Out of the Red and Into the Black?
A poster to the Newsarama boards does a break-down of Serenity's financial performance so far, saying it's not "exactly made a huge amount of money" but is "no longer climbing out of the red."
Click through for the whole item. He seems to try to account for the split of the take between studio and theaters, for example, but industry stuff like this makes my head hurt.
So, to those who understand such things: Does this seem correct to you?
February 18 2006
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Zoic_Fan | February 18, 07:54 CET
The other thing is that the amount of profit off of the DVD is probably closer to $9 and not $12. Without going back and redoing his math, Serenity is probably at breakeven (without trying to factor in the time-value of money in the initial investment) with the first few weeks of international DVD sales. He also didn't factor in PPV licensing revenue, airplane release, or other licensing.
His $11M in profit is probably a bit ambitious.
TamaraC | February 18, 08:12 CET
nixygirl | February 18, 08:27 CET
lalaa | February 18, 09:00 CET
Christopher | February 18, 09:03 CET
RavenU | February 18, 09:06 CET
Firefly Flanatic | February 18, 09:24 CET
I think there are a lot of expenses that almost all of these fan profit estimation completely overlook. I am no expert in Studio and DVD finance, but I do know a (very) little something about corporate finance.
I still think Serenity will be nominally profitable eventually. I just am estimating that it isn't there yet.
TamaraC | February 18, 09:44 CET
But they do get the money retailers paid for their units of the film. So while they may not see the $10M rental profit, they still made money when rental outlits had to pay $30 per copy.
The Dark Shape | February 18, 10:49 CET
Well we can hope, but I'm just not ready to invest in that to be honest.
nixygirl | February 18, 10:56 CET
TamaraC | February 18, 10:56 CET
On the other hand I walked into my local video rental store in Australia a couple of days ago to see a fairly large number of Serenity DVDs with the Australian cover and I have to say that I thought it had the most outstanding cover in the new release section.
To say that the Australian DVD has a more appealing cover than the U.S. DVD is the understatement of the year.
Zoic_Fan | February 18, 11:48 CET
Uni Home Ent have out done thenselves in Oz
nixygirl | February 18, 11:52 CET
That's what I thought too, but someone on Home Theater Forum explained that some of the larger chains (not the independent mom and pop places) have some kind of arrangement...the details of which completely escape me.
willbueche | February 18, 12:31 CET
This site has a breakdown of a typical box-office success story (tho' FSM knows why) 'Gone in 60 Seconds' and it's really not encouraging for those of us hoping for a sequel (to the BDM that is, not, heaven forfend, Gi60S). 'Serenity' is almost certainly still in the red.
Agree tho' that the Aussie edition is far better than the US one (even tho' I think the US cover looks OK on the shiny paper). My signed slipcover release came from JB-Hifi last week and it so purty (apart from the typo, grr, aargh). Not watched the extra extras yet, probably get to them this weekend (don't wanna blow 'em all in one go ;).
Saje | February 18, 13:17 CET
I'm still hoping that FOX will come to its senses and revive the series for the little screen, perhaps on a cable network, but it's a vain hope. If FOX doesn't do it, another company would have to buy the rights off them, THEN be able to afford actual production. Sadly we've probably seen all the stories Firefly has to offer in terms of television or the silver screen. Fortunately, there's comic books and novels and the like. There's still more stories here, but not enough of a mainstream audience to get those with money to gamble on our Big Damn Heroes.
ZachsMind | February 18, 13:43 CET
Even if the Serenity blew away the box office, a sequel most likely would not be announced for atleast a year if not more. Even Joss has stated himself in numorus articles and posts that he doesn't know what the future holds for the franchise. How can we think we know if Joss doesn't even know? We just need to be patient and let the DVD sales contiune to increase and see what happens in a year or two IMHO.
haven | February 18, 14:34 CET
Simon | February 18, 14:56 CET
Personally, I'd say give it 2 years and it'll probably be into the black for Universal.
That said, studios tend to make sequels for franchise material, or that will just make a lot of money. Serenity, I'm not sure if it worked as a movie franchise. Really great movie, really hard sell.
gossi | February 18, 15:41 CET
Are you sure about this kind of figure? I mean, in france, the marketing cost was probably 2-3 euros maximum... :P
Le Comité | February 18, 17:42 CET
Which, of course, I'm not saying is a bad thing: 2005 was a really cool, really surreal year for me, and a great many of us I'm sure. It really was a party at Universal's place for Whedon fans.
gossi | February 18, 19:03 CET
As I posted on newsarama.com, with so many different costs and incoming revenue it's no wonder there's such thing as "Hollywood accounting" where they make successful movies look like they haven't made any money.
Matt_Fabb | February 18, 19:12 CET
Buffysmglover | February 18, 19:19 CET
UIP in Oz were given a budget of a million big ones.
nixygirl | February 18, 19:38 CET
Which is to say, well done UIP Oz for making the money stretch (even if that's US dollars, it still seems fairly frugal, not that it's not a lot of money to me but y'know as far as these things go, not so much. It's probably Tom Cruise's teeth whitener bill per movie).
Hey, Matt_Fab, the whole film accounting thing is a very tangled web which I knew absolutely nothing about before 'Serenity' and now know nearly absolutely nothing about. At least you're staying positive ;).
edited cos Sidney is some bloke who probably wouldn't welcome a Q&A, whereas Sydney is a large city down under
[ edited by Saje on 2006-02-18 18:03 ]
Saje | February 18, 20:01 CET
bschnell | February 18, 20:59 CET
Ooh. And aaah. I didn't realise that bit. Yeah, it was premiered at the Edinburgh International Film Festival in August (actually world premiered, but that bit got lost).
UIP in Oz were given a budget of a million big ones.
Actually, I heard a similar figure for the UK. In terms of currency rates it'd work about double, though.
[ edited by gossi on 2006-02-18 19:25 ]
gossi | February 18, 21:23 CET
So the ten million in rental revenue is correct. That's the revenue the studio got from rental. Beyond that, the rental chains also made money.
willbueche | February 18, 22:06 CET
gossi | February 18, 22:43 CET
Risking 50+ million to make a 25 million profit makes some sense, especially when you can increase the profits if you have a success by way of sequels. However, now that it seems clear that Serenity will be only marginally profitable, what would such a profit estimate look like for Serenity 2? If you say that it only has a 5% chance (which is, if anything, generous at this point) to make serious profit, then the calculation would look like this: 0*.95+100,000,000*.05=5,000,000
Risking 40-50 million to make 5 million just doesn't make any sense. Just put your money into treasury bills and you can make 5 million after 2 years, without any risk (other than inflation risk, I guess).
Perhaps a straight to video sequel might make financial sense but only if the budget is seriously slashed, and I would think it would have to be cut by much more than the previously mentioned 40-50%.
[ edited by rkayn on 2006-02-18 23:18 ]
rkayn | February 19, 01:17 CET
To follow up on what gossi said, costs can eat up nearly all the foreign gross that "appear" to make even a hit movie profitable. Overseas, Serenity was reported to gross $13M. However we don't know what sort of distribution arrangements, revenue-sharing, pre-sales or other exchanges may have been made prior to the production.
The author of the Slate article listed above keeps a site with examples of how various accounting arrangements can make studios money, or lose them. Of particular interest is this discussion of "The Foreign Mirage" using the example of Gone in Sixty Seconds, which grossed $129M in foreign receipts, of which Disney ended up with only $17M.
The writer points out that after all the expenses, "the studios are lucky to wind up with 15% of what is reported as the foreign gross." In the case of Serenity, that's less than $2million.
Whedonage | February 19, 22:22 CET
IMForeman | February 23, 06:41 CET
LOUiE | February 26, 06:28 CET