July 27 2004
Buffy the Vampire Slayer's "Jump the Shark" page.
Probably old but.....the highest number of votes say the show never jumped the shark. Tara's death is number two.
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I personally think that Buffy never jumped the shark. They kind of turned the shark jumping on its head. The best example would be bringing in the little sister and using that to tell a powerful story.
electricspacegirl | July 27, 10:12 CET
aapac | July 27, 10:35 CET
Still, even in moments when the storylines leaned far enough over the cliffs of ridiculousness to spit, they never quite toppled over into the water and became chum.
Wasn't there even a BtVS episode that featured a shark demon? I remember thinking at the time that it must have been an inside joke among the writers who kept up with the JTS website. Or am I just confusing TV with some other alternate reality again? ;)
Wiseblood | July 27, 10:49 CET
I think that season 7 had a bit of all of those things you listed, but that didn't stop it from being entertaining. When you look at it scene by scene or episode by episode there is good content throughout. The overall story was a bit weak, but I tried not to pay too much attention to that aspect.
Caleb | July 27, 10:50 CET
I'm not sure where I'd peg it, or even if it's possible to point to any one moment. But after 'The Body' -- an absolute masterpiece -- the show never felt the same to me. I don't think the show ever recovered from Joyce's death. Too many changes -- less humor, weaker relationships among the core four, the feeling of isolation in the Magic Box, and a few others -- they all negatively affected the show, in my opinion.
I think it's clear season seven meant to address these issues, but it created some serious characterization and continuity problems on its own.
On preview: I totally agree with aapac. Among other things, season seven had way too many deus ex machina that were either unexplained or totally incoherent. This, I think, started to rear its head in season five as well.
Caleb, I watched BtVS for its overall story and its solid characters and its solid writing. Season seven butchered all of that. YMMV, of course.
Smo | July 27, 10:59 CET
TactGuy | July 27, 11:03 CET
Tara's death was not jumping the shark. For one thing Joss planned to kill Willow's lover (Oz originally) way in advance so it just doesn't qualify. And while I agree that season 7 had the most holes in it of all the Buffy seasons I still didn't see any jumping the shark in there. The scene at the end of Lessons was simply symbolic of how all the previous big bads were still in a way only threads in the fabric of the ultimate evil of the universe. The fact that evil would do little but taunt and fold it's arms was not yet known. Which would be a little dissappointing but still not jumping the shark.
And yeah there was a shark demon but that was a joke because he was a loan *shark*, hehe. I really think that's all that was meant to be.
Some might argue that Angel's turning into a puppet in AtS S5 was jumping the shark. Technically I suppose you could make a case for it, but I think it was just so well done and funny and not just a cheap gimmick, that I still can't count it as that.
EdDantes | July 27, 11:10 CET
It's hard to narrow it down to a single ridiculous point of contrivance because the whole idea is so bad.
ETA: You wanna talk about asinine moments thrown in for shock value: Spike's torture at the hands of the Ubervamp, or eye-less Xander, or...
[ edited by Smo on 2004-07-27 10:00 ]
Smo | July 27, 11:57 CET
400lb_Gorilla | July 27, 12:13 CET
The first time I noticed that I wasn't quite enjoying some of the Buffy episodes as much as I used to was near the end of season 6 around the time of the wedding episode. I loved season 6 up till then but after that something was just off. There were some high points of course from then until the series finale (I actually think Xander having his eye gouged out was pretty cool), but I knew that Season 7 would be the last because the show had just run out of steam and it was time to end.
I never got that feeling with Angel. There were some weak episodes but I didn't think the quality was ever on a steady downward turn. It easily could have had one more season of high caliber episodes.
prufrock | July 27, 15:58 CET
I vividly remember being huddled next to the TV wrapped in a duvet WAITING for it to get interesting or funny or compelling in some way. Justing WAITING. And waiting. And waiting.. and waiting. Until finally, when the credits rolled, I stood up and said OUT LOUD (to no-one) "Well, that SUCKED."
That was when I stopped EXPECTING the show to be great week-after-week. I never stopped HOPING it would be great, but the Season 6 opener killed the certainty for me. From then on I almost dreaded the next episode. I went from thinking "I can't wait to see what happens next week!" to thinking "God, I hope the next one is better than this".
So, if that's what it means to "jump the shark", then I guess that was the moment for me.
Bad Kitty | July 27, 16:46 CET
Very few series can get away with musical episodes for example but with Buffy the episode was so popular it got a cd and seperate dvd release, something that infamous Happy Days episode never managed.
Season six didn't work well for me first time through but that was because i wasn't ready for the show to go through such a radical attitude change. Every time i've watched it since the season has worked more and more for me and it all fits quite nicely.
Season seven did have a lot of less than spectacular moments if i'm honest. Having said that though most of my problem with the final season comes from trying to accomplish too much and trying to deal with too many new characters and guest stars. There was no shark jumping, they were just too ambitious and because of that much of what i wanted to see, for example some actual development for Xander, was pushed to the side.
Again though i think Buffy avoided the dreaded jumping of the shark quite nicely ... unless you count the potentials ;)
Warlock | July 27, 17:22 CET
KypTheMovieGeek | July 27, 17:47 CET
I think the phrase started with the Fonz, but it's come to mean any point when a series really started to go downhill. before that, it could haver had low moments, or episodes, but the overall quality was still rising or steady. As a few other people have mentioned, Season 7 was the one, for me, where i kept watching, kept hoping, but no longer expected it to be good. I haven't seen it again yet since the DVDs aren't out in R1, and maybe that will change my opinion. But for me, the magic was gone. the characters were acting inconsistently, i no longer liked Giles or Buffy, Xander was never on screen, the SITs became too numerous to have any sort of character development, the plot holes were gaping, and the writing/dialogue – always one of the stellar points of BtVS – became sloppy. I used to dread hearing yet another speech from a buffy who seemed to have overnight become totally humorless.
All of which is to say – there may have still been some good moments and episodes (Storyteller, Conversations with Dead People, Selfless....), but overall, the quality was way down. And when SMG announced she was leaving, I wasn't as sad as i would have thought. because it was clear the show was ready to end. Contrast that with Angel which, though i wasn't thrilled with a lot of the arcs in S4, came back wonderfully in S5. It so clearly had many many stories left to tell and was yanked before its time.
Incidentally, it's always been curious to me that the musical is #3 on that page for why Buffy jumped the shark. I used to hope it was just people who meant that was the last high point before it went downhill, which could be conceivable, but then i started reading some of the comments. there are a lot of musical haters out there! To each his own, but it's hard to imagine how that could be seen as anything less than a brilliant hour of television...
acp | July 27, 17:49 CET
Madhatter | July 27, 18:00 CET
It may not have had a literal 'jump the shark' moment, no, but the general weight of the last two seasons definitely fit the bill.
PMMJ | July 27, 18:06 CET
At the end of the day Buffy was such a brilliant television show that any drop in standards, however noticeable to us, still meant that season seven was no worse than some of the best seasons of most other shows.
Definately a case of being too damn good for it's own good i think! :)
Warlock | July 27, 18:09 CET
palehorse | July 27, 18:11 CET
Buffy had its off moments (and when they were off, they were very off) but as a whole it just took my breath away.
Simon | July 27, 18:15 CET
An explanation for this is that Buffy was using a classic paramilitary trick to motivate the potentials, but I think it confused the viewer (me). I don't think season 7 was as bad as people say. My brother just watched it and said it was the best season of Buffy ever, and he has high standards.
I'm going to agree with EdDantes here. Jumping the Shark is not about when you stopped liking a show or when it went downhill, it's the stunt that is purely a ratings grabber, and it's one the doesn't work. I don't think jumptheshark.com's definition of jumping the shark is accurate.
electricspacegirl | July 27, 19:00 CET
prufrock | July 27, 19:27 CET
[ edited by KypTheMovieGeek on 2004-07-27 17:35 ]
KypTheMovieGeek | July 27, 19:33 CET
Funny comment, prufrock, about Ashanti. Of course, being slightly, ahem, farther from my teens, I had no idea she was anybody in particular, and I thought she was OK in "First Date". And, funnily enough, that episode was where S7 for me turned the corner back to quality after several terrible and draggy episodes.
"Bring on the Night", "Showtime", "Potential", and "The Killer in Me" would be my choice for the worst 4-episode sequence in the entire series. With "First Date" I laughed for the first time in ages, and felt really fuzzy about the show again. The rest of the season was variable, but I think it ended on a high note.
SoddingNancyTribe | July 27, 19:40 CET
nychick | July 27, 20:23 CET
Another viewer a bit far from the target demographics.
palehorse | July 27, 20:27 CET
Buffy never jumped the shark - it scared me sometimes because I thought it was going to but it always surprised me and came back strong. Yes I enjoy some seasons and story lines more than others, but even my least favorite season of Buffy is way better than anything else on TV (not counting Angel) and better than the majority of the movies I have seen.
BTW I liked season 7 and am looking forward to getting it on DVD in the US when it comes out.
[ edited by Passion on 2004-07-27 19:10 ]
Passion | July 27, 21:09 CET
Just something I've wondered a few times when reading of people waiting for the R1 release (of course, I totally understand financial constraints - in my case it's simple: the children don't eat for a week. But they get Buffy!)
SoddingNancyTribe | July 27, 21:25 CET
I've been tempted before but, strange as this may sound, I almost don't mind the wait. The big reason I don't do it, obviously, is financial – I can deal with shelling out the $$ once for a season, but twice is a bit much, since I know that within a year or two I'll be able to get one I can play on my TV.
But beyond that, I've made my peace with the wait time. I can't tell you how eager I was for S6. I had never seen the full airing of OMWF – some 10-12 minutes of one of my favorite episodes that i was going to see for the first time! But, the anticipation was nice too, and I loved still having something new to look forward to almost a year after buffy had gone off the air. I'm currently extremely excited about Angel S4 – it's far from one of my favorite seasons, but more than any other one, there are a number of episodes I've never seen. Again, it's almost like having Angel back on the air, with something new to look forward to.
So, while the R1 delay is frustrating, i've found the upside is that I have something to look forward to longer than people in Europe/Australia. Kind of like not rushing to open gifts before christmas morning, because the anticipation period is so nice. :-)
acp | July 27, 21:39 CET
Just a off-topic question.. what is YMMV? I thought I had seen them all.. ;)
I will never forget watching the end of Buffy vs Dracula with the introduction of Dawn. I screamed (at the TV) oh! NO HE DIDN'T (this is prior to my true joss obsession)! I thought that was a jump the shark moment! Bring in the kid to boost ratings... as has been done with oh so many shows before (think Olivia from the Cosby show). But, in true Joss fashion, he redeemed himself (in my eyes) and Dawn was not a ratings booster. I am not a fan of Dawn, but she was not a Jump-the-Shark moment like she could have been. Just saying is all. :)
Miko | July 27, 21:59 CET
As for the "jump the shark" debate, this is one that always grates my cheese. I truly dislike it when people write off entire seasons of a series. There is so much talent and hard work that goes into every single episode of a show like BTVS that it seems disrespectful to discount so much of it.
I consider the definition of "jumping the shark" to be a moment where everything after it was a downhill slide to crap. BTVS never experienced this, though Angel came kinda close before the great season 5 redemption. I hope that some fans find season 7 more enjoyable once the DVDs hit, because I think it's immensely underrated.
MindPieces | July 27, 22:19 CET
My problem with "Bring on the Night", "Showtime" et al. was really that they were just . . . so . . . painfully . . . slow and dreary. See the scary ubervamp gnash his terrible teeth, and do that scary stalk. See Spike manfully resist the First's entreaties to turn to the dark side. See Buffy scowl a lot and get beaten up. Repeatedly. Gratuitously. See nobody say anything remotely in character, characters that we've come to know for 7 years now. See a collection of poor actors employing laughably-bad English accents treat our heroes like sh*t, after all they've done, and our heroes, what, just sit there and take it. Although, upon reflection, "Killer in Me" is probably worth a little more than the others.
acp and angellove: you clearly have great mental fortitude. I personally can resist anything but temptation . . .
SoddingNancyTribe | July 27, 22:31 CET
KypTheMovieGeek | July 27, 22:32 CET
Your Mileage May Vary. Just a shorthand way of saying IMHO. ;)
I've actually enjoyed all the Buffy seasons, and as I've rewatched from the beginning to S6 since the show's been off the air, it's become apparent to me that individual storylines throughout seasons are what continue to bug me most, rather than, for the most part, individual episodes. It's harder for me to ascribe singular events as having 'jumped the shark', therefore. But CrackMagic Willow, the Potentials, the resolution of the First, Beljoxa's Eye (thanks for the correct spelling above, electricspace girl), the Kennedy/Willow relationship, Buffy's speechifying, First?/Giles, the lack of meaningful Xander -- these were all storylines or characteri-zation elements that drove me to distraction, when in fact the individual episodes themselves might have been entertaining.
I'm still of the belief the show never caved in completely on itself because now I can watch the episodes featuring these storylines and derive pleasure from them without them being as important as they were during their first run, when the big picture was all still unfolding. That said, it does seem that most of the stuff that bugged me happened between the middle of S6 and the end of S7.
The fact remains that even baddish Buffy, as many have said, is worlds better than almost anything else out there.
Wiseblood | July 27, 22:52 CET
Miko | July 27, 22:52 CET
Miko | July 27, 22:55 CET
As for the Potentials, I enjoy them in a weird "it's fun to yell at the screen" kinda way. Ya know, it brings in some audience participation when I can yell "Hey (expletive deleted)! Why don't YOU come up with a plan if you think you're so darn smart?!" Kinda the same way that you get to yell at Kim when you watch 24. It's fun!
MindPieces | July 27, 23:17 CET
Season six, when aired, seemed on the depressing side but when I got it on DVD and was able to watch it with out the long breaks inbetween episodes, it ranks right up there with the best of them IMO. I'm looking forward to season 7 just for that same reason (and because I'm obsessed with Buffy of course). Seven seemed sluggish to me in the middle with what I call the "potential" block of episodes. It had a strong beginning and a strong ending but those episodes in the middle really weighed it down for me. But I'm sure when I get to see it in a marathon viewing session with no interruptions I'll probably more appreciate those episodes and think it's a great season as well. I've thought each season had a few sluggish episodes around the middle but the last two were made more apparent because of the long breaks between each episode. I'm sure when written that wasn't the plan to have that happen. How would anyone's reaction to seeing a great movie be if they were allowed to watch half and then had to wait a month to watch the rest. I'm sure your initial review when finished wouldn't be as favorable if you had been able to see it all at once.
I definitely agree with Ed that jumping the shark is something that doesn't fit in with the story, like Fonzie waterskiing, in his leather jacket and jumping a shark and like Bobby on Dallas being killed off and then showing up the next season and it all explained away that it was a dream. Other shows have brought in a little brother or sister but it always seemed a desperate attempt to recapture lost ratings. Joss had planned early on he was going to do this with Dawn and it was so brilliantly planned and made total sense and showed us another whole, wonderful side to Buffy. And kudos to all the actors who seemlessly made it feel like "Dawnie" was there all along. That's one of my most favorite Buffy plotlines.
Firefly Flanatic | July 27, 23:30 CET
Or have to wait about 5 months to watch the rest, as was the case with the brilliant and wonderful Kill Bill. Still, didn't really effect my enjoyment of the film though, just left me in anticipation. But as far as Buffy and Angel go, the seasons do tend to be better when watched in a marathon.
MindPieces | July 27, 23:40 CET
electricspacegirl | July 27, 23:43 CET
How many episodes can you watch a day?
I think the most I've ever managed is 10-12. My brain felt like mush, but really intelligent mush.
randygiles | July 27, 23:50 CET
Most I've done is 5, which I believe were the final five of Season 5. ('Course, lest anyone think I am not a true believer, I have that wailing kids excuse ever available to shore up my geek credentials . . . )
MindPieces: kudos for the Xander bit in "Potential", which I forgot all about. Great moment, which doesn't quite redeem it for me. And nice with the audience participation re the Impotentials. I'll give it a shot - although how many more annoying English voices must one put up with in Season 7?
SoddingNancyTribe | July 28, 00:03 CET
Firefly Flanatic | July 28, 00:05 CET
Firefly Flanatic | July 28, 00:07 CET
KypTheMovieGeek | July 28, 00:10 CET
Miko | July 28, 00:12 CET
MindPieces | July 28, 00:13 CET
electricspacegirl | July 28, 00:22 CET
Had very strange dreams afterwards.
Simon | July 28, 00:31 CET
indoctrinateease an open-minded but skeptical pal into the show. She'd never seen a single episode except "Home" before then, and now I'd say she's irrevocably hooked. (I've even have the distinction of being introduced as her 'dealer' in conversations with other mutual friends. ;)Watching that much Joss TV at one time definitely has a certain effect on the brain. Whether it was the avid staring or something else, we both ended up feeling 'altered' by the experience, if you know what I mean.
[ edited by Wiseblood on 2004-07-27 22:36 ]
Wiseblood | July 28, 00:35 CET
I agree Blwessels. It becomes a little pointless if we all start making up new meanings to 'jumping the shark'. It's not just 'bad moments', or the moment when a series goes downhill (that differs per person anyway) it's the moment a series that already has gone downhill does something truly ridiculous that has no true story purpose and the only reason they do it is that hopefully it will attract attention. I don't think Joss ever made a decision purely in that light. Ahsanti was a guest shot but nothing in that ep was ridiculous or outrageous. She was just a minor guest star in an otherwise fairly uneventful episode.
Per definition you can't label an entire 22 episodes as jumping the shark. You just mean you didn't like the season. It's one of those terms that gets misused a lot on the net, just like "deus ex machina". After a while those terms just get used to designate weaker elements of a show.
And there's plenty in S7 particular that I didn't care for. I understand what SoddingNancyTribe's problems were with the episodes he mentioned. Bit draggy, too much SiTs stuff, and the fact that they were 'drowining' Spike, the non-breathing vampire is still one of the most grating details for me, especially since they had Angel at the bottom of the ocean for 3 monts not long before. And Buffy's speeches....ah the first one was fine, but it got weary very soon after.
The one I totally agree on is The Killer In Me. That pretty much is the least favorite for me in the entire series. The way Kennedy and Willow were 'suddenly' in love after one clumsy date and Tara pretty much wiped out even as a memory after that is just the weakest relationship element of the show for me.
Still doesn't make it shark jumping though;-)
"The fact remains that even baddish Buffy, as many have said, is worlds better than almost anything else out there."
I was just about to write that when I remembered you had already put it more eloquently than I was going to.
EdDantes | July 28, 00:49 CET
Some shows jump the shark to the point I stop watching it (like ER). Buffy jumped a little baby shark. I noticed the quality drop but I still watched it because as it has been said before, bad Buffy is still better than most other shows.
prufrock | July 28, 01:28 CET
[ edited by 400lb_Gorilla on 2004-07-27 23:45 ]
400lb_Gorilla | July 28, 01:42 CET
[ edited by 400lb_Gorilla on 2004-07-27 23:47 ]
400lb_Gorilla | July 28, 01:44 CET
Prufrock: you're right, of course, that "Jump the Shark" seems to be the only available nifty little phrase to capture a show's decline. And anyone can use it however they wish, so long as people understand their meaning. However, I don't think it's so pointless to emphasize that, IMO, the potency of the phrase comes from its very specific origin in "Happy Days" and its narrow focus - the *exact moment* when a show completely lost its way. Identifying that moment is usually quite revealing in itself. Which is why I kinda like the categories the jumptheshark website have identified - they seem intuitively to describe the kind of desperate measures taken to keep an audience. Of course, some of the responses given on the site show that people have somewhat different conceptions of the phrase: how could "Sarah Michelle Gellar", to take a relatively uncontroversial example, ;), be given as the moment when BtVS "jumped the shark", except as a reason to dislike the show entirely?
I'm not a rigid prescriptivist, and I'm well aware that phrases like "deus ex machina", as noted by EdD, or more generally, "begs the question", have acquired broader meanings. But their "original" meanings have a certain flavor and a certain uniqueness that I don't want to give up and that's why I hearken back to them. Precision in language is no bad thing.
SoddingNancyTribe | July 28, 01:49 CET
I'll limit myself to a few examples: Olaf's hammer, Summers Blood, Spike's soul, Kennedy, the magical Scythe, Spike's Amulet, Willow's Slayer spell. Although some of these may be more tolerable than others, it doesn't make them any less fit for the phrase.
Smo | July 28, 01:53 CET
giles (yes, it is my real name) | July 28, 01:58 CET
Just do what i do and take it that the First was merely torturing Spike by having the Turok Han constantly force his head under water. Not to harm him, just to piss him off.
Hey, works for me anyway ;)
Warlock | July 28, 02:07 CET
It's kind of like smoking (I used to, but don't anymore). When I had my first cigarrette of the day, the first couple of times I inhaled, it always hurt but then my lungs got used to it and I didn't feel it at all after that.
Anyway, that's how I chose to see it and in my mind it makes more sense.
[ edited by blwessels on 2004-07-28 00:15 ]
Firefly Flanatic | July 28, 02:14 CET
(I hope someone gets that reference so I won't look like an idiot)
electricspacegirl | July 28, 02:23 CET
Not sure if Kennedy or the Slayer spell really fit into this mold. What was the situation or plot tangle that Kennedy resolved? And the part of the spell that was a mechanical plot device was the scythe; the spell itself was a rather elegant expansion of the preexisting idea of potential slayers, coupled with Willow's known capacity for powerful magic.
Those examples tend to demonstrate how any unusual development or somewhat improbable occurrence can now be deemed a DEM which, in my view, weakens the whole notion. When Deus Ex Machina comes to mean no more than "huh, didn't see that coming", we have lost one narrow, powerful, and precise meaning, and replaced it with two loose interchangeable phrases for the same somewhat run-of-the-mill concept. But that's just my $0.23 worth. ;)
SoddingNancyTribe | July 28, 02:26 CET
On the spell, I think we mostly agree. I meant to point to it as a way to emphasize the scythe's sudden introduction as the most powerful magical weapon ever, of which we'd never heard before. That Buffy was so confident its uberpowerful essence could be magically harnessed and honed into the Slayer spell makes for some questions, at least. As always, YMMV.
Smo | July 28, 04:03 CET
The show never jumped the shark for me. While it radically changed in season 6, I found the behaviors of the characters to come with good reason and I enjoyed the development. It was shakey in season 7, with some plot holes and weaknesses, but it was tolerable :) It had some really great episodes although the overall season seemed rushed.
As for the Once More With Feeling votes for 'jump the shark' on that page, I can't understand these posters' view that they see it as a gimmick or whatever :) Maybe they see it as a gimmick because it's a musical and therefore = gimmick. Whatever. I found the episode to be very successful at advancing the plot and revealing feelings of the characters they were hesitant/unwilling to show, particularly Buffy's revelation that she was in heaven. Quite of few of the comments made on that 'Jump the Shark' page seemed a little bit... I don't know. As if there was some misunderstandings and they didn't quite get some things in my opinion (like Willow wasn't a lesbian or a witch as soon as she saw Tara. She was a witch long before that, her sexuality was forshadowed and I've known people who have had a revelation of 'hey, I think I might like my gender...' after they meet a certain person. It was also really quietly done.) Whatever, though. It's so varied in opinion anyway :)
Natashia | July 28, 04:15 CET
I 100% agree with EdDantes on the Willow/Kennedy "love" affair. It wasn't believable at all to me to have Willow grieving still one second and then the next second she and Kennedy are madly in love. What Willow had with both Oz and Tara was so beautiful and sweet and with Kennedy it just seemed like so impersonable and blah. With both Oz and Tara there was sparkage from the beginning that built up to a great love affair.
And yes, Willow when she met her vampire self noticed right off the bat that her vamp self seemed to like her a little too much and commented about possibly being kind of gay - again, something introduced into the plot quite early on and then followed up with brilliantly. And I don't feel that it was all of a sudden Willow was gay. There was something right away with Tara but it easily could've just been a magickal connection because they both had so much powers and it grew from that.
Oz & Willow, Tara & Willow, Buffy & Angel and Buffy & Spike were all great relationships that showed so much emotion. Willow and Kennedy never had any real emotion at all. To me that was the most disappointing and most unenjoyable thing about season 7.
Firefly Flanatic | July 28, 08:15 CET
Angela | July 28, 08:32 CET
I don't think that relationship was rushed at all. That said, I do agree that Kennedy wasn't Willow's type, and I've been able to fan-wank it away so that Kennedy was her rebound girlfriend. I don't have serious issues with that relationship because rebounds happen sometimes. I don't see them staying together.
Angela, I've talked to a few people who love Kennedy. My brother thought she was cool. I think Kennedy haters might be in the majority, but Willow/Kennedy shippers are out there.
electricspacegirl | July 28, 08:52 CET
Angela | July 28, 08:59 CET
As for Deus Ex Machina, even when the definition is agreed on, it can be more complex as to which story elements fit the bill.
The one element that is truly one as far as I'm concerned, is the amulet at the end of S7. Came out of nowhere, no foreshadowing or link to anything preceding, yet the plot could not have been resolved without it.
Olaf's hammer is a weaker example. It didn't come out of nowhere, it had been 'won' by Buffy earlier in the season which mostly rules it out already. Also, it wasn't like it was the main element of the plot or the victory. They used all kinds of weapons against Glory to weaken her, and it wasn't the thing that finally killed her or resolve the problem of the opened gate.
Which brings me to the Summers blood. That just doesn't qualify. Like Blwessels said, it's one of those things you could actually see coming (Not that I did. I thought Dawn would kill herself). They dropped hints throughout the season about them being of the same blood, about the blood of the key being, uh, well the key, about death being Buffy's gift. Not every surprise or twist in the climax of a story is a deus ex machina.
"I think you could, however, argue that Kennedy was herself a plot device meant to resolve Willow, if that makes any sense."
Eh, to me not so much. For one thing, Kennedy didn't actually 'resolve' anything about Willow. She just became the only thing Willow's character was allowed to be about in the last season. They just ignored most of Willow's issues except for her fear of losing control and even that they didn't really take anywhere. I still think Joss was resolved to end the show with Willow in a happy relationship and without Tara, they just went for this.
As for them not being in love, hey I would agree except at the beginning of The Killer in Me all they had were some unconvincing flirty moments which only seemed to scare Willow and yet at the end(where the same type of kiss that caused the whole mess suddenly makes it all better somehow. Tara who?) they walk off like a 'couple' and act, are treated and shown as a couple for the rest of the season, no questions asked. It wasn't built, it wasn't developed like the other relationships and was clearly an 'emergency-love' to end with happy Willow.
"I don't think they were in love either, and I've been able to chalk the relationship up in my head to a person, in the face of tough choices, seemingly insurmountable odds, and grave danger, wanting some measure of comfort and some degree of "connection" to another. "
Sounds like a good view on it. But I have a feeling it's not what we were intended to see. I just really really hope that if those character-movies really take off, and one is about Willow, that Kennedy is an 'ex' by then....
As for some of you guys' explanations for Spike's drowning torture.....well done, you've probably earned No-Prizes, but I can't make it work for me. I still think they really just forgot vampires don't breathe.
EdDantes | July 28, 11:59 CET
But for the writer, the director, the actors and everyone else involved in creating that particularly scene of a show they knew very well by that point and not one person to say "Wait a minute, vamps don't need to breath!" it would take stupidy of a colossal level, far beyond what i think Mutant Enemy is capable of.
I do think that they dropped the ball by not making it clearer what was really being done to Spike and why, however i still feel certain that somebody would have said something about the whole "you can't drowned a vampire" thing at some point before the episode hit the airwaves.
It is just too blatant a mistake to be missed.
Warlock | July 28, 14:13 CET
MindPieces | July 28, 19:10 CET
My memory is apparently appallingly bad. Why do I not remember Spike's attempted drowning????? ...Must have S7 on DVD...can't stand it...
The silver lining in bad memory cloud is that I can watch the DVDs over and over, and little jokes, things other than the major story arcs and plots, are new every time. But the attempted drowning of non-breathing Spike! I must have had too much wine with that episode. The realization that the end was near did cause much drinkage during S7....
Angela | July 28, 19:40 CET
On another topic I think I could describe what I thought of Kennedy. Being European I watched season 7 slightly spoiled (it is impossible to avoid everything, even though I try to hear as little as possible) and had already heard about some annoying new character called Kennedy, before I saw her. I was therefore very curious to see why she was so annoying, but in fact in the first few episodes (up to The killer in me), she was actually my favorite SiT. For example the way she tries to include Amanda in the group in Potential, or that she was most vocal in not giving up hope. After that however, her character became more just the love-interest of Willow, and I too, thought it was not the best relationship of the series. Then she became part of the scooby-gang (which Tara for example never really did) and that simply felt wrong so soon. She didn't deserve those privileges and my opinion of her became definitively negative when she bullied the SiT's around in Get it done.
Celebithil | July 28, 19:40 CET
electricspacegirl | July 28, 19:43 CET
Firefly Flanatic | July 28, 19:48 CET
BTW where do the names Celebithil and blwessels
come from?? What do they mean? I have always wondered over the past few months.
Passion | July 28, 20:38 CET
Oh, correct me if I'm wrong but Angel's coffin is not filled with water when they bring it up in 'Deep Down' so while Angel may be at the bottom of the sea I don't think he was 'drowning' (whatever that might mean in this instance)
As for Kennedy/Willow & the whole idea of forever love, Jane Espeneson described Kennedy as Willow's Riley which puts that relationship in perspective.
[ edited by Unitas on 2004-07-28 20:00 ]
[ edited by Unitas on 2004-07-28 20:04 ]
Unitas | July 28, 22:00 CET
[ edited by blwessels on 2004-07-29 05:30 ]
Firefly Flanatic | July 28, 22:05 CET
[ edited by electricspacegirl on 2004-07-28 20:18 ]
electricspacegirl | July 28, 22:17 CET
Firefly Flanatic | July 28, 22:32 CET
Or how in 'The Yoko Factor', Spike play acts that he's breathing heavy when he takes the discs to Giles. Always wondered about that creative choice.
Unitas | July 28, 22:36 CET
But Kennedy is to Willow as Riley was to Buffy? Pardon me for Urghhh . . . I see Jane's structural point - the getting-over the great lost love bit, but the two are so unlike in every other way. Kennedy was all me-me-me: I want Willow, so I'll have her; I want things to be done my way, despite my complete lack of experience - in fact, I'm used to always having my way because I'm a spoilt rich girl. Afraid to say I disliked her from the get-go, and I practically cheered when Faith shut her down at the meeting in "Empty Places". Although I wanted to like her at least for her apparent devotion to Willow, I read her motivation as being, purely and simply, attraction to the one with the most power. She sure said that herself enough.
SoddingNancyTribe | July 28, 22:38 CET
Unitas Like Willow
Unitas Want Willow Happy
Unitas see that Kennedy Make Willow Happy
Unitas Happy
Not very sophisticated but hey, what you gonna do. One more thing...
Unitas still bitter Amber Benson turn down contract offer
Unitas realize this makes him petty
Unitas | July 28, 23:10 CET
Unitas, I remember in 'Deep Down' that when Wes winches Angel's box up from the ocean, a solid stream of water is seen to be gushing out from what looks like a good-size crack at the bottom of the box. (You tend to recall certain things pretty clearly after you've watched them, oh, twenty or thirty times...) It was hard to tell in the underwater scenes whether or not the box was also full, but Angel was definitely water-logged when he emerged, his clothes damp and his skin damaged (which may have been caused by his starvation, but was likely exascerbated by exposure to salt water).
I figured at the time the box was designed so water could get in on purpose -- to insure its lack of bouyancy so it couldn't hold enough air to pop up to the surface and permit Angel's escape, and also so that Angel would remain as uncomfortable as possible. I doubt he would have minded the ocean cold so much, being dead and all; his body would have simply equalized with the water's temperature surrounding him. He could, however, be perpetually wet, with all the attendent decay and salt irritation that would entail. Not to mention what it did to his hair gel. ;)
Wiseblood | July 29, 00:37 CET
Invisible Green | July 29, 02:45 CET
Unitas | July 29, 03:45 CET
I agree that it is almost too collossal a mistake to make for the ME people, and I personally wonder if they wanted to show some other torture than beating him up that would still pass the censors, and it's not feasible to have an Ubervamp hook up electrical wires to Spike. So they settled on this. And it's not all that important, but it still just doesn't work and it still bugs me when I see it. "Just lie still, ya moron!"
"I agree with Unitas that internal nitpicking is itself a bit odd - I mean, once we accept slayers, vampires, werewolves, on what grounds can we really demand biological consistency? Nevertheless we do, because we care. :)"
Exactly. And things should still make sense within their own mythology. If we start saying none of it matters, than we can have Spike suddenly walk around in the sun without explanation, because hey, vampires don't exist anyway so what does it matter. That's just not how it should work. Things should make sense within their own fantasy rules.
I can forgive a lot. I mean Angel is able to talk, therefore breathe, but he couldn't give Buffy cpr? Doesn't work either, but it was an important and emotionally powerful moment at the end of S1, so I can overlook it. And as you all point out, the actors often breathe heavily to show exertion which is nonsense too, but things that small, I can't care that much. In the torture scene with Spike, for me it was just kinda too big to ignore and too unnecessary, and lacking a 'greater good' like with the cpr thing to forgive so easily.
" Angel wakes up screaming in his coffin. Angel is thrashing about in his coffin (pov is from top of the inside of coffin) and it is pretty clearly not filled with water. We can hear Angel's screams (difficult submerged) and there is no thrashing of water in any manner. Perhaps this is more a practical filming matter (don't want to kill the star after all) but it does seem to indicate that Angel is not drowned during his summer vacation."
Kinda irrelevant, because he was still without air pretty quickly, which is what this whole thing is about. They don't need to beathe. Which has been established numerous times throughout both shows. Angel's stay at the bottom of the ocean just confirms it again. Wether the box was airtight or filled with water doesn't matter. He couldn't breathe and it didn't matter for his survival. The prospect of spending the next several decades, if not 100 years or so locked in this tiny box would make me scream too btw...
"Kennedy was all me-me-me: I want Willow, so I'll have her; I want things to be done my way, despite my complete lack of experience - in fact, I'm used to always having my way because I'm a spoilt rich girl. Afraid to say I disliked her from the get-go, and I practically cheered when Faith shut her down at the meeting in "Empty Places". "
Right there with ya.....right there with ya....
Oh btw, Anne Rice's vampires didn't have sex or erections. None of their organs worked anymore so she could bypass a lot of that. I have no clue as to how a vamps blood moves around in his body in the Buffyverse but I'm glad Joss left his vamps with sexual prowess....made for a lot of hot scenes!;-)
EdDantes | July 29, 05:15 CET
Celebithil | July 29, 12:38 CET
Keep on posting!!
Passion | July 29, 16:51 CET
The drowning of Spike never bothered me that much - I always figured vampires didn't need to breath but they felt more comfortable if they did it since, as mentioned in above posts, you see them breathing all the time.
The erection issue: never thought about it too much, just figured if there was blood and pressure all systems would be "Go". Good thing too - makes for an interesting show, besides Spike and Angel without that ability...well it would be a shame!
Now the thing I wonder about is - if vampires don't cast a reflection how come they can be photographed?
[ edited by Passion on 2004-07-29 15:09 ]
Passion | July 29, 17:01 CET