"I saw their production of Giselle in 1890. I cried like a baby. And I was evil!"
June 29
2010
(SPOILER)
First look at Jo Chen's cover art for Buffy #37.
Plus another chance to see Georges Jeanty's much talked about cover for that issue.
Simon
| BtVS
| 22:29 CET
|
25 comments total
| tags: georges jeanty, dark horse, buffy season 8, jo chen
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Buffyfantic | June 29, 22:42 CET
Simon | June 29, 22:45 CET
Anyone else feel like it's supposed to be a younger Buffy, to sync up with Jeanty's cover?
trunkstheslayer | June 29, 22:46 CET
will.bueche | June 29, 22:47 CET
wenxina | June 29, 22:47 CET
gossi | June 29, 22:57 CET
kmb99 | June 29, 22:58 CET
My store only orders Chen covers, so I hope the Jeanty covers are collected in the eventual hardcovers.
Riker | June 29, 23:02 CET
wenxina | June 29, 23:42 CET
jesse | June 29, 23:45 CET
I think I'll be getting the Jeanty cover for this one. Less depressing.
It's very interesting not to see a "fierce"(yes, I'm a top model fan) cover. Buffy's not posing, just looking defeated. We rarely get covers that actually look poignant and *real*.
[ edited by Skytteflickan88 on 2010-06-29 23:56 ]
Skytteflickan88 | June 29, 23:53 CET
Nicole | June 30, 00:42 CET
maje | June 30, 01:34 CET
redeem147 | June 30, 01:54 CET
Sunfire | June 30, 02:37 CET
Kaan | June 30, 02:40 CET
resa | June 30, 02:41 CET
This is also my favourite Jeanty cover for the entire season. So I think both artists did a great job for this issue. Well done guys!
vampmogs | June 30, 03:04 CET
Sosa Lola | June 30, 04:36 CET
Willowy | June 30, 04:59 CET
I look at this though and the details of likeness (very good, but not perfect) are rendered unimportant. This feels like Buffy. Remember how Joss instructed the artists to not draw SMG but to draw Buffy?
This is Buffy. Weary, defeated, letting the world crash over her without the energy to fight back, to protest, to even cry. The emotion of this piece is powerful, almost hypnotizing, and very, very Buffy.
Excellent. I feel as it I could stare at this all day and get lost in it. The way shadow is used, the brush strokes of shade that run atop Buffy's form, as if her picture was crumpled, as if the slashes of light and shadow are painting over her at the bottom, as if she's being swallowed by greater forces and she's submitting.
Understated and powerful. There's real heart in this piece where before in other covers I often saw poses and likenesses that felt a bit plastic. Even the detail of the hand speaks of this inward pain. Normally when Buffy's caught in an angst-ridden moment, she throws her hand out and says "Don't touch me!" But this reminds me more of grief, turning your hand inward to cover your heart, but the hand is limp and almost boneless. There's weakness and pain, but a pain without the energy to grieve with loud tears and wails. All this pain is emanating from deep inside, silent and heartbreaking and quiet. All Buffy's energy has been used to silence the pain, to try to capture it inside her, to shoulder it alone and controlling her emotions has taken it's toll--she has no energy left to fight.
The earthy palette choice gives a feeling of the mundane. Makes me think how life has defeated Buffy, not the supernatural, but the pain of life, of love and connection. Her weakness and her strength are in how she's so very human.
I love this cover. I think it tells a story that leaves me feeling haunted and aching for Buffy.
I could go on--I think this cover is that good.
Emmie | June 30, 06:52 CET
Chen's Buffy = she's so lonely
Both covers are great.
anca | June 30, 13:01 CET
Because if I have to endure seeing that for the umpteenth depiction of Buffy, I'm going to gouge out my eyes.
didifallasleep | June 30, 17:35 CET
BlueSkies | June 30, 17:53 CET
Heh. Your eyes don't seem to be doing you much good as it is, didifallasleep--it's not the OMWF outfit. ;-)
[ edited by Emmie on 2010-07-01 03:07 ]
Emmie | July 01, 03:06 CET