A Tale of Two Networks:
Is Buffy responsible for the WB/UPN apocalypse?
Doubtful, I say, but it would have been hilarious if Gail Berman showed up at that meeting with a yellow crayon.
January 29 2006
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billz | January 29, 13:26 CET
I would have to agree with the writer that the UPN never quite found an identity.
So, are the two networks combined going to be any more successful?
palehorse | January 29, 15:02 CET
Meanwhile the competition is erroded somewhat, though it must be rememebered that the stations that arnt gonna be part of the CW, arnt simply going to disapear. Some such as the Fox owned, former Chris Craft stations, will be able to offer competitive content still. But overall they'll be less competition.
Ocipital | January 29, 18:00 CET
SlayerTV | January 29, 19:17 CET
And boys, and people of all ages (not to mention a favorite of academics).
zeitgeist | January 29, 19:41 CET
billz | January 29, 11:26 CET
Snap? Alright, billz! LOL! You took the word right out of my mouth. Or...my hands...on the keyboard...or...oh never mind.
: )
Anyway, good article. I worked in TV for years so none of this really surprises me, but I think it's a very good read that sheds light on How Things Work in The Biz. Someone once said that there are two things that drive decision-making in the entertainment industry: Fear and Greed.
(20th Century)Fox wanted $44 million for a single season of "Buffy". There's your Greed. UPN paid $50 million because they were filled with Fear that someone else would get that desired demographic: the youth audience. (If they're asking that much for shows they liked, how much are they asking for "Firefly", which they hated and ran into the ground? Just wonderin'.)
And everyone's asking about the fate of Veronica Mars. I'm thinking that she's going to be just fine. I'm wondering what the new CW conglomeration is going to bring for Girlfriends and the other "urban" cast shows that populate UPN (Urban People's Network)? And will The CW be daring enough to try to ease up on the sitcoms and give us dramas like Gilmore Girls or even Charmed...with maybe some "ethnic" protagonists?
Know what I mean?
AmazonGirl | January 29, 19:46 CET
This is plan B.
Janollari & Co are out!
Could this be why we have got such foggy comments about the Spike movie? The WB person answering the question did not A. ) Know if he would be around B. ) Did not know if there would be a network next year???
Jonas | January 29, 20:21 CET
Living in the UK it is hard to go a day without seeing or hearing some mention of a soap opera like Coronation Street or Eastenders. Despite the fact that these series are predictable, poorly written and in some cases extremely badly acted, not to mention occasionally ludicrous in development, it is perfectly acceptable to watch them, night in, night out, and talk about them the next day as if these characters were part of your every day life. Doesn't matter that there hasn't been an interesting development on Coronation Street for two decades or more, it's a British institution and therefore okay to watch.
Now, watch a show where the writing, acting and development is second to none and predictability is a rare occurence but then dare to add a little fantasy into the mix and you are watching a show for teenage girls! Sorry, did those nasty Mutant Enemy people attempt to add a little too much quality to your daily diet of soap opera dirge? Shame on them!
Anyway, enough ranting ...
It is interesting that Buffy could be considered to be such an almighty influence on the impending destruction of two networks. If that is the case then Buffy certainly proved a double edged sword for both the WB and UPN. Seems to me like the WB especially may have cut off their nose to spite their face with cancelling Angel on top of losing Buffy. They were apparently very much aware of what they had lost in letting go of BtVS and yet they still chose to alienate the rest of what could be considered their core audience by getting rid of the only Whedon series they had left? Regardless of the cost of licensing the show from Fox i still think it makes for a very poor business decision.
Buffysmglover | January 29, 20:34 CET
I actually think this move could make a series of Buffyverse TV movies more likely. With a wider broadcast market and a lineup of solid hits and critical favorites, the CW network execs would probably feel safer risking $15-20 million or so on that series of four movies we've been hearing so much about, or even just spending the $3-$5 million it would take to get a decent Spike movie. If it doesn't succeed, they'll be able to take the financial hit, and if it does, that might open the door for more programming from our favorite 'verse.
Also, I think this kind of network could be EXACTLY what the old Mutant Enemy writers need. If the CW really wants to go after the youth market, and I think that's what they'll angle for, then they'll need shows that are smart, witty, hip, and cutting-edge. (I would just like to apologize to everyone for the use of the word "hip.") Shows like Firefly, Miracles, Wonderfalls, and The Inside could have been big survivors on this network...and those writers are capable of coming up with more of the same. Could you imagine a Minear fantasy series as the leadout for Smallville? An Espenson comedy behind Gilmore Girls? A Greenwalt horror series paired with Supernatural? A Noxon girl-power show leading into America's Next Top Model? Best yet, a Whedon creation backing up Veronica Mars? CAN YOU IMAGINE DREW GODDARD ANYWHERE ON THIS NETWORK?
Think of the possibilities...
BAFfler | January 29, 20:44 CET
Then, after Joss and Co. do exactly what they were supposed to do (stop the soap opera format to make more standalones, and cut costs by increasing the time spent on-set), the WB cancelled one show from its primetime lineup--ANGEL. Logic dictates that you cut the show that costs the most money and shows the least results. Nobody here is denying that Angel was an expensive show to make, but it was getting the job done and doing what was asked of it. Ridiculous business move.
BAFfler | January 29, 20:55 CET
Lioness | January 29, 21:11 CET
cmbackshane | January 29, 21:57 CET
Yes. GG's first season and Buffy's fifth ran concurrently, beginning in the fall of 2000.
keever | January 29, 21:59 CET
Invisible Green | January 29, 23:23 CET
k8cre8 | January 29, 23:49 CET
[ edited by Nebula1400 on 2006-01-29 23:12 ]
Nebula1400 | January 30, 01:10 CET
Loved this article though - great find Allyson. I have high hopes for the CW and I think because they are delving into the reasons why the WB failed and putting a lot of the blame on their mishandling of BtVS I think it shows they want to try not to make the same mistakes. I hope this also means that they will take a good look at writers from Joss' shows and give them a chance to create something unique. Of course I'd love them to give Joss a job but I think he is pretty busy right now so he may not be available.
Firefly Flanatic | January 30, 01:51 CET
The comments about Buffy being a runaway with teenage girls is incredibly annoying but the fact that the article cites losing Buffy as the WB's biggest downfall mistake I find incredibly entertaining. I've said for years how disgusting it was that they let go of the show after 5 years yet let shows of less quality continue. The only thing the article could have mentioned was Angel. Cancelling Angel is what I see as the real FINAL stake in the network. It's fallen ever since.
So, as much as once upon a time I loved the network and am sad to see it go, it's lovely to see that after all the crap Joss had to put up with, he, and all the fans, are finally able to feel some sort of vindication with the whole mess.
zimshan | January 30, 02:55 CET
Still, I'm enjoying the idea that the WB's gross mishandling of BtVS (and AtS) has led to its downfall.
punkinpuss | January 30, 06:29 CET
XanFan32 | January 30, 06:35 CET
SoddingNancyTribe | January 30, 09:02 CET
Eric G | January 30, 10:46 CET
If I am not misinformed ( please correct me if I am) one of the reasons that few shows survive beyond 5 years is that many contracts for cast and writers promise nice pay increases if the options are picked up for additional years after the first five.
A large part of the shows cost increase was to pay for cast and writers, money well deserved but someone still had to pay.
It can be argued that Fox studios made a lot from the DVD's but I suspect that is still not taken into account when they price the show for a network.
The other ways for a show to cut costs, more indoor scenes, less special effects and letting some of the cast leave isn't options that we as fans like, at all.
jpr | January 30, 16:26 CET
And Angel was the only show that not only survived but thrived in the tough Wednesday 9 PM timeslot. Apparently the WB thought that it was the Smallville lead-in that was keeping Angel's ratings high, but The Mountain, Jack & Bobby and High School Reunion only getting less than half the ratings of Angel proved that theory wrong. So now the WB's basically lost Wednesday, which was one of their strongest nights with Smallville/Angel. Very bad decision, for lots of reasons. And right after they cancel Angel, their #2 show in the 18-49 demographics, because it "skews too old, with not enough teenagers and not enough females," they announce that they're trying to attract the older male 18-49 demos with Blue Collar TV. Um, morons, you HAD that demo and just threw it away...
deanna b | January 30, 17:09 CET
Anyway, UPN really fared no better. They already knew they would lose money with BtVS, but that wasn't their goal. The UPN was trying to break out of their 'Wrestling' image and they saw BtVS as a way to do so. Popular television show, so what if it drives us in the red as long as we get watched.
This is old news and, to be honest, I'm tired of going over it again. I hope that the CW is successful. I also wish that Dawn remembers the relationship she had with Joss and something becomes of it.
Madhatter | January 30, 23:00 CET
Yeah. Me neither. I mean, think about it...that kind of pairing could never happen. It would be as weird as Cordy and Connor!
Oh, wait...
BAFfler | January 30, 23:01 CET