Why is TV losing women writers?
Maureen Ryan investigates why the number of staffed female writers has been halved in the last five years. Features quotes from Whedon alums Jane Espenson and Shawn Ryan, and mentions Felicia Day.
Very interesting, if depressing, article.
September 09 2011
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Allyson | September 09, 18:31 CET
Drakath | September 09, 18:36 CET
The One True b!X | September 09, 18:41 CET
I was thinking the same thing when I read about women in the comic book industry and indeed the book review sector. If I was a cynical chap, I'd be thinking that all these coincidences would be starting to indicate a pattern of institutional bias towards men in the entertainment industry.
Simon | September 09, 19:29 CET
I appreciate all the various suppositions as to why the situation exists. It paints a nicely complex picture of the Hollywood machine for us outsiders.
That's a really nice PDF b!X. Thank you. I thought this:
...makes sense, given what I see on the networks.
******
"...there is no brand that would be willing to be associated with the idea of such an anti-heroic woman."
That bit really makes me want to write a "anti-heroic woman" and see if I can make her attractive as a character. I think there's gonna be some percolating in my brain pan.
BreathesStory | September 09, 19:31 CET
deepgirl187 | September 09, 19:32 CET
Drakath | September 09, 20:41 CET
The article was prompted by a study that focused on broadcast network programs, a study that's done that for several years running. Usable numbers for cable programming weren't available.
I do still find the methodology weird. In this day and age, it's simply not necessary to randomly choose one episode per program and use the numbers from that episode to represent the program. I don't understand why the study didn't perform an actual hard count.
(I suspect the trend would be reflected in those hard numbers as well, but it'd have been nice to have the actual hard numbers given that the only obstacle to having them is concerted effort.
[ edited by The One True b!X on 2011-09-09 20:50 ]
The One True b!X | September 09, 20:46 CET
If that wasn't your intent, could you please flesh that statement out a bit more? Thanks.
IrrationaliTV | September 09, 20:48 CET
It's one of those things which also follows a pattern. Years back, several successful females with deals hired more diverse writing staff. Unfortunately a few deals got terminated, which resulted in less new female driven shows, which resulted in less female writers, which resulted in less female development deals, and so the cycle continues.
Cable numbers are available - you just have to manually compile 'em (unless somebody else does). I did it last year, I seem to recall HBO (I think) sucked, but USA were great. Or the other way around.
[ edited by gossi on 2011-09-09 20:50 ]
gossi | September 09, 20:48 CET
The One True b!X | September 09, 20:52 CET
[ edited by Drakath on 2011-09-09 20:57 ]
Drakath | September 09, 20:57 CET
IrrationaliTV | September 09, 21:05 CET
So it seems to me that IrrationliTV's question was justified. It was also the same question, the first question, that came to my mind as well. If you don't like how it was phrased, that's fine. But the underlying question is still the one your statement prompts.
The One True b!X | September 09, 21:09 CET
dispatch | September 09, 21:09 CET
Drakath | September 09, 21:19 CET
As far as the "women in the comic book industry" link goes, that only shows Marvel & DC. Which means something, the true significance of that something being open to endless discussion and debate. But I did think it worth mentioning that Marvel & DC, as large as they are, are absolutely not synonymous with the entire industry.
Risch22 | September 09, 21:55 CET
As far as the "women in the comic book industry" link goes, that only shows Marvel & DC.
The writer also looks at Image and Dark Horse. Dark Horse seems to be the best but that's not saying much.
Simon | September 09, 22:26 CET
BreathesStory | September 10, 01:09 CET
However, again, this data is weird. It seems to separate producer credits from writing credits, and mostly? The producers are writers. It's essentially the same thing in television. I don't think the picture is this grim. I mean, it's still on the crappy side of sexism (is there a good side? wait. moar coffee), but I don't know that these results will mesh with the WGA stats.
Allyson | September 10, 01:27 CET
In most industries, when you look at a statistic from year to year, things stay relatively stable because the sample size is fairly large. In addition, most businesses don't suffer the turnover the same failure rate per year that TV shows do. So from year to year, in TV you have the ability to move your demographic breakdown substantially simply depending on who's getting renewed, who's getting cancelled, and what is the breakdown of the writers rooms entering the market. Add to that the downward pressure on the sample size from scripted being replaced with reality TV, and you have even noisier statistics.
I'm not saying this to say female writers don't face problems, just that it may be better to look at the split over time. I'd really like to see this plotted graphically over time, the moving average, and the standard deviation.
Quick Edit: I've seen the executive summary version. Is there a link to the full study?
[ edited by azzers on 2011-09-10 06:33 ]
azzers | September 10, 03:46 CET
Madhatter | September 10, 15:06 CET
OneTeV | September 11, 23:57 CET