *hrmph*
But apart from such small matters I love Dollhouse and I think all those critics can go and ... have a merry christmas for all I care. ;-)
Tai | December 24, 12:11 CET
Think again ;).
As to the article itself, 1-6 blah, blah, criticise Eliza's acting, blah, blah, mention, to paraphrase, that plot and character development are really boring so let's just skip those bits, blah, blah, blah. Then 7, which makes sense even if, like the others, it's not exactly brand new on the face of the Earth.
Saje | December 24, 13:26 CET
Now I totally get Eliza is the show's leader, inspiration, etc. in every way and I love what she's achieved. But so much of the show falls into place for me if you switch the credits around.
Adele, to me, is more the Buffy, the Angel, the Mal. Adele is to her house as Mal is to his ship. Its leader, its (a)moral heart. And in terms of the show, she changes but much more gradually and subtly than many in the cast because she's at the centre of the wheel, turning everything on the rim. Even now that Echo's much more of a traditional leading lady, you can take the temperature of the show by measuring where Adele's character is emotionally.
Echo though is the ace in the hole, the prestige of the magic trick, the end of the drumroll. The break-out star, the one who will change and grow more than anyone else. The Rubik's Cube the series exists to solve. The Spike, the Wesley, the Willow, the River.
I'm not saying the content would be drastically different. It's more the presentation, the way we as an audience receive and experience the show. A bit like how readers of Mary Shelley's 'Frankenstein' start reading for the man (Frankenstein) but remember the monster.
BananaSandwichMan | December 24, 13:34 CET
Jaymii | December 24, 14:58 CET
mortimer | December 25, 00:32 CET
Madhatter | December 25, 01:37 CET
azzers | December 25, 06:33 CET