February 24 2006
Joss Whedon interview on this morning's Phil Jupitus breakfast show
on BBC 6 Music. It should be transmitted some time between 9am and 10am GMT and can be listened to on DAB digital radio, online or interactive TV.
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ZachsMind | February 24, 12:03 CET
I suspect this is bound up with DVD promotion - but why oh why didn't Joss and cast get decent TV exposure prior to the movie's opening? I do wonder what efforts were made.
SoddingNancyTribe | February 24, 12:15 CET
TamaraC | February 24, 12:25 CET
Caroline | February 24, 12:52 CET
As for a lack of exposure on television prior to the movie's actual release, I have various conspiracy theories about this. Essentially the whole Firefly/Serenity franchise is anti-establishment. One can easily see correlations between the Alliance and present day America. Or more specifically the corporate mentality of monopolizing and entering smaller countries with the intent of improving things but actually just gutting the resources and making profits that don't help the community. Why would any big business invest marketing support for a show that's basically telling big business to buy a vowel?
[ edited by ZachsMind on 2006-02-24 11:03 ]
ZachsMind | February 24, 12:54 CET
Caroline | February 24, 13:06 CET
I think Universal didn't have a clue how to market the movie (it's not one that can be pigeon holed easily) and in the end used it as a test case to try out 'novel' marketing ideas. For example, inviting bloggers to screenings (which managed to backfire on Universal somewhat).
Simon | February 24, 13:15 CET
gilesno1fan | February 24, 13:26 CET
...I may also need to edit it a bit to cut out the music before posting it.. somewhere. The song playing right now is putting me to sleep. I'm open to suggestions, or hopefully someone with better resources will be able to beat me to it.
ZachsMind | February 24, 13:46 CET
Joss: 'The great thing about working for a large and stupid organisation...'
Caroline | February 24, 13:48 CET
Simon | February 24, 13:53 CET
Woah. We were listening to the same thing and hearing two complete different conversations. I like to think Whedon would find that amusing, because much of his work involves different characters looking at reality and seeing completely different things. Which is very alright. I still think that other guy, don't know his name, isn't qualified to critique a scifi movie if he can't appreciate the blending of genres or the choice to avoid obvious plot devices like aliens because they've been done to death.
Whedon does appear to "have a knack" at doing things "ass about face backward." He wrote a moderately unsuccessful movie that became a moderately successful tv series. He produced a television that was entertaining but not financially lucrative, and from that produced a movie that's actually paying for itself... AND is entertaining. He's consistently been entertaining you can say that much about Whedon, making things that we love not just what we like.
"I've got it covered."
So... should I stop recording then?
ZachsMind | February 24, 13:54 CET
You can stop recording, Zachsmind, I'll put up the file within the next 30 mins.
Caroline | February 24, 13:54 CET
Good thing you are Johnny-On-The-Spot there Caroline. My recording came out too soft and amplifying it makes it sound icky.
ZachsMind | February 24, 14:00 CET
Part 2 (3,9mb)
Caroline | February 24, 14:11 CET
sorchasilver | February 24, 14:13 CET
(Disclaimer: am huge Jupitus fan, love him on Never mind the Buzzcocks)
Caroline | February 24, 14:19 CET
And thanks, BTW.
Saje | February 24, 14:20 CET
I don't recall Whedon mentioning the Spike movie in this interview. Please correct me if I'm wrong. There was brief talk about Ripper, but Whedon quickly changed the subject. Doesn't seem like that's even a pipe dream for him now. The window of opportunity has passed, and was perhaps never even there. It's possible that the Ripper BBC miniseries idea was just an option they explored in the last seasons of Buffy when ASH was commuting from England to California and wanted an out. Whedon was perhaps trying to think of ways to keep ASH in the franchise while letting him spend more time with family. They were just never able to hammer it out. I strongly believe there's still merit there, and Whedon would be able to finally do one of those "mature for adults" works like some of the cool cerebral British mystery dramas. If he poured on the straight horror, and kept the humor properly dry it'd be one of the best things he ever pulled off, and ASH can only mature further into that role for that vehicle as he gets older. Poirot eat your heart out.
ZachsMind | February 24, 15:14 CET
gossi | February 24, 15:36 CET
herb | February 24, 15:43 CET
Yeah, but in fairness that's a family name that's been handed down through generations of Whedons. Who knew he'd take it as an instruction ?
Saje | February 24, 15:49 CET
gossi | February 24, 16:06 CET
"It's possible that the Ripper BBC miniseries idea was just an option they explored in the last seasons of Buffy when ASH was commuting from England to California and wanted an out. Whedon was perhaps trying to think of ways to keep ASH in the franchise while letting him spend more time with family."
I'd felt for a while that that's where the show was supposed to fit in, there's a line after Giles' return where he says (something along the lines of) "Met up with some old friends, almost made a new one", which sounded like it could be referring to some possible never filmed pilot of Ripper.
[ edited by Ghost Spike on 2006-02-24 14:23 ]
Ghost Spike | February 24, 16:22 CET
Buffysmglover | February 24, 17:03 CET
janeway216 | February 24, 17:07 CET
Caroline | February 24, 17:08 CET
Paul_Rocks | February 24, 17:20 CET
Interview Part 2
My server is much like the Rum Tum Tugger: for it will do as it do do, and there's no doing anything about it.
Happy to be able to help out.
janeway216 | February 24, 17:28 CET
Mehitabel | February 24, 17:30 CET
What a wonderful interview, thank you!
You can compare me to The Clash any time you want to. Heh heh.
chickenbird | February 24, 17:58 CET
If a physical description would help with the memory jogging, he's got a goatee beard, short dark hair and is quite a big fella (or did/had/was the last time I saw him on telly).
Saje | February 24, 19:03 CET
:: snicker, snicker ::
Great interview. Thanks for the links!
Syren | February 24, 19:09 CET
Not possible. Joss didn't write it.
"YOU KILLED WASH YOU BASTARD."
Those damned gaelic surnames.
Actually when I first read (yeah i purposefully spoiled myself for the movie so there) that Wash was dying in the film, I couldn't believe Whedon would go there, and perhaps that more than anything is precisely why he did kill off Wash, because we the audience wouldn't have expected it. Book okay that's understandable. You gotta kill one major supporting character in a movie like this to show that anyone can die. Otherwise you have James Bond, where you know he's going to survive falling out of an airplane without a parachute you just don't know how.
I'm glad I spoiled myself for the film because I had to prepare myself. Wash is perhaps my favorite character in the Firefly pantheon from a perspective of ..well, perspective. I relate to Wash better. He's the observer - like Xander in Buffy or (to a lesser extent) Gunn in Angel. He's not strong like Zoe or in charge like Mal and he's not crazy like River or has the power to heal like Simon. He's just a guy. He's actually Xander With A Car. Wash is the guy who gets the others to their destinations, but except with perhaps the mule (in the series) he doesn't really have strength in a fight. So he's the observer. We kinda see things through Wash in the series and if you watch him carefully, throughout the film Alan Tudyk's job until he dies is to observe and react, and he does so much with so little the guy's just an awesome supportive actor, like Dan Ackroyd in Driving Miss Daisy. Tudyk's not only a good actor in his own right but he knows how to make everyone on screen with him look just a little bit better. Powerful talent there, knowing how to lend focus and when to steal it. "Let's get to the beacon." "Let's talk to Mister Universe."
The guy's just awesome. His timing is impeccable. And of course Whedon knows Tudyk's strengths and he perhaps abuses those strengths just as he knows that Summer performs from her feet UP and he purposefully utilizes his people's strengths to a fault.
But Whedon kills Wash at the moment he does in order to kickstart the entire final stand at the end of the film. We really think everyone's going down in that last battle. He had to kill Wash just as any Olympic runner has to place himself at the starting block in just the right way to maximize the effectiveness of that first push at the sound of the gun. Wash dying launches us into the last twenty or so minutes of the film. It would not have had the dread and intensity that it did if Wash left the cockpit unscathed.
So as much as it hurt to say goodbye to my favorite character in the show, I'm glad Whedon killed off Wash. I wouldn't have it any other way.
[ edited by ZachsMind on 2006-02-24 18:43 ]
ZachsMind | February 24, 20:41 CET
I've been there, man.
Thanks to all the file putter-uppers :-)
[ edited by giles (yes, it is my real name) on 2006-02-24 21:49 ]
giles (yes, it is my real name) | February 24, 23:36 CET
But the interviews are great and I liked hearing a bit about his beginnings. I knew all about Rosanne, etc but had never heard Joss talk about it himself, to my knowledge.
Lioness | February 25, 01:13 CET
Mainlining Whedon. Oh yeah.
barboo | February 25, 08:48 CET